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Innocence In Toni Morrison's The Bluest Eye

Decent Essays

In Toni Morrison’s, The Bluest Eye Pecola Breedlove’s life is told through the perspectives of her peers and acquaintances which portray her as a poor, unfortunate, and ugly black child. She goes about her life being beaten down at every opportunity, almost literally, and her singular wish for blue eyes signifies her silent plea for a life better than the one she’s currently living. Pecola exists in her life like a doormat, to be stepped on, soiled and lost in the demented world that criticizes and dehumanizes her. Pecola Breedlove’s search for justice begins and ends with her singular wish for eyes she believed would make the world view her differently, a wish that represents her innocence as well as her knowledge of the cold reality of social …show more content…

Whenever she’s around people use her as an excuse, blaming her for when something goes wrong. For example, when Louis Junior tormented Pecola and knocked into her, throwing and killing his mother’s cat in the process he immediately blames Pecola for it’s death which she not only takes to heart, but is then kicked out of the house by his mother. There are many other situations like this such as when Cholly revisits the bitter memory of his ‘first time’, and in which Pecola (in the wrong place at the wrong time) is punished and chastised for what she has no control over. At every chance she has to make friends, or do something fun she always finds herself at the brunt of every other character’s emotional destruction. Her “ugliness” that the others like to speak of so often remind them of their own ugliness, and just as it makes Pecola feel, they know they can’t run from it or change it so instead they lash out, justifying their own insecurity by committing all their unjust thoughts and actions upon her. In consequence Pecola only has experience with injustice, and therefore her wish for blue eyes is a way to reach for the justice that escapes …show more content…

Toni Morrison does this to convey that people often only try to understand someone and their problems once they’re too far gone to help. Pecola’s conversation with her own imagination gives the unfortunate circumstance that Pecola finally has a friend she talks to, but it’s one she’s had to create herself. Not only does this reveal that she’s been abandoned by even characters who caused her harm, but also that her imaginary “friend” isn’t formed from a child’s imagination but is an escape from the darkness that she’s witnessed. Finally having access to the inner working’s of Pecola’s mind it’s clear that her way of thinking has been altered, for example she thinks that all the stares she’s been getting from people in the town are because they’ve noticed her “blue eyes”. In reality her eyes haven’t changed color, and people are staring at her because they know she’s pregnant with her father’s child. As the novel progresses it’s not clear that the lives of other people are really affecting Pecola because she’s seen by everyone to take what she’s given and move on. However there’s a piece of the novel that’s confusing up until Pecola’s breaking point. That being the titles of the chapters, which starts out as a chapter on its own. “Here is the house. It is green and white…”, this simple paragraph is repeated, each time losing

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