Is Digital Language A Fixed Language?

Falling in love with detailed art work, he decided to attend the Rhode Island School of Design in which he earned his Bachelor of Fine Arts Degree in 1978. He started as an illustrator for other authors until his imagination and experience took over. His genre is mostly comprised of imaginative literature for pre/beginning readers. Some of his own book illustrations are single combined with doubled paged artwork.

Robert MacNeil, a writer of many great historical articles, was once, a journalist and news anchor. In his article, “English Belongs to Everybody”, MacNeil responds to the fear of many Americans who believe that Spanish will soon sweep over English. He argues that English can not be diluted by any other language as “it has prospered and grown because it was able to accept and absorb changes,”

His indentures required him to study at evening classes under the noted sculptor Albert Toft (1862-1949) at Camberwell School of Art. At evening class, Toft taught Harradine design, life drawing, and modelling. Nominated for election to the Royal Academy of Arts (1906-1920); Albert Toft unfortunately, was destined to remain an unsuccessful candidate. Harradine was influenced by Mark Villers Marshall (1843-1912), George Tinworth (1843 - 1913), and John Broad (1858-1910) who were the leading modellers of the day. These last two modellers were employed at Doulton’s Lambeth pottery. Of all these artists, Harradine perhaps owes more to Broad, and whose style he is thought to emulate. Harradine was self-assured, with a broad outlook on life and a warm humanity. Out of his indentures at the Doulton studio, his former instructors accepted him as their equal. At times, he could also be rebelliously outspoken by the constraints of the factory

He started studying at the Royal Academy in London and married Esther Kenworthy in 1883 then moved to St. John’s Wood. They lived in a purpose built artistic colony .”Early in his career his works appeared similar to the the works of Sir Lawrence Alma-Tadema” and he painted many distinctive painting and was influenced by many talented artist before him. He produced over 200 paintings during his lifetime including “The Lady of Shalott,” “Boreas,” and,“The Crystal Ball.” “ He painted many excellent portraits of women”. His paintings were rich for their color, and was neglected through most of the 20th century. He produced works of mythological and literary themes through the 1890s and 1900s. He taught at St. John’s Wood art school between 1892 and 1913. He left no diaries or journals, and died of cancer in 1917.

using water colors and oils, and did excellent pen and ink drawings. He began to make a name for

He liked to base his entire books off of some type of symbolism. Such as the novel The Illustrated Man, in the novel, his tattoos/illustrations symbolize the lure and danger of storytelling, “When I’ve been around a person long enough, that spot clouds over and fills in. If I’m with a woman, her picture comes there on my back, in an hour, and shows her whole life how she’ll live, how she’ll die, what she’ll look like when she’s sixty. And if it’s a man, an hour later his picture’s here on my back. It shows him falling off a cliff, or dying under a train.”

Andrew had quite a vivid memory and a fantastic imagination that led to a great fascination for art. His father recognized an obvious raw talent that had to be nurtured. While his father was teaching him the basics of traditional academic drawing Andrew began painting watercolor studies of the rocky coast and the sea in Port Clyde Maine.

Part of being human is to be ambiguous and unclear about our ways. We don’t tend to follow a pattern, an algorithm that computers depend on to perform their tasks. Language making, for example, is a process that comprises of unusual twists and turns. Thomas argues it would be problematic for a computer to create or expand on a language as we see it today, for it would have to “make the necessary mistakes we humans make…as we build our kinds of language” [Thomas, 84]. Computers were never programmed to make human errors; in fact, they are programmed to counter those exact problems. Our language used today has undergone changes to make it “real

He completed a Certificate in 1965 at Caulfield Institute of Technology then received Associate Diploma of Painting from the National Gallery School in Melbourne. Having received student residencies from New York, London and Barcelona enabled him to immerse himself in different cultures, landscapes and urban images which influenced his earlier work, now his current work is a reflection of his hometown of Melbourne.

never, I believe, made large sums of money by his writings, and the early profits of these charming sketches could not have been considerable; for many of them, indeed, as they appeared in journals and magazines, he had never been paid at all. . . .(chap. 2)

Many of his canvases are adjourned with vivid colors curving into shapeless forms. He applied through dripping and splashing techniques, creating areas of bright color that shaped into prevailing asymmetries. In the 1960s, he experimented with leaving a good portion of his canvases unpainted, which may have been a result to the minimalist movements at the time, but returned to colors that are more energetic in the 1970s. In addition, he was remarkable printmaker and publisher, establishing a facility for print artists, and Lapis Press, which is dedicated to producing artists’ books.

Norman Rockwell was a famous American painter that was born in America in 1894. Rockwell had always grown up wanting to become an artist. In fact, at the age of 14 Rockwell took an art class in The New York School of Art. At the age of 16 it became official, Rockwell left school and enrolled in the National Academy of design. He later on transferred to the Art Students League of New York. While he was there he met Thomas Fogarty and George Bridgeman. They both helped Rockwell become the great artist we all know him for. Rockwell had made himself a successful man before he was out of his teens. In 1910 Rockwell acquired an illustrator job for Boys’ life magazine. Rockwell illustrated his first book when he was just 18, in 1912. He illustrated

Jenny Uglow’s masterpiece chronicles the life of William Hogarth, one of the greatest illustrators in history. The book leads the reader on a journey of Hogarth’s birth, early life, entry into art and his eventual maturity as an artist. It explains that William Hogarth’s birth took place in the United Kingdom in November of the year 1697. He was the son of an uneventful writer and schoolmaster from Westmoreland. In the early years of his adulthood, William Hogarth was an apprentice of a goldsmith. By the year 1710 William began producing his engraved projects (Uglow 23). Later on in his life, William Hogarth began oil painting where he began by painting small portraits groups named ‘conversation prices’. Motivated by the previous projects, William Hogarth proceeded with more projects that contained satirical paintings. The paintings mocked modern customs inspired by early Italian prints. The

Hamilton was born in 1922 in London. His early experiences had gained him a diverse set of skills that came handy in creating unique, unconventional artworks. Hamilton left school at the age of fifteen without any qualifications to work as an electrical engineer. During this time, he found a new passion with drawing, which led him to attend the Royal Academy to study art. When World War II struck, Hamilton had to discontinue his study and started working for the record company EMI as engineering draftsman. This chain of events made Hamilton familiar with science and technology, which he incorporated in various future works. When the war ends, Hamilton resumed his study at the Royal Academy but was then expelled for “not profiting by the instruction given in the Painting School.” This failure led him to enrolling at Slade Schools of Fine Art, where he was familiarized with various ideas of modernism.1

Throughout Stephen’s early life the idea of art is almost lost for him. Stephen always has the idea of art in his mind and can be considered his one true love. The ambition of art did not always influence his thinking and ideals until later in his teenage years. The challenges and mental boundaries he experiences can contribute to the artist he wants to become, therefore making him very open minded artist with traditional Irish roots.