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Isadora Case Study

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Unfortunately as 2017 marks the twenty fifth anniversary of MacMillan's death it was inevitable that we were going to have rather a lot of his ballets programmed during the entire year. I am just grateful that we have had so few of his "challenging" works scheduled for performance and that Lady M. has not managed to persuade the management to disinter Isadora. As far as the Ashton repertory is concerned I am not sure that It has been specifically singled out for neglect as we have not seen much of the Diaghilev repertory either since Mr. O'Hare became AD. It would seem that he is more concerned with commissioning new works for the company, most of which have turned out to be second rate, than performing and maintaining the company's…show more content…
A season which includes Acosta's Don Q possibly his Carmen;Scarlett's new Swan Lake,Frankenstein, Sweet Violets and The Age of Anxiety; Wheeldon's Winter's Tale, Strapless, In the Golden Hour and After the Rain;McGregor's Woolf Works, Limen, Infra and Live Fire Exercise; Dawson's Human Seasons and Schechter's Untouchable does not seem that attractive to me and could prove to be a very cheap season. It seems to me that the real problem as far as the Ashton repertory at Covent Garden is concerned is that his works suffer from not having the active advocate that MacMillan has in Lady M..I am pleased to see that Sylvia is being revived but I can only guess at why Marguerite and Armand is back again so soon.It suggests either that someone significant is retiring and wants to dance it or that someone has agreed to dance in that ballet as a guest artist.From something that Francesca Hayward said in interview last night it would seem that the ballet has now become a work that dancers want to appear in as she said that she hoped that she would have the opportunity to dance it when she is older.We shall discover the reason for its inclusion in the 2017-18 season when the casting is announced, at the moment it just seems part of a very odd mixed bill.
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