Isis Nursing Horus

The myth of Dumuzi, the Shepherd god and King of Uruk, begins with his sacred Marriage with Inanna the queen of Heaven and Heart. On the other hand, Osiris, the god of fertility and first king of Egypt, married his sister Isis, goddess of Healing.

I think about how the world had betrayed this women. They made this woman plump and empty, she does not even have a face. This statue is nude showing everything to the naked eye, she does not have a desirable body. This sculpture shows how much a woman was respected back in the day, which was very little.

Osiris (shown above) the god of the afterlife, or underworld, Osiris was the King of Egypt, murdered by his brother Seth and then resurrected by his sister/ wife Isis as the king of the dead, a king from which every Egyptian hoped to join in the afterlife. Osiris was a god originally connected with fertility, he is known primarily through the story of his death, murdered by his brother Seth over the jealousy of his throne, and

This paper will focus on the Statue of Dionysos leaning on a female figure. Also known as the Hope Dionysos. The statue is displayed at the Metropolitan Museum of Modern Art and is located on the first floor Roman and Greek art chamber. Upon entering this sector, you will notice a grand statue that catches your eyes and captivates you as it welcomes you in gracefully. The exhibition is set up in the back center of the room, and is noticeable due to the largeness in scale and the enigmatic yet calming disposition the statue portrays. My first impression of the sculpture was how detailed and realistic the statue is. Since the statue was so defined you would be able to identify what he was wearing and how his body was shaped to how long his hair was during this time period. I was profoundly intrigued by how peaceful the statue of Dionysos embodied and found myself coming back to it and looking in awe. In curiosity, I would choose this statue for my assignment because I wanted to learn more about the history of the Hope Dionysos. In this essay I will be describing my formal analysis of the artwork, the subject matter behind it, the artist and the historical content of the statue of Dionysos.

Examining the Ancient Egyptian civilization reveals much about the nature of its art. The art was mainly religious in content and purpose and, as the “religious dogma” remained unchanged for nearly 3000 years, so did the art (Piper, 1991: 24). Because Isis and Horus are divine beings, they had to be portrayed “with limited human expression” according to “strict formal conventions, in keeping with their divinity” (Mason, 2007:13). The sculpture is fairly flat on the back side of the throne, for the sake of functionality. It was not “intended to be seen in the round”, but was most probably placed against the wall of a tomb (Ancient Egypt – Myth & History, 2002: 439). In fact, this sculpture was not made

Some Greek deities can also be identified with Egyptian ones, in particular the Greek Dionysus and the Egyptian Osiris. They both preside over fertility, in addition to their other duties. Another similarity is that they are both twice-born. Dionysus was born first from Semele’s womb and then later from Zeus's thigh. Osiris was the son of Geb and Nut and was resurrected by Isis after being murdered by Set. (Livingston, Greek and Egyptian Religious Parallels) Other Gods and Goddesses that are similar include Horus and Apollo, Isis and Demeter, Hathor and Aphrodite, Neith and Athena and Bast and Artemis. (FOOTNOTE GREEK AND EGYPTIAN RELIGIOUS PARALLELS) There appears to be an overlap between many deities in Greek and Egyptian mythologies.

Egyptian sculptures at the exhibition -- flown to Mexico from ancient temples along the Nile and from museums in Cairo, Luxor and Alexandria

Ptah was also a creator god who built the boats that carried the souls of the dead into the Underworld. Osiris was the ruler of the Underworld and husband to Isis, the goddess of fertility and the ideal wife. Isis’ song, Horus, was the god of the sky and depicted with a hawk-like head often portrayed with a double crown. These deities were worshipped daily by the Egyptians in temples built by the ruling pharaoh and his priests. The pharaoh was viewed as the intermediary between the deities and his people. Through his kingship and divine power, he was expected to maintain universal peace and order. Egyptians also underwent extensive and excessive processes to preserve their souls after death through tombs, mummification, and offerings to the gods for preservation of the deceased bodies (“Ancient Egyptian Religion”). The concept of life after death is rooted in ancient Egyptian religion where funerary processes and burial rituals were fundamental and crucial to an afterlife.

When examining the statue, there is an old woman bent and weary. Her posture helps clue us in, with her age and the state of her health. The figure is dressed in cloth that drapes off her body as she carries a basket that is filled with what we may think are offerings. On her head, there are vines that create a band around the top of her head used to signify the festival that was going on during that time. The specific detail that is seen on this statue persuades us to want to know the story of this woman. Doing so, the process involves lots of research about the time and art. During the hellenistic period, artists begin to introduce more inner beauty than physical beauty. There is an opportunity to learn more about the structure itself, then settle for what is given and seen.

Cats in Ancient Egyptian Art: A Visual Analysis of Bastet and the Menat of Taharqo: the King Being Nursed by the Lion-Headed Goddess Bastet

Isis was known to be the goddess of fertility and motherhood. Egyptians say that she was the daughter of the god Keb (Earth) and the goddess Nut (Sky), wife and sister of Osiris, the sister of Seth, Nepythys, and the mother of Horus, the god of day. Isis shown in many photographs with miniature thrones or horns from her head and sometimes with a solar disc between the cows horns like Hathor. She was known to have taught Osiris all the aspects to agriculture. She taught the women to spin, weave, and flax

The sculptures and paint show details how society viewed and interpreted women body, sexuality, and maternity. In addition, revealed that these women were protected from threats around them with ornaments. Civilizations since early times, believed that we were in permanent threat from forces we do not see or cannot explain and because of it, we protected ourselves with artificial elements in a form of jewelry, crowns or caps. This idea has been continue from one generation to the next to the point that in modern societies some of us still use this type of protection in our bodies (e.g., small cross, divine images, tattoos, etc.).These pieces of art also indicate that humans believed in gods with superpowers and they are looking over us constantly. Humanity also believes in dark forces or demons trying to makes us do things that would upset the good gods. Some of the differences between these sculptures and paint are the material in which each one of them were created. The first figure, the Woman of Willendorf was carved in limestone, the second piece, the portrait of Queen Tiye was carved in wood and the last piece, the Virgin and Child Icon was created of tempera on a wood. You can also notice how the details on their faces and bodies changes throughout the time and years. The woman of Willendorf figurine offers details of a voluptuous nude women’s body but there is not face, or feet. Queen Tiye statue shows the face of a woman in detail closed to the gods but without any body parts and lastly The Virgin and Child Icon, is an expression of divinity of the views, reflections and beliefs from the gospel. Because communities started to innovate on the art of carving and painting, populations began to discover and/or create art with the objective of expressing different purposes of our daily lives, such as the beauty of a woman’s body, or to commemorate an ancient

In this formal analysis, the subject is the wall painting Queen Nefertari and Isis, located in Nefertaris’ tomb. The painting shows the ancient Egyptian Goddess Isis “leading” the Queen by the hand. Nefertari lived around 1300-1255 BC and was the first and exclusively claimed wife of the Egyptian pharaoh Ramses II.

I was drawn to this time period as well as these two sculptures. As I researched both sculptures I was fascinated by how much respect the people of that time had for their women. Not only for what they could do for them, but also for what they looked like. They didn’t see the weight and size as a grotesque thing; but more as a thing of beauty. In

I find this piece to be very mysterious. Why does the head become narrow at the top? The face seems to be of an older woman, as shown by the wrinkles indented within the sides of the nose and the mouth, although they are not as prevalent as the one of NYC. There’s a soft jaw line of a woman. What is interesting to me is the indented/concave region of the eyes. Instead of forming an extruding eye with a pupil, the sculptor chose to extract the material to form the eye, unlike the piece we saw of Abu, with eyes stamped with bitumen tar. The lips are very well sculpted, and textured well. It seems like it would mean a lot to a Pharaoh who has lost his mother, or who hopes to forever remember his family. To see the portrait of his family along with himself would’ve made him feel happy and in the presence of his family. I feel this way much of the time when seeing photos of lost family members with me beside them within the photos. It’s like an everlasting memory of that person and being with them in the memory.