Islamic And Islamic Architecture: Islamic Art And Architecture

Two buildings, the Hagia Sophia and the Great Mosque of Cordoba, can show us two separate peoples and their approach to constructing architecture that was devoted to their religions. However, while religion played a huge role, there are similarities as well between the two that show that the rulers who commissioned these buildings were interested in mimicking beauty and showing the world that their building was the most beautiful and perhaps the most elite of its time as well as proving their divinity as a ruler of a great nation.

Beginning with Muhammad’s age from the start of 7th century Islam, Islamic culture and politics have gone a great many events and occurrences. Throughout all of its years, it has boasted both a rich culture and technological/intellectual advancements. The preservation of the Quran, developments in mathematics, and the continued emphasis on respect and charitable nature are just some examples of Islamic achievement. However, as with any growing civilization, Islam has evolved beyond what it originated as. The cultural and political life of Islamic civilization beginning in the 7th century to the end of the Abbasids of the 13th century underwent many changes such as the deteriorating view of women in society and the shift from elected caliphates to dynastical caliphate. But, one aspect that persisted were the religious beliefs and traditions followed by the Islamic people.

The most beautiful building among these is the Mosque. The Mosque was built in early 1990's and is American built, almost entirely by local architects and local artists. There is a fountain in front of the Mosque and a second fountain inside the vestibule. These fountains have come from as far away as Egypt, Syria and Saudi Arabia and are merely for decoration though in older times fountains were used for washing before prayer.

The mosque can be identified by its elaborate squinch-supported domes. The Great Mosque of Cordoba is one of the finest surviving examples of Umayyad architecture in Spain. The mosque has marble capitals and columns in the hypostyle prayer hall. A person enters the hall through an open courtyard called a sahn. Its famous horseshoe arches have an alternated pattern of pale stone and red brick voussoirs

Islamic craftsmanship contrasts, thusly, from such other terms as Buddhist, Christian or Hindu workmanship, for it alludes not just to expressions of the human experience delivered by or for the religion of Islam yet to human expressions of every single Islamic society. Islamic workmanship was not so much made by or for Muslims, for some Islamic craftsmanship was made by Christian, Jewish, or even Hindu craftsmen working for Muslim supporters, and some Islamic workmanship was made for non-Muslim benefactors. The term does not allude to a specific style or period, however covers an expansive domain, including human expressions delivered more than one-fifth of the globe in the conventional heartland of Islam amid the last fourteen hundred years.

Essentially unchanged for more than thirteen centuries, the Dome of the Rock remains one of the world's most beautiful and enduring architectural treasures. Adorned with its magnificent gold dome and elaborate quranic inscriptions, the structure intimately represents the world's second largest religion in a city historically associated with the three Semitic faiths. Representation, however, is not the only effect of this site. Despite its intended purpose, the Dome of the Rock inherently stands as the focal center of a millennium-old religious controversy. Located on what is essentially the world's holiest site (obviously a speculative assertion) and inscribed with proclamations of Islamic religious superiority, the Dome symbolizes far

In post-classical history, Islam was recognized for its loyalty to Allah and its precise rules of religion. Muhammad, founder of Islam, was born from a nomad-merchant class, giving a pulse to the traveling trait of Islam and its literal veins of expansion throughout the Eurasian borders. While keeping the classic code of Muhammad’s original law underway, Islam’s expansion during 600- 1200 C.E. introduced advanced authority and systems of economic control.

The “Terracotta vase in the form of a bull's head” is dated ca. 1450 to 1400 B.C. from the Late Minoan II Period. The material used for the rhyton is terracotta and paint. The inventory number is 1973.35. The vase is located in the Metropolitan Museum of Art in the Greek and Roman Art Department in Gallery 151 at The Robert and Renée Belfer Court.

The Pantheon is an iconic part of architecture, particularly in the mediterranean. Constructed in Imperial Rome, the Pantheon was an incredible piece that forever influenced the basics of architecture. A similar piece, contemporary to the Pantheon, would be the Dome of the Rock. Found in Jerusalem, the Umayyad caliph built the shrine in the seventh century to serve a function as an Islamic shrine. Being the oldest extant Islamic monument known to man, the Dome of the Rock is sacred to both the Muslim and jewish religions.While being in completely different cultures, the Pantheon and the Dome of the Rock share numerous similarities varying from their functionality to the characteristic style of the domes.

Abd al-Malik. The place this mosque is built on is sacred to both, Muslims and Jews. According

Islam had great influences, they also brought the love of art and beauty. Islam also brought learning with them. Then again in document 2 it states, “Nearly every mosque had their

His description of the inclusion of sport, schools, public baths, markets, soup kitchens and places for travellers within the courtyard of the mosque to stay reveals that Istanbul was tolerant of outsiders and truly was the jewel of the Ottoman empire . This description of the Süleymaniye Mosque, while not outright describing the people of the main city of Istanbul, reveals the pride that Çelebi has for Istanbul.

The book that we have chosen to review is titled “Lost History, the Enduring Legacy of Muslim Scientists, Thinkers and Artists”. The author of the book is Michael Hamilton Morgan. The book was published in the year 2007 and also holds the same copyright date. The book is a non-fiction. The main subject matter of the book is the history of the Islamic civilization from the birth of the Prophet Muhammad (peace be upon him)

The region of the Middle East and its inhabitants have always been a wonder to the Europeans, dating back to the years before the advent of Islam and the years following the Arab conquest. Today, the Islamic world spreads from the corners of the Philippines to the far edges of Spain and Central Africa. Various cultures have adopted the Islamic faith, and this blending of many different cultures has strengthened the universal Islamic culture. The religion of Islam has provided a new meaning to the lives of many people around the world. In the Islamic world, the religion defines and enriches culture and as a result the culture gives meaning to the individual. Islam is not only a religion, it is in its own way a culture. It may be this very

Muslims have a faith that Islam revealed in Mecca (Arabia) about 1400 years ago. Islamic culture is a resource academia for the illustration of cultures and traditions of Islamic people. Arabs were the first to depict and demonstrate Muslim culture to the world. Islam originated in Arabia in the seventh century. Islamic empires have been expanded and Muslims got assimilation from different cultures like Indonesian, Berber, Malay, Indian, Pakistani, Turkic and Persian (Kirabaev, 2000).