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Jane Austen's Approach to the Character Emma in Pride and Prejudice

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Jane Austen's Approach to the Character Emma in Pride and Prejudice

'Handsome, clever and rich' are the complimentary words Jane Austen lavishes upon Emma; accurate as they may be, they paint a picture contrary to the Emma portrayed during the first half of the novel. Set against the nineteenth century patriarchal society, structured by the privileges and constraints of money and status, both of which she acquires, a complex mental journey faces her. The journey, however is one she is oblivious to and one to which the predominate barrier is her apparent good fortune.

Jane Austen plays the role of an omniscient narrator providing dialogue whilst also supplying constant commentary into the thought …show more content…

Mr knightley and Emma engage in a heated discussion over Emma's involvement in Harriet's decision to decline Robert Martin's marriage proposal, ' you wrote her answer'. Mr Knightley tries to educate her in matters of the heart, but Emma's intelligence deceives her into justifying her actions, ' I should not feel I had done wrong'. She is blinded by her plans to better Harriet and cannot even begin comprehending how her actions affect others, at this point in her journey she cannot even entertain the idea of changing her ways.

Unsatisfied with Mr Martin as a prospective suitor for Harriet, she selects Mr Elton, the local priests, as being a more appropriate match due not to their compatibility but to his wealth. She takes the idea, supposes it and will ' make everything bend to' it, using a series of methods including requesting Mr Elton write a riddle and drawing a portrait of Harriet she manipulates Harriet's and Mr Elton's thoughts to suit her plans. Having been warned of Mr Elton's undesirable attributes, ' he knows the value of a good income' she is still persistent in forming the match.

The first sign of progress in Emma's journey appears following her miss- interpretation of Mr Elton's manners. Austen provides Emma's reaction to

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