Emma

Unlike Elizabeth Bennet, the eponymous character in Emma realizes she loves her romantic interest in a sudden epiphany. After Emma learns of Harriet’s attraction to Mr. Knightley, realizes that she loves him–and only she must love and marry him. As she believes in a potential engagement between Knightley and Harriet, Emma thinks, “How long had Mr. Knightley been so dear to her, as every feeling declared him now to be? When had his influence, such influence begun?–When had he succeeded to that place

The reader's response to Emma is often a mixture of sympathy and impatience. Select two episodes and discuss them in regards to this statement. Continually throughout Emma the reader feels a mixture of sympathy and impatience for its main character Emma Woodhouse. The novel illustrates her vast change in maturity, which occurs in one year. Due to Emma's personality and disposition she will always get herself into difficult circumstances, but it is the way she reacts to the circumstances

Amy heckerling revives Jane Austen’s Emma into a face-paced twentieth century America. Both texts are interconnected - the 1995 reinterpretation uses consistent core characters, themes and styles electic of the novel of manners whilst also embracing a new setting and set of social values - a recontextualisation into a “teen pic” film served to accommodate for an updated audience. We witness the transformation of setting, from the genteel village of highbury to the microcosmic commercially driven

Taylor, has recently hitched Mr. Weston, an affluent mama who possesses Randalls, a close-by domain. Emma reasons that Harriet's dad probably been a courteous fellow and prompts the guiltless Harriet in essentially all things, including her decision of society. Rather, Emma intends to play relational arranger for Harriet and Mr. Elton, the vicar of the congregation in Highbury. The companionship amongst Emma and Harriet does minimal useful for both of them, a reality which Mr. Knightley, a neighbor and

Emma is reluctant to marry because she fears that she will lose the independence that she has. However, Emma only agrees to marry with Mr. Knightley, as he shows signs that she can still be in Hartfield with him, which is one of the reasons why Emma doesn’t want to marry. There are also many other reasons why she doesn’t want to marry. Emma’s destiny ensures her of independence and security. Why does Emma want to stay in Hartfield after marrying Mr. Knightley? Emma’s opinion on marriage? Towards

Austen begins the novel Emma by stating, “Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence, and had lived nearly twenty-one years in the world with very little to distress or vex her” (1) immediately giving readers the impression that Emma is a young woman whom the readers should respect and grow to love throughout the novel. As we continue reading, however, we learn that while Emma has a good reputation

How has the change in context of Emma and clueless shaped the values conveyed in the two texts? In Amy Heckerlings 1995 film clueless we see the deep transformation of Jane Austin’s more conservative 19th century classic Emma. In clueless we see the values and themes of high culture literature combined with the modern context of teenage society in the 20th century. The transformation of Jane Austen's novel Emma to the 20th century film Clueless by Amy Heckerling allows for the same themes of social

The Flawed Character of Emma Woodhouse      In Emma Woodhouse, Jane Austen has created a wonderfully flawed heroine. Had Emma been perfect, her situation would have been of no interest to anyone; her flaws are what interest both reader and critic. Peter W. Graham is interested particularly with the first page of the novel where Emma is first introduced to the reader. He discusses how significant the beginning of the novel is to mapping out "Emma's personal development"(42). Walton A. Litz

In Jane Austen’s “Emma,” conversations reveal the social concerns and the character of its participants. Each contributor has a unique and therefore biased perspective that informs how they appear in a conversation. The eponymous protagonist, Emma is oft seen making judgments whether in dialogue or through free indirect discourse, such that her own shortcomings and biases are elucidated. Emma willing enters into a disagreement with her step-brother, Mr. Knightley, on the elusive Frank Churchill.

Emma Woodhouse, who begins the novel "handsome, clever, and rich, with a comfortable home and a happy disposition" (Austen 1), suffers from a dangerous propensity to play matchmaker, diving into other’s lives, for what she believes is their own good. Despite this, she is a sympathetic character. Her matchmaking leads only to near-disasters and her expressions of remorse following these mistakes are sincere and resolute. Jane Austen's Emma concerns the social milieu of a sympathetic, but flawed young