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Jazz Age Essay

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music alike ( Windfield 240). A lot of musicians were involved, from Louis Armstrong to Duke Ellington. The Jazz movement affected United States history and the future music industry in a variety of ways. Initially, the first jazz is said to have been played by funeral bands that wailed music full of soul and sadness as the followed horse drawn hearses down the streets of New Orleans. It was blues music though (Winfield 157). Many historians mark the start of the “Jazz Age” on November 12, 1917- the day the Department of the Navy closed a thirty-eight square-block neighborhood known as storyville in the city of New Orleans. Fearing the health of its sailors, the navy shut the doors of Storyville’s brothels and nightclubs, forcing …show more content…

“Little Louis” sung in a vocal quartet in his early teens. His rise to the top, though not overnight, occurred quickly, he played with mostly all the major bands in New Orleans over the next few years (Friedwald 350). In 1922, his mentor, King Oliver, invited him to work his Creole Jazz Band in Chicago. After recording with Oliver for over a year, Armstrong moved into what would become the most important early-jazz big band, Fletcher Henderson’s Orchestra (Shipton 201). As if it were not enough that Armstrong would rewire instrumental music for the rest of the century, his singing did the same for vocal music. He sang much as he played, but with a playfulness and a rasp, that would forever be part of American culture (Winfield 167). The first important trend in New York Jazz was Hot Jazz that was an incendiary style introduced by Louis Armstrong (Winfield 170). He was known for both his joyous ways with the trumpet and his peculiarly touching and funny vocal style. There was a cheerful impatience in his playing, an optimistic confidence that led him to risk going over the top (Shipton 157). Louis Armstrong is arguably the most important musician that the United States has ever produced (Shipton 160). Eldridge is the obvious link between Louis Armstrong and Dizzy Gillespie. Armstrong could make an audience cheer, but Roy Eldridge, made those top and bottom notes feel like a natural part of what the horn should do (Friedwald 21). Blessed with

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