Jazz Dance Research Paper

“Stripping the Emperor: The Africanist Presence in American Concert Dance”, and excerpt from Moving History/Dancing Cultures: A Dance History Reader, was written by Brenda Dixon Gottschild. Gottschild is a well-known author, dance historian, performer, and choreographer as well as a professor of dance studies at Temple University. She has also written multiple books including The Black Dancer Body, Waltzing in the Dark, and Digging. In her article “Stripping the Emperor: The Africanist Presence in American Concert Dance”, Gottschild explores the similarities and differences in the characteristics of Africanist and European technique, and how they draw from each other.

Rick Bragg’s “French Quarter’s Black Tapping Feet” takes place in New Orleans in the year 1998. The story talks about young children and their tap dancing feet. Many of the children come from very little and they have learned how to make a living by tap dancing to support their families. People think that it is a way to exploit children and have them work at such a young age for so little, but others think that it is a way that the children enjoy themselves and it is another way to keep the French Quarter tradition alive. Rick Bragg wanted to shed light on the children and stories about having to do such a grown-up thing like supporting their families at a very young age. The author uses personal stories from the children, including how they feel about tap dancing and the backgrounds in which the children were brought up, to educate people on the subculture and tradition, and he brings in professors from two different schools to get professional views of the children tap dancing to support their families.

Jazz has always been a part of the American tradition. Some may say they like Jazz for its rhythmic twist and turns. Others may love the soothing melodies from an improved Trumpet solo. All in all, Jazz has been an American staple and has molded today’s popular music, into what it is today. It’s very different from classical music, which is written out and strict. Jazz is much more. It’s made up of spontaneity and improvisation, which makes up an idea on the spot. There are many wide varieties in Jazz. There is Bebop Jazz, Avante Garde Jazz, Acid Jazz, Free Funk Jazz, Soul Jazz, Swing Jazz, and many, many more! These forms of Jazz can be seen and heard in some of your favorite music of Today. It’s been widely used by the world. There is an important reason as to why this genre contributes to the growing of music. We first take a look into the root of all Jazz. In the late 1800’s and early 1900’s, the country of Africa was the first known country to use rhythm primarily for the element of musical expression, and ensembles composed entirely of percussion instruments created extended polyrhythmic works. These polyrhythms, which means the “layering of multiple rhythms.”, were record in Western music. African music did not use paper, or sheet music. Instead, they relied on Aural rituals, learned by ear and also used” spontaneity, which is later said to be known as improvisation”. In Africa, most of the music that was expressed was for religious

As we all may know slaves underwent a time when their humanity was taken from them when they came to the Americas. But even though their humanity was taken from them they still managed to carry on a tradition that still lives on. This tradition is dance. Over the years dance has developed and become more modern but it is still has the influence from African dance.

Harker, Brian. “Louis Armstrong, Eccentric Dance, and the Evolution of Jazz on the Eve of Swing.” Journal of the American Musicological Society, University of California Press Journals, 1 Apr. 2008, jams.ucpress.edu/content/61/1/67. Accessed 13 Apr. 2017.

“Stripping the Emperor: The Africanist Presence in American Concert Dance”, an excerpt from Moving History/Dancing Cultures: A Dance History Reader, was written by Brenda Dixon Gottschild. Gottschild is a well-known author, dance historian, performer, and choreographer as well as a professor of dance studies at Temple University. She has also written multiple books including The Black Dancer Body, Waltzing in the Dark, and Digging. In her article “Stripping the Emperor: The Africanist Presence in American Concert Dance”, Gottschild explores the similarities and differences in the characteristics of Africanist and European technique, and how they draw from each other.

In the middle of the 19th century, Congo Square became a center of musical expression. On these Sunday afternoons, a new form of music was born. Pioneered by those on the bottom of a society full of slavery and segregation, the origin of jazz was less a singular event than an evolving movement. None of those pioneers, however, could have anticipated the future of their developing art form. None could have foreseen that their informal rhythmic gatherings would eventually lead to nationally recognized big bands with more than 20 musicians and celebrity band leaders. The trajectory of jazz history is complex and rich, flowing from style to style and from region to region. Each step along the way from the early brass bands to the bebop bands

After hundreds of years of evolution and development, tap dancing has become a truly authentic American artform. However, no two people can agree on exactly how or where the discipline began. Emmy-award winning tapper Jason Samuel Smith still holds an enormous amount of respect for the history of his artform. “Tap culture is all about celebrating the past and accumulating its vocabulary over time,” he says. “If we don’t maintain our history, we lose what is valuable about tap.” Despite the questionable and often debated origin of tap, the discipline stems directly from African roots due to articulate rhythmic and stylistic patterns of African dance, techniques consisting of gliding, shuffling and dragging steps, and the introduction of

Whether you are dancing for passion, to get into shape or to just attain some mental peace, jazz is an excellent option to choose. This highly energetic dance form is unique and has revolutionised the way we look at dance.

Knowledge of jazz has fallen far behind its development. Most people do not know the facts on jazz, only some generalities and stereotypes. Often being called America’s only original art form, jazz began as an ethnic music, but there is much more to jazz than music. It is difficult to think of jazz without thinking of African-American

Jazz is a music genre that has complex characteristics and history of development and thus many musicians and scholars face troubles in defining what jazz is. In general, jazz is believed to have born in New Orleans. Jazz developed for the pleasure of the social dancers. According to the “Understanding Jazz: What Is Jazz?” of John F. Kennedy center for the Performing Arts, Jazz was created mainly by Afro-Americans, and had elements of European and Afro-American culture. Also, it emphasizes few elements of Jazz, which are swing-feel, syncopation, and improvisation. These different culture and elements of jazz may be explained by how jazz

Jazz has had a significant effect on American culture. It has played a significant role in defining America’s cultural capacity’s and has been the catalyst of issues that have dealt with race, politics and sex over the past hundred years. It has also served as a podium of national identity and expression to the country to such an extent that it has become widely known as America’s Classical Music. In this essay, one will present the impact that jazz as had on American culture, taking into consideration the issues and ideologies that contributed to its cultural significance. The origins of jazz are widely attributed to African Americans, it though however became associated and integrated with the white-middle class and took on a new idiom that encapsulated and infiltrated American culture.

Sally Banes is an American writer and dance historian and critic. She is also a professor of theater history and dance studies at the University of Wisconsin-Madison. Banes has written multiple books and contributed to many documentaries and films. The book Moving History / Dancing Cultures, which Banes contributed to, includes the article “Choreographic Methods of the Judson Dance Theater”. This book was published in 2001.

The varieties of jazz dance reflect the diversity of American culture. Jazz dance mirrors the social history of the American people, reflecting ethnic influences, historic events, and cultural changes. Jazz dance has been greatly influenced by social dance and popular music. But, like so much that is “from America”, the history of jazz dance begins somewhere else.

Over time there have been many eras of music and many genres. One could say that the Classical music, or the Romantic era has been the most significant in music history. Although those times are very important to the music world, Jazz in the early 20th century is very significant to the history of music in the United States. Next is a little bit of history and what makes Jazz music Jazz.