John Donne's The Flea

He justifies saving the flea’s life in line 11 by saying that now they are “more than married” through the flea. The speaker says that they are the flea, and the flea is their marriage bed and temple, therefore justifying premarital sex between the two. Now, making his plea, the speaker goes further by saying in line14 that “we are met,” meaning that they have already been sexually acquainted because of the mixing of blood between the two lovers inside of the flea’s body. The speaker then explains that if she were to kill the flea, she would be committing three sins against God in killing herself, him, and the flea.

As the girl threatens to kill the flea, the speaker begs her to stop. He states that all three of their lives are in this flea, and that through the blood of the flea he and her are already married. If the girl were to kill the flea, he feels that it would be the equivalent of murdering all three of them. The speaker is desperately trying to manipulate the girls actions too his advantage. Donne uses more metaphors too twist his words into a more convincing argument.

Finally, the woman kills the flea, and the speaker uses this event to hammer home his final argument. He backs off the more intense tone of the second stanza and returns to the playful sentiment with mock indignation, protesting the flea’s innocence to the crime for which he has been squashed. Finally, he returns the flea to its status as a bug, and tries once more for his

He uses the flea as an excuse for marriage and that they are now permitted to have sex. Out of desperation Donne shifts to a more religiously point of view by saying, “And sacrilege, three sinnes in killing three.” (Line 18) This means that if the woman kills the flea, she is killing the flea, him, herself, and God. However, the women squashes the flea along with his argument and Donne is left with one final go at convincing the woman. The final stanza of the poem expresses his sheer desperation to have sex with the woman as he deviates to using a lenient approach. He blames her not for killing the flea, but says that her act did not damage her honour in any way, and that she should still “yeeld’st to mee” (Line 26), or should still sleep with him. The content of The Flea demonstrates the exact sexist attitude that John Donne possessed when he wrote his early love poems. Likewise, the same desire for physical pleasure can be seen in the poem The Sunne Rising. This poem encompasses Donne’s ignorance of his surroundings and his obsession for sexual pleasure. Throughout the poem he attacks and challenges the sun with contempt, and does so by personifying it. He is obviously disturbed and troubled by the “unruly Sunne” (Line 1) and tells

by copulating the marriage, Gertrude is acting in a way that does not show any reasoning. Hamlet ends his soliloquy by stating that he “must hold [his] tongue” rather than demanding his mother acknowledge her lacking position on the Great Chain of Being. Merchant states that women are “imbued with a far greater sexual passion” rather than by logic which solidifies their position on the Great Chain of Being according to Elizabethan standards.

Following a unique poetic language of the Renaissance, John Donne's ‘The Flea' is a poem illustrating the metaphor of a flea to represent the sexual act and relations between a man and woman. Portrayed through language, imagery, and structure John Donne's poem is one of conceit and seduction, as the speaker (assumed to be a man) follows a consistent pattern of persuasion to have premarital sex with a woman.

Donne however, wrote “The Flea” in the first person giving the writing a comical twist as the speaker portrayed the aggressor, who metaphorically used the bite of the flea to defend his case to promote promiscuity. John Donne applied a consistent rhyme scheme using frequent assonance in each stanza which consisted of an iambic tetrameter followed by an iambic pentameter projecting the free willing mindset of the aggressor (Lorcher 2012). The speaker’s repeated use of ‘mark’ and ‘suck’ rhetorically reinforced the strength of his persuasiveness (Lorcher

that this act of the flea having both of their blood in its body is

In these lines, Hamlet is showing his disdain for Claudius and his unwillingness to accept him as a father in his life. Hamlet’s use of metaphor in comparing Claudius to a beast is in reference to his disbelief at Claudius saying Hamlet’s grief is unmanly. Hamlet reveals the cause of his grief is not only his father’s recent death, but his mother’s hasty marriage to Claudius which seems to him to show she does not care for the loss. Hamlet additionally comments on his unhappiness about his mother’s marriage when he says “It is not, nor it cannot come to good” (I, ii, 163).

He takes it a step further by stating that in the flea they “yea more than married are” (2.1). It is one thing to note that a flea contains two individuals’ blood, but to say that this union is greater than marriage is very extreme. Yet Donne executes this unlikely comparison with the utmost confidence, creating a surprisingly poignant argument. When the speaker says “though parents grudge,” he acknowledges that the woman’s parents (and society in general) would show great disapproval for such behavior (2.5). However, he replies that they are “cloistered in these walls of jet” (2.6). He describes their blood as secluded within the flea to remind his lady that they are also far away from any condemning parents. When the lady threatens to kill the flea, the speaker shows his opposition when he states “And sacrilege, three sins in killing three” (2.9). Once again, it seems strange to jump to the defense of a bothersome insect, but when we consider the flea as two lovers and the chamber that houses them it becomes more rational.

The flea enjoys the blood and so does the man enjoy foreplay. The pamper'd swells could be that of sexual organs before sex and yet, because that is not happening, the flea is having a better time at the moment than he is, by sucking their blood. I think that by using this comparison, John Donne is being very intellectual and at this point I feel he may win his argument. The second stanza, John Donne becomes weaker as the girl starts to defend herself and he tries to convey his love for her.

The Flea and To His Coy Mistress are two poems written by poets living during the Renaissance Period. To His Coy Mistress was written by Andrew Marvell and The Flea was written by John Donne. Both of these poets were well-educated 'metaphysical poets', and these poems illustrate metaphysical concerns, highly abstract and theoretical ideas, that the poets would have been interested in. Both poems are based around the same idea of trying to reason with a 'mistress' as to why they should give up their virginity to the poet.

            Finally, "The Flea" contains two major unique characteristics. One of Donne's most successful effects is sudden contrast.ii[ii] The insect seems to be no connection with romance, but by sucking blood of two characters of the poem, the flea builds a bridge between the two persons that surprises many readers.

In the second stanza, Donne goes on to make the point that the flea is

I shall now talk about how religion relates to Donne’s poetry. His life passed during a major change of religion in England the king wanted all control of the church so he could divorce his wife, he declared himself head of the Church of England. My first poem that relates to religion is ‘The Flea’ in this poem Donne is trying to convince a woman to sleep with him by using religion to sanctify him sleeping with her for example when he says ‘Where we almost, nay more, than married are…our marriage bed, and marriage temple is[2]’, he makes the bed seem holy and that g-d wants them to sleep together this may of reassured her as it connects g-d and the church together to make everything alright and holy . This poem proves that Donne is a very