John Grisham's A Painted House

The author uses tone and images throughout to compare and contrast the concepts of “black wealth” and a “hard life”. The author combines the use of images with blunt word combinations to make her point; for example, “you always remember things like living in Woodlawn with no inside toilet”. This image evokes the warmth of remembering a special community with the negative, have to use outdoor facilities. Another example of this combination of tone and imagery is “how good the water felt when you got your bath from one of those big tubs that folk in Chicago barbecue in”. Again the author’s positive memory is of feeling fresh after her bath combined with a negative, the fact that it was a barbecue drum.

“Your life does not get better by chance, it gets better by change.” Jim Rohns quote highlights the basis of Debra Oswald’s play Gary’s house, and also Miroshav Holubs poem The Door. This essay will explore the notion that change causes people to shift their thinking and actions after significant catalysts. Gary’s House illustrates many of the issues and predicaments confronted by the characters and how their alteration in behaviour can have a beneficial outcome for them or others around them. The concept of "The Door" is based on the idea of taking risks and embracing change. The poet uses persuasive techniques to encourage and provoke the audience to take action.

John Foulcher writes interesting poetry because he can make the reader see, feel, and think. Summer Rain , demonstrate to the reader that Foulcher’s poetry is not only thought provoking and realistic, but it is also able to capture aspects of society through his unique use of imagery.

In the work of African descended writers’, water is used as a common symbol. In Edwidge Danticat's Krik? Krak!, Jacques Roumain’s Masters of the Dew, and Paule Marshall’s Praisesong for the Widow, tears, rivers, the sea and other forms of water are used to symbolize change. More specifically, it symbolizes the change between life and death; freedom and confinement. The three writers use water as an ironic symbol, representing life, liberty, and their contradictions.

The appreciation of nature is illustrated through imagery ‘and now the country bursts open on the sea-across a calico beach unfurling’. The use of personification in the phrase ‘and the water sways’ is symbolic for life and nature, giving that water has human qualities. In contrast, ‘silver basin’ is a representation of a material creation and blends in with natural world. The poem is dominated by light and pure images of ‘sunlight rotating’ which emphasizes the emotional concept of this journey. The use of first person ‘I see from where I’m bent one of those bright crockery days that belong to so much I remember’ shapes the diverse range of imagery and mood within the poem. The poet appears to be emotional about his past considering his thoughts are stimulated by different landscapes through physical journey.

 Water represents Sethe's transition from slavery to freedom. Sethe left Sweet Home pregnant with Denver, "and ran off with no one's help" (p.224). She ran scared and fearful of the trackers following her trail.  Sethe met Amy Denver, a white women, on her way to Ohio.  Amy helped Sethe find the Ohio River.  The river was "one mile of dark water...[and] it looked like home to her and the baby"(p.83).  When Amy left, Sethe traveled downstream and met Stamp Paid.  He helped her and Denver cross the river to freedom.  Stamp took Sethe upstream, "and just when she thought he was taking her back to Kentucky, he [Stamp Paid] turned the flatbed and crossed the Ohio like a shot" (p.91).  The river locked away the memories of Sweet Home and began her life with Denver at 124.   Water represents the transition of Sethe's slave life to her life of freedom.  Again, water has cleansed the soul of the sin of slavery. The river is now a barrier.  It separates Sethe's life of slavery, to her new life of freedom.

The speaker also chooses her diction precisely, so that there is clear contribution to the overall idea that the poem is indeed about the quest for change and longing from escape from the swamp. Two very different forms of description are used to represent this source of dread: once by the simple name, swamp, and

In the passage “Two Ways of Seeing a River,” author Mark Twain attempts to share the feelings of loss he experienced after he was disillusioned to the beauty of the Mississippi River. Twain was a famous Nineteenth century author who had previously worked as a steamboat captain and who grew up along the river. The organization of the paragraphs in relation to each other is linear, and the content of each paragraph is dominated by a different rhetorical device.

At the beginning of Le Thi Diem Thuy’s novel, The Gangster We Are All Looking For, water provides a refuge to the narrator and her family by functioning as a pathway to a new and secured life. This water signifies a new beginning and becomes a dwelling place where the narrator retreats when searching for answers. As the narrator progresses in the story, her understanding of life also develops, and water in the story becomes a barrier; it never truly provides the answers or fixes the issues that engulf the narrator’s family like a surf on the beach. Instead, the water reflects the traumatic reality within the narrator’s life, whether she realizes it or not. Essentially, in The Gangster We Are All Looking For, water functions as a pathway and a barrier which illuminate the trauma that the narrator and her family experience in their lives after Vietnam’s colonization.

One of the first items the author states is that all symbolism is intentional, there are no accidents when it comes to analyzing famous literature. He describes certain authors like James Joyce and T.S. Elliot as “intentionalists” or writers who purposely try to control every part of the story through symbolism. The author Thomas Foster teaches us never to overlook anything in a novel even if it be little things like the color shirt they are wearing or what the weather is like outside. Building more off the last statement, precipitation, whilst being a little detail added into a story, holds a lot of important roles in moving the story along and even providing hardships for characters to overcome. Even more than that though, he says “It’s never just rain”, rain provides as a symbol in the story so that if someone is in the rain it’s almost as if they are being cleansed.

Imagery, detail, and symbolism play a crucial role in this work. Imagery has the function of painting a picture of the situation in the reader’s mind so that he or she is able to develop a version of the story individually. It makes the reading a more personalized experience that helps the reader to understand what’s going on. When O’Brien was just about to escape to Canada to avoid being drafted, he described the scene that was presented in front of him. “The shoreline was dense with brush and timber. I could see tiny red berries on the bushes.” In this quote, the reader can visualize the setting of the lake where he has to make his life-changing decision. It appeals to the visual sense by describing the shoreline and even the sense of

America’s answer for dealing with crime prevention is locking up adult offenders in correctional facilities with little rehabilitation for reentry into society. American response for crime prevention for juvenile’s offenders is the same strategy used against adult offenders taken juvenile offenders miles away from their environment and placed in adult like prisons.

Why acknowledge history? The solution is because we essentially must to achieve access to the laboratory of human involvement. In the essay “Haunted America”, Patricia Nelson takes a truly various and remarkably gallant stance on United States history. Through the recounting of the White/Modoc war in “Haunted America,” she brings to light the complexity and confusion of the White/Indian conflicts that is often missing in much of the history we read. Her account of the war, with the faults of both Whites and Indians revealed, is an unusual alternative to the stereotypical “Whites were good; Indians were bad” or the reverse stand point that “Indians were good; Whites were bad” conclusions that many historians reach. Limerick argues that a very brutal and bloody era has been simplified and romanticized, reducing the lives and deaths of hundreds to the telling of an uncomplicated story of “Good Guys” and “Bad Guys”.

From a personal, yet natural perspective, Tretheway chose to form the portrait of the Gulfport district over the years by mixing poets, prose, handwritten letters and a few childhood photographs. Without a doubt, poems, coupe with prose, have successfully flesh out this tragic anecdote, though requiring individual interpretations and a deep understanding of the author’s perception. In this sense, my own analysis allows me to pick three poems, which altogether hold an ultimately general theme: the powerful return of Gulf Coast society – through memorization, reflection and above all, recovery.

The world of Ernest Hemingway’s “Big Two-Hearted River” exists through the mostly unemotional eyes of the character Nick. Stemming from his reactions and the suppression of some of his feelings, the reader gets a sense of how Nick is living in a temporary escape from society and his troubles in life. Despite the disaster that befell the town of Seney, this tale remains one of an optimistic ideal because of the various themes of survival and the continuation of life. Although Seney itself is a wasteland, the pine plain and the campsite could easily be seen as an Eden, lush with life and ripe with the survival of nature.