Art pieces created in the past or present represent the world in the eyes of the artist. In Emily St. John Mandel’s Station Eleven, Mandel uses several instances of art highlighting the Post-Apocalyptic genre. In the novel, Mandel uses artwork such as the “Dr. Eleven” comic series and the traveling symphony to show her audience the power of artwork in reminiscing at a time when the world has changed drastically. In addition, Mandel wants her audience to understand the ability of artwork in preserving itself after an apocalyptic event helping the characters in the novel to reminisce. With respect the Post Apocalyptic genre and Station Eleven, Mandel appeals to her audience by engaging her readers “to wonder, “what if?”” (Seisser 4). The novel appeals to a higher degree to the younger audience because the younger audience of this genre read about “teens in these novels [that] have to face far bigger issues and even survive day to day.” (4). This genre fills its audience with the …show more content…
Within the comic, the general plot revolves around humans creating another world in outer space to escape the Alien regime that has infested the Earth in the comic. As a whole however, the significance of this comic in the novel does not revolve around its plot. Instead, its significance comes after its creation under the possession of Kirsten Raymonde. The comic symbolizes the stability of artwork over the years despite the fact that the world around Kirsten has fallen into chaos. The Station Eleven comic series always had the same content “Pre-Collapse” and “Post-Collapse”. Kirsten is reminded by how the world once was through a comic given to her by an influential figure, Arthur Leander, in the novel. All in all, the comic series displays the strength of artwork in tough times to help Kirsten Raymonde relive the world before its
Visual imagery is often the first step to subconsciously sending the reader into a parallel state of mind as the protagonist, and letting them experience what the characters experienced throughout the story. The visuals used in the beginning of this story convince readers that they have been placed in a safe, secure environment, therefore having a positive effect on readers when they
Casually portraying elements of beauty in the simplest things, Emily St. John Mandel explores the response of a closely related group of characters to a devastating world catastrophe in the novel Station Eleven. While examining themes of art and simplistic beauty, Mandel grabs the reader's attention by moving back and forth throughout time, displaying how art is hidden in every aspect of human life. The novel itself is a post-apocalyptic fictional about the aftermath of a worldwide flu pandemic, the “Georgia Flu,” wiping out most of society.
The illustrations should help readers anticipate the unfolding of a story’s action and its climax.
Meghan Cox Gurdon’s article has many varying points of attack, while Sherman focuses all of his resources on one point; young adult (YA) literature isn’t detrimental. Gurdon contends the argument that youths being exposed to darker themes makes the themes less effective and ultimately undermines the intensity of the subjects, as well as spread them. She states this as “Self-destructive adolescent behaviors are observably infectious and have periods of vogue. That is not to discount the real suffering that some young people endure; it is an argument for taking care” (par. 13). Gurdon says young adult literature takes away a child’s innocence and negatively affects moral development (par. 6). In contrast, Sherman believes that YA books help people dealing with those troubles to overcome and accept them. He states, “... Does she believe that a YA novel about murder and rape will somehow schock a teenage
In Mandel’s Station 11, he envisions a time in which civilization is wiped off the face of Earth due to a flu epidemic. The book describes an area called the Museum of Civilization, which is a museum which collects things that have lost their worth since the fall of man. In the event of a collapse, the item best suited for the exhibit at the Museum of Civilization is a dusty baseball mitt. This item is a good candidate for the museum due to all of the history of baseball, which the mitt expresses. Firstly, the mitt will remind people of the pre-epidemic era in which baseball played an integral role.. In addition, the baseball mitt will act as a tool for teaching the post-collapse era children of the previous era. The baseball mitt will serve both as a educational tool and a way of remembering the past.
In 1868 Mendel was promoted to abbot at the monastery and gave up his experiments.
Station Eleven by Emily St. John Mandel was a novel that went through many different decades of lifetimes, going back and forth as to what time period. Along with, portraying life before and after the widely spread Georgia flu, but also showing the great and not so great aspects of society. Additionally, with life and what everyone can do in the time of need. “A novel of art, memory, and ambition, Station Eleven tells a story about the relationships that sustain us, the ephemeral nature of fame, and the beauty of the world as we know it.”(From Mandel)
The hero, or quester, in the novel Station Eleven by Emily St. John Mandel is the shakespearean actress Kirsten Raymonde who is about 28 years old and a member of the Traveling Symphony: a performance group dedicated to preserving human culture after the collapse of civilization 20 years prior due to the highly infectious and deadly Georgia Flu. The destination of her personal quest, and the quest of the symphony at large, is a small post-apocalyptic settlement called St. Deborah by the Water. The simple reason they are going there is because it is one of the dozens of towns that they routinely visit as they travel a repeating, established circuit performing Shakespeare’s plays and classical music. The main problem en-route to St. Deborah by the Water is the interpersonal grudges that occur within people
The second half of the essay explains why it’s so important young adults read literature. It appeals to the readers feelings and
Psychologists usually agree that the teenage years are among the most difficult periods in one’s life. Most teens are trying to figure out who they are, what they believe, and how they fit into the world around them. Beginning in the late 1970’s, a whole genre of fiction, referred to as coming-of-age literature, emerged and serves, at least for many teens, as believable presentations of young people learning to navigate the difficulties of their lives, often fraught with feelings of rejection, seemingly unresolvable personal turmoil, social problems, school and family issues, etc. Indeed one value of reading is to see and better understand some aspect of ourselves through studying others. The reading of SPEAK, a somewhat controversial book
As an adult reader who has crossed over to the reality of life, reading about these characters can be a transparent, futile exercise because as adults looking back at youth we have the experience to know where these characters are headed before they even start their journey. However, for young adults who are still in the throes of existential angst this is a powerful novel that handles teenage rites of passage and coming-of-age issues such as loyalty, friendship, belonging, and even death and loss very well.
In fact, art as a factor of building hope and unity among the people and their respective communities is one of the main running themes throughout the novel. Similarly, Kirsten still has the graphic novel given to her by Arthur Leader, and this story becomes her emotional support while facing the many adversities that often arise. Using art in the difficult and sometimes even violent reality in which the characters live helps them keep their strength and resilience even in the harshest of situations. Ultimately, it gives them something worth fighting
Because comic provides deeper details and imagery, they can better express an emotions of the characters than words can. After he got the news that his only beloved daughter just passed away, the main character is sad, resentful, and condemning of the god, questioning the unfairness of what he had devoted compared to how the god had treated him. Instead of telling the reader he is sad and angry, the author drew the particular detail by sketching main character’s facial expression, the setting, and his action in order to show how indignant he is. On page 25 the main character is tightly clenching the window curtain, his face is warped like a evil is swallowed
On another page, the girl is standing on a ladder with lots of planes and totem faces symbolising there is too much going on in her life. The way Tan illustrated this image to look like a collage is very effective because it makes the image look as if there is a lot more happening than what Tan actually illustrated. Tan's book “The Lost Thing” still emphasizes another important situation in our lives. This time Tan focuses on a belonging kind of situation or more so the people around us are to busy to notice changes and problems in our society. In this case the lost thing is the change.
A young adult novel’s audience often desires relatable characters and a meaningful plot that helps them to find resolutions to their own uncertainties concerning life. Many authors employ the literary technique realism to satiate these cravings. Today, there are some popular novels that attempt to imitate this, such as the coveted The Fault in Our Stars or Divergent. These selections, while widespread in the hands of young adult readers today, will not stand the test of time in the way that The Outsiders has, written by S. E. Hinton in 1967, has. This novel, both produced by and intended for teenagers, instead is a better candidate of realistic young adult fiction. Other selections, from Hinton’s era and from today, do not radiate the same