For centuries, Venezuela and Colombia have been home to the unique genre of traditional music called joropo that was believed to have originated in the 18th century within rural settings. Characterized by its African, European and indigenous influences, the term joropo was first used to describe dances and festive events such as parties, family reunions and picnics. Joropo spread across Venezuela and Colombia thus various regions adopted a slightly different style of joropo. Joropo llanero, for example,comes from the Orinoco plains of Colombia and western Venezuela and has grown to have worldwide recognition. Formally identified as Fandango, Joropo llanero has grown to become a genre associated with traditional dancing/singing, the country’s rich history and cultural pride. In …show more content…
It has grown to be characterized with aggressive singing and fast feet movement called zapateo (foot stomping), including couples dance. Dancing is a key element that add sounds and visuals to the joropo genre. The joropo dance is particularly a heteronormative dance meaning danced by a female and male. The dance demonstrates the male dancer as trying to impress the female dancer through the use of zapateo. Both dancers face one another, holding each other's arms, gracefully move together, performing many spins and fast movements. While dancing joropo, “the man begins stomping his feet to the rhythm. It looks a lot like tap dancing with a partner”( Dance sampler). Dancers utilize cortizas which are shoes used for zapateo that produces that slap/ stomping sound .Alongside the use of Zapateo,
Have you ever heard the legend about La Llorona known as “The Weeping Women”?Do you hear that? Do you hear that crying noise? People say that if you hear her cry expect death! La Llorona is real, even though people say she is she is an urban legend. There has been sightings of her in many places.
David was satisfied when he became a major leaguer. He became the top notch even when he in the minor league. Everyone knew his name. Everyone bought his baseball shirts. He was in the Major League Baseball Hall of Fame.
Latino’s haven’t always had it easy in America, some were luckier than others. Hector Garcia growing up was one of the lucky ones. His parents were educators but their credentials were denied. They resorted to teaching their kids inside the home. The Garcia kids were pushed by their parents to become doctors, so they could have a better future. Hector Garcia graduated from the University of Texas and did his residency in Omaha, Nebraska. Garcia volunteered as a infantry officer during world war two, but was denied to practice medicine while in the army. He was eventually able to serve as a medical corps officer before he was dismissed
In 1891 a boy named Rafael Trujillo was born by a middle aged family in San Cristobal on October 24, 1891. Another thing was that he was one of 11 children and was the third of them all. When he started growing up Trujillo wanted a job so what he decided to do was go and take a job as a Telephone Operator at the age of 16 years after attending a formal elementary school and a private middle school. So after he had his job for a little while Trujillo decided to forge a check from his family bank and because of that he lost his job and also was served time in jail. Also in 1916 Trujillo was known to be in a gang that had also supported him to his criminal ways and was part of the reason that he had forged the check in the first place. After
Juan Cortina was born in 1824, in Camargo, Tamaulipas Mexico. Racher and Politician, Juan Cortina is remembered in our history for him and his army, taking control of Brownsville. He along with others saw the US as a threat against their property as Anglos set up land net to his, so he organized a group, an army if you will to fight the First Cortina War”. Cortina backed off following negotiations with Mexican leaders, but he was commonly known for demanding rights of Tejanos and MExicans and demand anyone be punished that would violate the rights that he stated. Once the Texas Rangers got involved, there was tension between them all, this went on for years between them both and on December 1859; Rangers finally went after Cortinas army in
For the purpose of this project, I have chosen the Puerto Rican Bomba Dancing as my artifact. This artifact is not something you can physically hold in your hands or go to a store and purchase, it is intangible and yet pure. It represents a culture and embodies the idea of freedom. Unlike most dances where the person follows the rhythm, in Bomba dancing, the dancer leads the drummer with the tap of their feet and movement of the hips and shoulders. The parties involved mostly dress in white with the females wearing plantation style outfits and head scarves. The lyrics sung normally evoke a sense of freedom and an escape from the hardships of slavery. (Bomba, n.d.). The most important elements of Bomba Dancing are the lyrics, the drums and the traditional outfits. The combination of these 3 elements truly enhance the experience. Moreover, Bomba dancing is one of those things that the medium of experience should be in person. This is due to it having the potential to take you back in time to the 17th century where you
La Llorona is to Mexican and Chicano children, what the Bogeyman is to American kids. La Llorona is almost like a mythical monster made to scare kids into good behavior. The story is about a women who drowns her children after she is betrayed by her husband. Later, her spirit returns and roams the streets while she weeps, in search of her kids. I am sure that stories of La Llorona are almost like a household name in every Mexican home. I remember when i was a little kid, my summer days, were spent playing outside until the sunset. I’d rush home before the sun went down, because if got too dark then I’d fear that La Llorona would be lurking somewhere in the back alleys. But why is La Llorona lurking in Denver’s back alleys? Well, even though
A maquiladora is a manufacturing plant based in Mexico where foreign companies import materials and equipment, on a duty free and tariff free basis, for the purposes of processing, manufacturing, or assembling goods which are then exported to other countries. The idea behind these maquiladoras promises a prosperous Mexican society. On paper, it really does seem like NAFTA is living up to expectations; creation of more jobs and a much less unemployment rate. On the surface, there seems to be nothing wrong with what’s going on in Mexico in terms of employment. Everyone has jobs and everyone is getting paid for these jobs, so what’s the issue? Despite all of this, the degrading and terrible working conditions imposed upon the maquiladora workers
Maquiladoras are assembly plants clustered mostly in northern Mexico, along the U.S. border. The factories employ 17 percent of the Mexican work force, this makes maquiladoras Mexico’s second largest source of jobs but some people would say that the negatives weight over the positives. Some negatives about this situation are that how the Mexican government does not have full control of the factories, how the employees have to work in harsh conditions and, the employees get paid a low wage. Maquiladoras have both a positive and negative effect on the Mexican economy because of the poor work conditions, however the large numbers of the population they employ cannot be ignored.
Throughout the novel, the theme of revenge, more specifically getting revenge on someone who is dead, can be seen. In the beginning of the story, there is a conversation between Juan and his mother, Dolores, where she says “‘make him pay, son, for all those years that he put us out of his mind’”(3) referring to his father, Pedro Paramo. Juan Rulfo is referencing the Cry of Dolores, where Father Miguel Hidalgo called the citizens of Dolores, Mexico to take up arms against the ruling Spanish upper class and get revenge for the hundreds of years of Indian oppression and exploitation. In the same way that the Citizens of Dolores were called, Juan is called by his mother, Dolores, to get revenge on Pedro, but the problem is that Pedro has been dead for many
Llandudno, one of Britain’s most prized destinations is a seaside resort and coastal town in north Wales. Known for its wonderful Blue Flag beaches such as the superb Colwyn Bay beach and Llandudno beach, immaculate seafront, Llandudno pier, Llandudno cable cars, the great Orme for walkers, golf courses, a fascinating conservation zoo, excellent theatres, big mountains, green valleys, famed Parc Llandudno retail outlets, amazing restaurants and pubs Llandudno had been mesmerizing the globe trotters since ages.
At the beginning of the performance, a singer Omara Portuondo began to sing that make everyone cheering for her. When she dance, it is different and rare because few people in America know how to dance latin. Most performers didn’t sing emotional, but stories because audiences didn’t feel anything. They used stories to connect the moves like waving hands or shaking hips shows the audience that they are proud to be Latin or Cuban. Tempos are really interesting because they can balance the speed and it sounded the right. When a performer using rubato, a new different kind of music starts playing or talking while instruments start to play. Eliades Ochoa made the music fast pace, but the strange thing is when a lady began to dance in slow, unique dance moves. The performers’ body motions shows the music more enthralling and it is powerful than
Gotas de Lluvia can be translated to raindrops in Spanish. That is what we named our city. It is located in Rio de Janeiro, with a population of approximately 6.45 million people living there. Rio was founded in 1565 and is now 651 years old. The climate for Gotas de Lluvia is warm, around 40 degrees Celsius. It can get pretty wet around December and January. Some natural features of Gotas de Lluvia are rivers, rainforest, mountains, and coastline. The economy is slightly poor, but growing. The tourism for Gotas De Lluvia will be big businesses and industries.
Bolero is a one-mvt. Work that starts solftly and ends as loudly as possible. The structure was based on the repetition of only two melodies. Approached as a self-imposed orchestration challenge, it contains a persistent underlying triplet rhythm that is similar to what is found in the Spanish dance music of the same name. The goal was to use a basic rhythmic underpinning of Spanish dance music to convey character, rather than to rigidly follow any particular dance form. Its theme and rhythm are repeated to the point of obsession w/o any picturesque intention in a moderato assai
The movement of capoeira is poetic. It’s a sort of ‘cat and mouse’ type game. Two capoeistas (players) throw kicks and try to knock each other off balance, while constantly moving and dodging in such eloquent ways that they almost never even touch. This is played inside of a roda, a circle of capoeistas singing, lead by the mouth with a series of afro-brazilian instruments. The energy is palpable.