Joyce Carol Oates' Where Are You Going, Where Have You Been?

In 1966, Joyce Carol Oates published her short story “Where Are You Going, Where Have You Been?”. Oates was inspired to write this story after reading about a serial killer that was referred to as “The Pied Piper of Tucson”. Oates was disturbed by the number of teenagers that this killer was able to persuade to help him and keep his secrets (Oates 1). Oates uses irony, imagery, and symbolism to support her theme of evil in this short story.

Through plot, Oates demonstrates how Arnold Friend can be seen as a symbolic Satan. Plot starts when Arnold makes sure to tell Connie he is interested in her as he says,“Gonna get you baby” (Oates 1). Connie is in a drive-in restaurant for an older crowd when Arnold sees her for the first time. Once Connie leaves the drive-in dinner with a boy named Eddie, Arnold decides to make a move on Connie. Arnold uses foreshadowing to let her know he will meet her again. Just as Arnold says he is going to get Connie, he shows up in her driveway, creating a creepy situation. That Sunday afternoon, Connie is alone in her house while her parents and sister are on a picnic at one of their neighbor’s house, Arnold decides to use this opportunity to make his

about him that lead the reader to believe that he is covering demonic physical traits with a fake

Arnold Friend’s layers of deception. Connie’s blindness is the pretext of her loss of innocence

Arnold Friend represents Satan because of his physical character, his ability to know things about Connie, and his strange hypnotic power over her. Arnold Friend’s physical traits lead us to believe that he is trying to hide his true identity. He knows a lot of information about Connie that he shouldn’t know. He knew exactly where her parents were and what they were doing. He also has an unexplained force over Connie. This suggests that he has the power to make it seem like Connie was under his control. All of these things are common

The narrator implies that Arnold Friend is Satan by giving certain clues that the reader can easily deduce. The name that Oates gives to the character is one hint to the reader: “Connie looked away from Friend's smile to the car, which was painted so bright it almost hurt her eyes to look at it. She looked at the name, Arnold Friend. She looked at it for a while

"conned" into leaving with Arnold Friend, whose name becomes "An Old Friend" i.e. the devil,

“Nothing about Arnold Friend is genuine, except his violent intentions and his skill at psychological and physical intimidation. By the story’s end, Connie understands that she is not the confident flirt she thought, but a powerless pawn in the hands of a dangerous individual.” (Cormier)

Arnold Friend's façade gives the reader the feeling that something is wrong, as if Oates were trying to persuade Connie away from her impending doom. When Arnold first pulls into Connie's driveway, the reader is alarmed. Connie notices that he is actually much older than he appears and the reader knows that

Arnold Friend is an ironic name for this character because he isn’t Connie’s friend, she doesn’t even know him. And if you say the name out loud, it sounds like “are no friend” He proves that he can’t be a friend in the first place, he left his so-called friend in the car and talked to him like he meant nothing to him.

1. Arnold Friend 's name can be interpreted as being "a friend." Also, by removing the r 's, his name becomes "an old fiend," which can be interpreted as a reference to a demon or even Satan. What other clues are there that Arnold is not who he claims to be?

Arnold Friend is a seductive man, or should I say ArN OLD FrIEND with a dark appearance hiding something deeper, something evil? Arnold, posing as a teen-age boy, is none other than the devil himself, which shows in his words and actions, and in his physical traits. From the very beginning of, Joyce Carol Oates', "Where are you going, Where Have you been?" a certain number of religious references are interspersed throughout. These references help to maintain a biblical feeling, as well as to set a path for Friend's entry into the story. They also foreshadow that; powers beyond a human level will be presented. Friend looks like one person in the beginning, but as the story unfolds, he is shown as someone else or

We all have been there. After a long days work, all we are thinking about is getting home. As you head towards your car, you notice the darkness around you and suddenly feel that you are not alone. Your pace increases and you begin to sweat mildly. If you could just get there, you’d be safe. Suddenly, you hear a noise and decide the best thing for you to do is ignore it. As you approach you car and unlock it, you sigh with relief that you’ve finally have made it. For many, our minds play tricks on us when we feel a moment of fear, however for others it may turn out to be their worst nightmare. In the story, “Where Are You Going, Where Have You Been?” by Joyce Carol Oates, a young girl is forced to make a decision

Having a common threatening, horrifying occurrence and antagonist is also how Smooth Talk can give justice to a great short story by Joyce Carol Oates. Arnold Friend or “an old fiend” if you remove the R’s represents the outcome of irresponsible teenage behavior. By his character being inspired by a serial killer you get the horror struck feeling when he is around youth, more specifically the tactless Connie. The character of Arnold Friend, like how the review by Joyce M. Wegs, is one that represents a symbiotic Satan. The fact

There are things that happen when we are growing up that change us when we are grown. There are things that change us forever. Every human being is different, and there is a reason why . All of us had a childhood and all kinds of experiences some good, some bad, some full of joy but also others very painful. Eventually we grow childhood and mature depending of what we have gone through. The way we are able to handle situations is very important because one thing leads to another. We can't rely on intuition, we need to have logic in what our choices are. We can’t just punch someone in the face just because we don’t like a certain individual, or go up to