Julius Caesar - William Shakespeare

Caesar or Brutus? Many people think that the tragic hero in Julius Caesar is Caesar, only because the title of the play. The real tragic hero is Marcus Brutus. There are many traits you can have to be a tragic hero, Brutus has at least three of them. In WIlliam Shakespeare’s Julius Caesar, it is shown that Brutus is the tragic hero because he has noble stature, he has a tragic flaw, and free choice.

Julius Caesar, a Roman general, dictator, and leader, is considered to be one of history 's most influential and powerful rulers to this day, in which his rise to power, conquest of Europe, and controversial downfall all remain to be told during modern days. The play Julius Caesar written by William Shakespeare, portrays the events leading up to Julius Caesar’s assassination, and how those who conspired against him banded together and plotted Caesar’s demise. Many of those conspirators assassinated Caesar due to his quick rise to absolute power, his “acts” of disrespect against the senate such as his failing to stand to receive the title of becoming a “god,” and pure jealousy and anger towards Caesar’s success and rule over the Roman empire. Caesar, an ambitious man, was able to conquer many lands and peoples for Rome through successful military campaigns in which he became one Rome’s best generals due to the amount of successful battles he had won and the amount of blood he had shed for Rome’s expansion. However, Caesar’s trait of ambitiousness would prove to be a double edged sword.

Shakespeare’s complex play The Tragedy of Julius Caesar contains several tragic heroes; a tragic hero holds high political or social esteem yet possesses an obvious character flaw. This discernible hubris undoubtedly causes the character’s demise or a severe forfeiture, which forces the character to undergo an unfeigned moment of enlightenment and shear reconciliation. Brutus, one of these tragic heroes, is a devout friend of the great Julius Caesar, that is, until he makes many execrable decisions he will soon regret; he becomes involved in a plot to kill the omniscient ruler of Rome during 44 B.C. After committing the crime, Mark Antony, an avid, passionate follower of Caesar, is left alive under Brutus’s orders to take his revenge on

In this play, Julius Caesar returns to Rome to find that he has the unconditional support of the Plebeians. As he gains more power, his friends worry that he will completely take over the city, and so they conspire with one another to kill him. Preceding the attack, the conspirators notice many strange occurrences in Rome, such as a “lion who looked at [them] and strutted by without bothering to attack,” a “threatening” and “destructive” storm, and a “common slave” whose “hand did flame and burn.” The conspirators perceive these bizarre circumstances as omens that they should kill Caesar and quickly carry out their plan. When the conspirators confront him, they stab him thirty-three times, and then announce his death to the citizens of Rome, expecting a positive response but receiving the opposite. Rome is plunged into violence as the plebeians attempt to find the conspirators responsible for Caesar’s death. Citizens swarm the streets of their city, killing innocent people, such as Cinna the Poet, believing that they are among the group of people responsible for killing Caesar. This violence and death represents the weak condition that Rome continues in throughout the play. Caesar’s body represents the body of Rome, and when he is wounded, the entire city feels wounded as well. The chaos that Rome undergoes after Caesar’s death is symbolic of his importance to the city. The

Caesar ends up being murdered after ignoring all of the warnings. Caesar ignores all of the warnings about not coming to the Senate House on March 15th. It ends up being the day he gets brutally murdered. Stabbed to death by people he thought to be his friends. The conspirators are Brutus, Cassius, Casca, Trebonius, Ligarius, Decius, Metellus, and Cinna. Julius Caesar sits in his chair like usual and is approached by none other than one of the conspirators Metellus and he says “Is there no voice more worthy than my own, To sound more sweetly in great Caesar’s ear For the repealing of my banished brother?” (937). While Metellus is asking this all of the other conspirators are getting closer surrounding Caesar and joining in, in the asking for Publius Cimber to return. The conspirators know that this is an outrageous thing to ask of Caesar and are just using it as a guise to get closer to Caesar

In the play The Tragedy of Julius Caesar the main character, Brutus, experiences many things that lead him to become a tragic hero. From the interactions between Cassius and Brutus, the two characters contract each other, Brutus’s character develops into a tragic hero, and the plot advances and a theme is also created.

In Julius Caesar, written by William Shakespeare, Julius Caesar defeats Pompey, the previous ruler of the Romans, and takes control of Rome. Many people object to it, including the conspirators who assassinate him. Marc Antony, an ally of Caesar, speaks at his funeral and turns the citizens of Rome against the conspirators which ultimately leads to the death of the majority of the assassins, including their unspoken leader, Brutus. A truly insightful glance is offered into the character Brutus in Act II, scene i, lines 120-146. At this point in the tragedy, conspirators led by Brutus are plotting the death of the tyrant of Rome, Julius Caesar, and moving on to the final stages of their planning stage, preparing

On March 15th, 44 B.C., Roman politician Julius Caesar was stabbed repeatedly until death by a group of conspirators led by Marcus Brutus on the floor of the Roman Senate. This assassination came after Julius Caesar was reportedly about to be coronated by the rest of the Senate. Later that day, Brutus issued a statement to a crowd of citizens, stating that he and the conspirators had killed “a weak Caesar,” and not the “brave Caesar” the people had known. Marcus Brutus referred to the killing as an act “to save all of Rome from tyranny.”

The protagonist in this play is Julius Caesar. He is the Protagonist for many reasons. One is that the main plot if the play is to kill Caesar for being a bad ruler against Rome. The consipators were making plans to kill Caesar. There are many warnings in the story that Caesar is going to die, but he ingores all of them because the consipators tell him not to.If he wasn’t the Protagonist then there would be no need to have him in the play for most of them time. Even after his death Caesar still makes many appernices in the book and that makes the other charcters die. Protagonist is the main charcter in a story and that is what caesar is. It is clear that no one else is the Protagonist except for Casear. Caesear lives on in the

Caesar, Calpurnia, and Antony have gathered for the race in which women become “fertile” at the touch of a whip. Antony will race and strike Calpurnia with his whip, so she can become fertile. “A soothsayer bids you beware the ides of March.” A soothsayer warns Caesar about his doom on March 15th, but Caesar ignores him and calls him crazy. Casca and Brutus discuss what happened to Caesar. “And then he offered it a third time…for he swooned and fell down.” Caesar was offered the crown by the people three times and he refused it and fainted sometimes after that. Casca thinks Caesar wants the crown for himself but played it off like he didn’t. Cassius then discusses his plot with Brutus. “That you might see your shadow. I’ve heard where many

Marcus Brutus has a lot of characteristics some them can relate to the peculiarities of a king. In William Shakespeare's Julius Caesar, Brutus is one of the most trusted by Julius Caesar and Brutus ends up killing Caesar. The fact that Brutus was trusted by Caesar makes this very ironic. Brutus’s characteristics show him as a person with kingly stature. These character traits include his strategic good sense, his knowledge and patriotism for his country, and his manner of speech is exceptional.

On the ides of March the blood of Caesar is spilled and will stain the hands of the conspirators. “And therefore think him as a serpent's egg which hatched, would as his kind grow mischievous, And kill him in the shell. ”(Shakespeare II.i.32-34). As Brutus thought more and more on if killing Caesar was the right thing to do,

Brutus a high-ranking, well-regarded Roman nobleman that killed Julius Caesar, went to the top of the ranks and was crowned king. Even though Brutus was able to become king, he was not going to get that title without killing Caesar. In the play Julius Caesar, Brutus agrees to kill Caesar and is one of the three murderers that stabbed Julius Caesar. In Act III scene i William Shakespeare writes “CASCA and the other conspirators stab CAESAR. BRUTUS stabs him last.” This is when Brutus’s fate begins because he starts listening to the wrong people such as, when Cassius uses his power and authority to convince Brutus that he loves Caesar but loves Rome more. This is quoted when Shakespeare writes in Act III scene ii, “ I say to him that my love for Caesar was no less than his. If, then, that friend demands to know why I rose up against Caesar, this is my answer: it’s not that I loved Caesar less, but that I loved Rome more.” This shows Brutus’s major flaw and when he starts to believe things that other people tell him. Brutus shows that he is the Tragic Hero right when he agrees to kill Caesar because this is his tragic flaw that begins the downfall of himself.

The Renaissance was a time in which mankind was rediscovering itself. For ages, men were simply trying to exist, survive more than anything else. The Renaissance was a period in which men no longer had to just get by everyday, but could begin exploring morality. No other Renaissance author characterizes this more than William Shakespeare in the early 1600s. His plays highlight the internal moral struggle that every man goes through, the concept of what is right and what is wrong in a world that is full of gray areas. More specifically he deals with the concept of honor and morality in several of his plays. Julius Caesar, Hamlet, and Henry V, to a lesser extent, deal with how men handle these and can reconcile otherwise heinous acts. Now, being well aware that Shakespeare does not account for all the Renaissance writers, however his are the most prevalent still today and it can be argued that Shakespeare did not work alone. For the sake of organization, it is far easier to tackle these literary works in chronological order and analyze the individual pieces first and then view them all as one whole.

Good morning, students. Today’s lecture will be on William Shakespeare’s Antony and Cleopatra. The play, which is a tragedy, revolves around the relationship between Mark Antony and Cleopatra. Antony is one of three leaders of the Roman Empire and Cleopatra is the Queen of Egypt. In this story, the reader is able to explore the complexity of the emotion of love and the highs and lows it entails, as well as the conflicts that can present between duty and emotion. The reader sees the effects that passion and duty play in one’s lives and the drastic consequences it can lead to. The play is divided into five parts – known as acts.