Kate Chopin The Storm Kate Chopin: "The Storm"
Kate Chopin lived from 1851 until 1904. She was born Katherine O'Flaherty and was raised in post- Civil War St. Louis by parents who were on the upper end of society. She married Oscar Chopin, moved to New Orleans, and had six children. After her husband died, Chopin moved back to St. Louis to start her writing career at age 33. She incorporated many taboos about literature into her writing. Some of these taboos were female sexuality, struggles, and triumph over the stereotypes that had been placed on them over the centuries. She was a very popular writer until 1898 when she wrote about even more controversial issues in Awakening. Many people felt that her views were very feminist
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They mention that there is someone (wife/mother) waiting at home for them but they don't put that much effort into attempting to get home. They seem to believe that everything will be all right if they just stay there and wait out the storm. These characters aren't seen as uncaring, but more as unconcerned about the welfare of the mother. The only thing that they do that is seen as kind and thoughtful is when the father purchases a can of shrimps to take home for her.
The next section of the story shows Calixta, the mother, sitting at a window sewing. She isn't concerned for the safety of her family and doesn't realize that there is a storm approaching. Like many relationships, things may be going along just fine until 'opportunity' flashes, like lightening, and a decision has to be made that will change the future. Calixta's opportunity is in the shape of a man named Alcee Lavalliere. He shows up at her gate as she is attempting to get her husband's clothes off of the porch. He asks for shelter and Calixta offers to let him wait out the storm inside. She realizes that she hasn't been alone with Alcee since she was married and feels the temptation that she knows she must suppress. At this point, Chopin takes a little time from the action of the story to give a description of the house and especially the bedroom. She says about how Calixta and Alcee are in the
Born in 1851 to a wealthy family, Kate Chopin was an unconventional woman. She dressed in strange clothing, smoked, and went on unaccompanied walks, something unheard of during this time period. In the 1890s, Chopin turned to writing after an emotional breakdown due to the death of her husband. Her writing generally received good reviews from critics, but nothing brought widespread public attention until the publication of her second novel, The Awakening. Published in 1899, the story of Edna Pontellier’s sensual awakening and abandonment of her family was just as unconventional as Chopin herself. It was met with harsh criticism and surrounded by controversy. Sensitive to the pushback, Chopin retreated into the background, publishing few more
Her sexuality has been repressed by the constraints of her marriage and society's view of women, represented by the housework being done before the storm hits. Chopin alludes to this theme of suppression again as Alcee is invited into Calixta's home. The author writes, 'Come 'long in, M'sieur Alcee. His voice and her own startled her as if from a trance, and she seized Bobinot's vest. Alcee, mounting to the porch, grabbed the trousers and snatched Bibi's braided jacket that was about to be carried away by a sudden gust of wind.'; Alcee grabs Bobinot's pants, symbolically subverting the social and martial constraints that control Calixta.
Because of her childhood of being raised in an all-woman household it helped mold her feministic personality and view on life with love, faith, strength, kindness, independence, and generosity (Toth, Emily). As Kate became older she met Oscar Chopin a business man who she fell in love with and later at the age of 20 years old were married. Kate’s behaviors, like smoking cigarettes and walking through the city unaccompanied frequently shocked her conservative in laws and this streak of independence however did not bother her husband. Kate later gave birth to five sons and a daughter. Motherhood quickly played into her life as well as societal restraints on women and as she lived personal experiences with this, she began to write books about women’s daily life and fictional writing on how it could be in a women’s way. In 1879, Oscar Chopin’s money lending business was in deep trouble due to financial instability. The family moved to Coulterville, Louisiana where Oscar ran a general store. Kate Chopin’s sophisticated behavior and dress style inspired gossip in the closely knit town. Her husband, worn down by financial worries, died in 1882 with malaria, leaving Kate with an outstanding debt of $12,000 and six children to raise alone. Despite everything that Kate was going through she decided to manage Oscar’s businesses
The theme of this story seems to be that when Calixta and Alcee had sex and cheated on their marriages, it made their marriages happier, "so the storm passed and everyone was happy"(Chopin 150). Alcee wrote to his wife the night he cheated on her, "it was a loving letter, full of tender solicitude"(150). And after having an affair, the character Alcee seems to care more about his wife and baby, "realizing that their health and pleasure were the first things to be considered"(Chopin 150). He seems to care more about his wife and baby after he cheats on his wife because of the word "realizing." It gives the meaning that he just figured out that their health and pleasure were the first things to be considered. Calixta and Bobinot, as well as Bibi are shown to be very happy and full of laughter after she cheats on Bobinot," when the three seated themselves at table they laughed much and so loud that anyone might have heard them as far away as Laballiere's"(Chopin 149).
In the story "The Storm", Kate Chopin plots a situation in which two people surrender to their physical desires. Chopin wrote fiction stories in the late 19th century. She was condemned due to the immorality presented in her work. At her times, woman was considered to be very innocent, and always faithful to her husband. In Chopin's work one sees a totally different view of a woman's behavior. She is not a popular writer of her era because of her crude works; the audience of her period could not justify her stories. In the story "the storm", Kate Chopin by hiding the immoral behavior of her characters behind the fear of bad weather is being ironic.
The author employed the use of symbolism in the description of the storm. Storm, a natural phenomenon that brings about extreme weather condition that might lead to an undesirable outcome. "The Storm" in the context of the selection brought about a positive outcome. “The storm” in the story is not the physical storm that occurred outside with heavy downpour, but the coming together of Alcee and Bobinot. A physical storm forms when the atmosphere is saturated with water and droplets of water pour out from the sky. The symbolic importance of the storm represents the liberation of Alcee and Calixta, from the shackles of societal or moral expectation. "He pushed her hair back from her face that was warm and streaming her" (425). Although Alcee pushed Calixta’s hair back to see her face, the author’s interpretation was not physical. Chopin meant that Alcee was able to set Calixta free from the bondage of marriage temporarily.
With the passing of the storm and the departure of Alcee, Calixta does not revert to her subordinate housewife bonds. Instead, she uses her awakening to discover newfound happiness in her marriage and duties as a wife and mother. When Bobinot and Bibi return, the reader sees a different Calixta than the downtrodden, worried, and selfless Calixta from the beginning of the story. In fact, it is the father and son who must begin ?to relax and enjoy themselves,? not Calixta, who is already joyously preparing dinner (861). At the dinner table, ?they laughed much and so loud that anyone might have heard them? (861). The only other time
'The Storm' begins on a stormy spring day, with the protagonist Calixta at her sewing machine. She is alone, her husband Bobinot and son Bibi have gone to the store. Calixta seems to be a bored woman, confined to her duties as a housewife and mother. As the distant storm approaches she is unaware of what the storm brings, her former lover Alcee.
To what extent does Edna Pontellier, in Kate Chopin's The Awakening, mark a departure from the female characters of earlier nineteenth-century American novels
In the story about Edna Pontellier a major theme is her omitted self discovery. In the story we can see how Chopin uses style, tone and content to make the reader understand how it was for a person challenging many of the beliefs of the society at the beginning of the twentieth century.
In “The Storm” Kate Chopin makes the setting an essential and entwined part of her action and ideas. The story focuses on the two main characters, Calixta and Alcee and their short love affair. The action is taking place in a small town in Louisiana where all of the characters live. The story is set in the late nineteenth century when adultery was not expected from anyone, as woman were considered to be innocent and faithful. The integration of setting and story can be followed in details about the storm itself, setting of the atmosphere/mood, and also the complexities of married status in the society.
Calixta and Alcee had a strong passion for each other. Chopin says: Alcee rides up to her house and asks “if he can take shelter
The main focus of this short story is desire. The desire shown by both Calixta and Alcée for each other is obvious. Many people during the time this short story was written would look at it as being “dirty” or filthy. They would look at the affair as being dishonest and unlawful; similar to the way that some of us today. However, the way Chopin expresses the affair is not at all a sense of guilty. She presences it as if it was something that happens often and that it is a natural thing that humans do. Sexual desire is a natural aspect of people’s lives. Even though she is a strong feminist, she does not limit these sexual desires to just the female character, Calixta. She also dives deep into the desires of a man as well. “Both males and females, she seems to tell us, are complex creatures whom have no choice but to discover their passion, in spite of risks, confusion, and guilt. (Bloom 81)”. According to Per Seyersted, “sex in this story is a force as strong, inevitable, and natural as the Louisiana storm which ignites it” (Koloski 145). She observes sex as being a natural thing that cannot be avoided in or outside of wedlock (Koloski 147). She writes as if this affair was unavoidable to the drives between the two characters.
The presence of Calixta's sexual desire and its intensity make this story revolutionary in its feminist statement about female sexuality. Chopin uses the conceit of a thunderstorm to describe the development, peak, and ebbing of passion in the encounter between Calixta and Alcee. At first, Calixta is unaware of the approaching storm, just as her sexual desire might be on an unconscious level; yet, as the storm approaches, Calixta grows warm and damp with perspiration. Chopin does the obvious by these two events when she writes that Calixta, "felt very warm . . . she unfastened her white saque at the throat. It began to grow dark and suddenly realizing the situation she got up and hurriedly went about closing windows and doors" (Part 2 Paragraph 1).
Louis where she became an author of poems and short stories. Kate Chopin wrote several short stories such as, “The Storm,” and novels such as, “The Awakening.” Chopin expressed many controversial views in her writing and expressed her strong-willed personality through these novels and short stories. Soon on August 22, 1904, Chopin died. “The Complete Works of Kate Chopin (1969) comprise only two volumes. In her own lifetime (1851-1904), she published two novels, At Fault (1890), which I have not read, and the now celebrated The Awakening (1899), as well as two volumes of short stories, Bayou Folk (1894) and A Night in Acadie (1897). Chopin gained a reputation as a gifted author of short stories, but it was with the publication in 1899 of her masterpiece, The Awakening, that she reached the culmination of her theme of women’s oppressed lives.” ( )