Essay on Kate Chopin's The Awakening

But they need not have thought that they could possess her, body and soul" (504).  Although Edna did perform her duties as a wife for some time, she is not the typical housewife.  She does not worship her husband or idolize her children, which makes both Edna and Leonce begin to sense that Edna is different from the other mother-women (Lin 1).  Edna never realized the reasons she neglected her duties as a wife until she fell in love with Robert and acknowledged that her desires and needs exist outside of her marriage.  Thus, after her experiences with Robert, Edna is ready to neglect her husband even more, because she now realizes that her husband is holding her back from her needs.  When Leonce tries to make Edna act like the other women that obey their husbands, his attempts to control Edna further instigate Edna's desire for independence from him.  For example, the scene when Edna is lying in the hammock, Leonce says: "I can't permit you to stay out there all night.  You must come in the house instantly," Edna replies: "I mean to stay out here.  I don't wish to go in, and I don't intend to.  Don't speak to me like that again; I shall not answer you" (492).  Edna is carefree and spirited, and she refuses to conform to her husband because she does not want to lose herself.  Becoming the perfect, obedient wife would mean losing her individuality, and Edna realizes she can gain no fulfillment

Edna’s denial for society’s motherly-woman role demonstrates the feministic values of individualism. Mrs. Pontellier prohibits Léonce from having any more control over her life while expressing her desire to keep her individuality at all costs. An example of this is when she rejects to welcome her husband’s guests during the reception day in Chapter 17. Edna begins to break free of her family’s suppressions to express her independence as well as creating her own decisions. Another example is when Edna discusses with Madame Lebrun on her feelings of herself. In this conversation, Edna finally reviews how much her self-expression means to her more than to her children. This scene studies Edna’s morals on expression of one-self, as she values

There are certain ideals that need to be met while being in a relationship; they play concrete roles in the stability of the partnership. The idea of Edna being confined in a marriage with Mr. Pontellier who doesn’t

In the iconic debated novel “The Awakening”, Kate Chopin’s novel takes place in the Victorian Era, which is in the 19th- century, similarly the novel was published in 1899. Edna is depicted as a woman longing for more, a woman who was looking for more than just a life of complacency and living in the eyes of society. The story uses Edna to exemplify the expectations of women during this era. For example, a woman’s expression of independence was considered immoral. Edna was expected to conform to the expectations of society but the story reveals Edna’s desires which longed for independence in a state of societal dominance. Throughout The Awakening, Chopin’s most significant symbol,

The Awakening by Kate Chopin introduces the reader to the life of Edna Pontellier, a woman with an independent nature searching for her true identity in a patriarchal society that expects women to be nothing more than devoted wives and nurturing mothers.

Edna’s children are different from other children, if one of her boys fell “…he was not apt to rush crying to his mother’s arms for comfort; he would more likely pick himself up, wipe the water out of his eyes and the sand out of his mouth, and go on playing”. Edna is not a typical Creole “mother-woman” who “idolized her children (and) worshipped her husband” (8) and at times that results in her husband’s claims that she neglects her children. Edna’s children leave her attached to her husband, and even if she is somehow able to escape the relationship with her husband she will never be able to escape her children. She realizes this and whether consciously or not, doesn’t care for her children the way this is expected of a woman in her time period. When Adele Ratignolle reminds her to, “Think of the children!…Oh think of the children! Remember them!” Edna finally realizes her decisions affect her and her children. Instead of accepting her responsibility as a mother Edna decides to give up, and does so by committing suicide.

    Grand Isle is the movie adaptation of Kate Chopin's 1889 novel, The Awakening. Turner Network Television (TNT) made the movie in 1991, and it stars Kelly McGillis as Edna Pontellier and Adrian Pasdar as Robert Lebrun. To say that this movie is based, even loosely, on The Awakening is an insult to Kate Chopin's colorful literary work. A reviewer from People Weekly calls it a "tedious melodrama" and sees it as Kelly McGillis's "vanity project" because she is star, producer, and narrator ("Grand Isle" 13). Grand Isle is an example of how Hollywood's ratings scramble can tear apart a striking piece of literature.

There was not a time where she really took the time to figure out what her form of individuality. Within her marriage, she felt constricted by a wedding ring and she was willing to leave her husband for Robert. What was she expecting to get out of Robert? Edna was still legally married to Leonce and in those day divorce was a taboo topic not to be spoken. When Robert had come back from Mexico, Edna had mistaken herself if she believed that Robert would have stayed to be with her.

In The Awakening, Kate Chopin creates a protagonist that clearly demonstrates a feminist. The protagonist, Edna Pontellier seeks more from life than what she is living and starts to refuse the standards of the society she lives in. Edna has many moments of awakening resulting in creating a new person for herself. She starts to see the life of freedom and individuality she wants to live. The Awakening encourages feminism as a way for women to obtain freedom and choose individuality over conformity. Chopin creates a feminist story that shows a transformation from an obedient “mother-woman” to a woman who is willing to sacrifice her old life to become independent and make an identity for herself.

In the story about Edna Pontellier a major theme is her omitted self discovery. In the story we can see how Chopin uses style, tone and content to make the reader understand how it was for a person challenging many of the beliefs of the society at the beginning of the twentieth century.

To what extent does Edna Pontellier, in Kate Chopin's The Awakening, mark a departure from the female characters of earlier nineteenth-century American novels

In the novel The Awakening, Kate Chopin (2005) uses deep symbolism to show how the main character, Edna Pontellier, discovers her own independence in the society in which she lived. Edna was a traditional mother and wife seeking freedom and independence throughout her adult life. Chopin portrays Edna as being a rebel against her own life. The story takes place in the 1960s when women were to follow certain rules made by the society they lived in. Chopin also foreshadows the things that occur in Edna’s life through nature and death itself. Based on the many ways Chopin uses symbolic meanings through the novel, we can see the events of Edna’s life as one that rebels against society. Throughout this novel, Chopin proves that Edna’s actions

Leonce is so caught up in his own ideals that he fails to see the reaction of his wife, and children. He is caught in turmoil between society and typically uses the Kliens hotel as a way out. “Then Mr. Pontellier got up, saying he had half a mind to go over to Kliens hotel and play a game of billiards. (Chopin, 174)” Leonce does not spend time with his family while at the summer cottage, and never cultivated intimacy with his children and wife. Leonce would rather be with the boys, leaving all the everyday responsibilities to his wife, or hired help. While at home Leonce expects his wife to be attentive to his every word, treating him more like a prospective business partner than her husband. Leonce does not accept Edna’s lack of attention, and gets at her the only way he can, through her children. Leonce has a chance to vent his discouragement toward his wife. “He thought it very discouraging that his wife, the sole object of his existence, envinviced so little interest in things which concerned him and valued so little his conversation. (177)” “He reproached his wife with inattentions (178)” It is obvious that Edna’s inattentions were of Leonce and not the children. Leonce wanted to get at his wife from her lack of interest in his time at Kliens. “After he reproaches Edna he goes outside and smokes a cigar like it was the most natural thing in the world to do. (178)” The real event is that Leonce has gotten even with his wife, for her inattention to him. The next

She leaves the care of her children to her grandmother, abandoning them and her husband when she leaves to live in the pigeon-house. To her, leaving her old home with Léonce is very important to her freedom. Almost everything in their house belonged to him, so even if he were to leave, she would still feel surrounded by his possessions. She never fully becomes free of him until she physically leaves the house. That way, Edna has no ties whatsoever to that man. Furthermore, Edna indulges in more humanistic things such as art and music. She listens to Mademoiselle Reisz’s playing of the piano and feels the music resonate throughout her body and soul, and uses it as a form of escapism from the world. Based on these instances, Edna acts almost like a very young child, completely disregarding consequences and thinking only about what they want to do experience most at that moment. However, to the reader this does not necessarily appear “bad”, but rather it is seen from the perspective of a person who has been controlled by others their entire life and wishes to break free from their grasp. In a way, she is enacting a childlike and subconscious form of revenge by disobeying all known social constructs of how a woman should talk, walk, act, and interact with others.

She was pressured to marry Leonce by her father and older sister. Along with marriage came the pressure to have children. She is forced into these roles but never actually succumbs to them. Edna not only has Madame Ratignolle's friendship and her marriage to wake her up to her dreams and emotions, her affairs wake up to her desires. The way the different male characters treat her reminds her that she will never happily fit into the role of a wife and mother, therefore awakening her.