The imminence of death can prove to be a more of a deterring factor from fulfillment than death itself. In the poems “When I Have Fears” by John Keats and “Mezzo Cammin” by Henry Longfellow, both poets reflect on their fear of death, however, Keats regrets that he may not fulfill his goals before death, while longfellow regrets that he did not fulfill his goals in the past. In this contrast between past and future, Longfellow looks back on all that he missed while living a comfortable youth and Keats is fearful that he may not experience all the world has to offer yet is hopeful that he will have a chance.
John Keats’s poem begins with “when I have fears that I may cease to be”, bluntly asking what would happened if he died today. He asks himself
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Both men feel that time is escaping them. While keats is fearful that time is moving too quickly for him to accomplish anything, Longfellow fears he has wasted his time: “half of life is gone”. The difference is that Keats is hopeful that he has the chance to accomplish something. Keats begins each line with a dependent clause, leaving room for possibility, possibility that his life can become anything if he wills it. He also includes metaphors to represent the possibility of his success in his writing with “high-piled books”. This presence of hope is what differentiates Keats from Longfellow. In the middle of the of “When I Have Fears”, Keats has a change in tone which also illustrates his hopefulness. He admires the mystery and power of love with its “shadows” and “magic hand of chance”. His enchantment of the concept reiterates his youthfulness and ignorance to life. While Keats longs for love, Longfellow has “sorrow” from “care that almost killed” him. Longfellow was able to experience love in his past yet was unhappy with its outcome. Therefore, Keats is in desperation for love as a symbol of fulfillment, and Longfellow regrets that love has taken away his time ergo not having achieved his
As people near the time of their deaths, they begin to reflect upon the history and events of their own lives. Both John Keats’ “When I have Fears” and Henry Longfellow’s “Mezzo Cammin” reflect upon the speakers’ fears and thoughts of death. However, the conclusions between these two poems end quite differently. Although both reflect upon Death’s grasp, Keats’ displays an appreciation and subtle satisfaction with the wonders of life, while Longfellow morbidly mourns his past inactions and fears what events the future may bring.
The similarities in the poem deal with similar topics expressed throughout the poem dealing with Keats’ and Longfellow’s fear of death. Differences between the two include the structure and the different images, metaphors and diction that they give off along with their different train of thoughts while writing the two poems. Their thoughts of the subject of death are able to relate to a variety of people because everyone is just human and cannot last forever. Just as these two poems show similar ideas can branch off into many different ideas and interpretations. The desire to continue to
After I read Keats’ poem, When I Have Fears That I May Cease to be, it really made me think about all the things that I want to accomplish in my life. Before we know it our time will be here, it’s just a matter of when. This poem really made me think about the way I am living my life right now and how I should not be taking it for granted. I need to change my lifestyle if I want to accomplish all of these things. These three things that I plan on doing in my lifetime before God decides that it is my time to
Mortality is a moving and compelling subject. This end is a confirmation of one’s humanity and the end of one’s substance. Perhaps that is why so many writers and poets muse about their own death in their writings. Keats and John Donne are two such examples of musing poets who share the human condition experience in When I Have Fears and Holy Sonnet 1.
One characteristic embedded in the minds of almost all humans is that of succumbing in pursuit of one’s aspirations, especially with the approach of death. The fear and enigmatic mystery of death at the brink of this shortcoming may cause one who is near death to re-evaluate life as a wasted opportunity or a broken path of dreams because of the inability to find any type of success. The sonnets “Mezzo Cammin” by Henry Wadsworth Longfellow and “When I have Fears” by John Keats examine the thought processes of two people who submit to the struggles of life in a depressed way. While communicating a very similar foundational message and mood in a different way through diction and structure, the speakers in “Mezzo Cammin” and “When I Have Fears” identify their despair through likewise differing literary elements which complement and bring out the message intended by these troubled individuals.
if you look at his poem. After the 1st half of the 3rd stanza, all the
John Keats’ “When I have fears” and Longfellow’s “Mezzo Cammin” both reflect on the sorrow each poet feels recognizing their unaccomplished life goals as they are moving closer to death. However, their conclusions set them apart. By utilizing night imagery and diction of fear and hopelessness, Keats illustrates the meaningless nature of the speaker’s life. While Longfellow uses diction of regret and hope imagery to demonstrate the mornings of regrets. Both uses different rhyme schemes.
Death is an uneasy topic to talk about and causes nearly everyone to have negative feelings for it. Although it is inevitable and also an important part of life, people try to avoid the topic altogether because it gives them discomfort. Because it is such an important subject, one must break the awkward silence and address the topic. Longfellow makes death seem like a natural thing which must come to all living things through his rich comparisons to nature and ordinary life. In “The Tide Rises, The Tide Falls” he compares the continuous rising and falling of tides to a nameless traveler, and in his poem, “Nature” he compares nature and humans as the relationship
In Longfellow’s poem he talks about being afraid towards death. Both Keats and Longfellow change direction of poems and approach death with different mentality. In Keats’s poem line five “When I behold upon the night's starr’d face/Huge cloudy symbols of high romance” which changes the poem to a more soothing and romance of a poem. From that line he doesn't talk about opportunities just about love. But yet it is a depressing part of the poem because he is afraid he isn’t going to meet the love of his life because death will come to him first.
Links between death and darkness, death and night, and death and a permanent ending are ones that have been made over and over throughout history. Similarly, the idea of death as a deliverance from the sufferings of human existence and as the journey to something better is recurrent in art and literature, but also in many religious beliefs. By playing with both tropes simultaneously, Thomas and Dowson offer a vulnerable and realistic portrayal of many people’s feelings about death. The duality, the uncertainty, seems conflicting but instead it widens the scope of the poems and offers a broader depiction of this inevitable human phenomenon. Neither poet gives a definitive answer as to what his belief about what lies beyond death is and yet, neither poems feel incomplete. They both pose a question rather than giving an answer, a tentative exploration instead of firm
John Keats’ poem, When I have fears that I may cease to be, is a well-known work that embodies many Romantic principles. The poem, explored in the context of Keats’ suffering from consumption, laments human impermanence while simultaneously exploring philosophical notions. Keats implements the use of the Shakespearean sonnet with each quatrain, beginning with the ambiguous, but time-bound word ‘when,’ manifesting these ideas in unique ways. When I have fears that I may cease to be uses the structure of the sonnet to delineate between the realms of reality and fantasy, while contributing to the overarching concept of eternity and ultimately reaches the conclusion that even lofty ideas that appear eternal ultimately erode.
In these passages, poetry can be directly related to the possibility of death being averted. One by keep the drive awake and not falling asleep at the wheel. The other, had May reached for some of her late husband’s med and not the book by Yeats she may have
It is natural to fear death, or to lack in understanding of the matter. One thing that we all know, though, is that death will come. In this poem the speaker is reminded of that sad truth, and relearns how to live her own life. Her life is of more value now that she is reminded of her death to come. The poem itself brings the two main ideas of gratefulness and acceptance and gives it to the reader. The poem teaches us that life is a gift. It teaches us that a vast mystery of the unknown such as death, can actually enable us to appreciate the little things that are often
Time spent fearing the passage of time wastes the very thing that one dreads losing. Both Shakespeare’s "Sonnet 73" and Keats’s "When I have Fears that I May Cease to Be" reveal the irrationality of this fear and explore different interpretations of this theme: to Keats death equates an inability to reach his potential, to accomplish what he desires; to Shakespeare death (represented in the metaphors of autumn, twilight, and ashes) will separate him from earthly, physical love. Through various rhetorical strategies and content of sub-themes, these authors ultimately address their struggle with mortality and time; their
Keats was very aware of his own mortality and his poetry reflected the intensity and the passion of a man who didn't have very long to live. His poetry remains some of the densest prose ever penned because, like his brief existence, he had to condense so much life into so little space. The thought of impending death would be enough to make anyone fall into hopeless despair but Keats's incredible talents and commitment to live in the moment perhaps allowed him to three lifetimes.