Ken Kesey 's One Flew Over The Cuckoo 's Nest

   The choice that a novelist makes in deciding the point of view for a novel is hardly a minor one. Few authors make the decision to use first person narration by secondary character as Ken Kesey does in One Flew Over the Cuckoo's Nest.  By choosing Bromden as narrator instead of the central character of Randle Patrick McMurphy, Kesey gives us narration that is objective, that is to say from the outside of the central character, and also narration that is subjective and understandably unreliable. The paranoia and dementia that fill Bromden's narration set a tone for the struggle for liberation that is the theme of the story. It is also this choice of narrator that leads

Searching for an archetype, or an example, when trying something for either the first time or something that is daunting is a common train of thought for a person. This same idea can apply to Ken Kesey’s One Flew Over the Cuckoo’s Nest, in which the protagonist essentially becomes an embodiment of a hero. This piece of literature takes place in the 1960’s, and is presented through the vision of Chief Bromden, a patient that is stuck within an figment of imagination where those who fall to the mechanical system become the machines themselves. The novel’s lead character, Randle Patrick McMurphy, assumes the role of a hero, in both a classical and contemporary sense, where he is pitched against Big Nurse Ratched, a tyrannical force within the

In Ken Kesey’s book, One Flew Over the Cuckoo’s Nest, there were two main characters that were in a battle to have the majority of control over the ward. Throughout the story, they engaged in different acts of stubbornness to see who could display the most power and which of the two could stand their ground the longest without giving in to the other. These two characters were: Randle McMurphy, a new patient who was determined to change the ways of the ward, and Nurse Ratched, the head nurse of the asylum who preferred to have complete control over everyone and everything.

Though every period of time, people often find themselves looking for a savior. While most people turn for Jesus Christ or other religious figures, in the novel, One Flew Over the Cuckoo’s Nest, by Ken Kesey, the patients of a strictly-run psychiatric ward turn to Randal Patrick McMurphy. Kesey uses McMurphy to create a Christ Figure, or a character that shows allusions to Christ, in his work. Despite being a patient, McMurphy finds a way to stand out as a Christ Figure through having his individual thoughts and actions, rather than shrinking himself to what the ward wants him to be.

Works of literature innately embody the author’s ideology and the historical context of the given time period. Within the novel, One Flew Over the Cuckoo’s Nest, by Ken Kesey, the author furthers his ideals against the issue of oppression as he attempts to take stabs against its deteriorating effects and support those who rebel. Set in the microcosm of a small mental hospital, he establishes man’s external struggle to overcome tyranny. At the head of the head of the ward is the corrupted character of Nurse Ratched, who rules with an iron fist and the help of her machine like aides. It also features the nonconformist character, McMurphy, as he works to break Nurse Ratched’s endless cycle of tyranny. Although the novel shifts between the

“The creatures outside looked from pig to man, and from man to pig, and from pig to man again; but already it was impossible to say which was which.” (Orwell). Although animals might only look like animals, they are symbols of deeper meanings. Throughout the fiction novel One Flew over the Cuckoo’s Nest, by Ken Kesey, many symbols/motifs are presented in the form of animals that represent characters. These animals give meaning to the story and illuminate the plot by giving insight on character development, parallels, themes and thought processes of characters. McMurphy represents the Geese, Nurse Ratched is rendered as a wolf and the Patients are portrayed as hens and rabbits.

Only a few are able to utilize the power to control and manipulate situations which can lead to drastic outcomes. Those with an assertive and manipulative personality tends to use that to their own benefit and completely disregard the impact their personality has on the surrounding people and themselves. In Ken Kesey’s novel, One Flew Over the Cuckoo’s Nest, he expresses the theme of power and manipulation through two characters, Nurse Ratched and McMurphy. Both characters use their manipulative powers for their own advantage in a deceptive way that causes the patients admitted to the asylum to suffer rather than improve.

In “One Flew Over the Cuckoo’s Nest” by Ken Kesey, Nurse Ratched symbolizes the oppression of society through archetypal emasculation. The male patients at the ward are controlled, alienated and forced into submission by the superior female characters. Throughout the novel, there is a constant fear of female superiority; Randle McMurphy, the sexually empowered male protagonist, states how they are essentially being castrated. Castration, in the novel, symbolizes the removal of freedom, sexual expression and their identity. Furthermore, Nurse Ratched, the mechanical enforcer, represents American society: corruption, surveillance and the deterioration of individuality.

Many times throughout one of Ken Kesey’s most famous novels, One Flew Over the Cuckoo’s Nest, the book uses animals as symbols to represent the story’s plot. The animals usually relate to individual characters and their current struggles within the story. Animal imagery provides us with great insight to the themes that Kesey is trying to have us explore, and is a very good tool that the reader can use to help better understand and relate to the characters.

Considering the type of things that young people are exposed to in the media and in everyday life, I honestly do not agree with the reasoning behind banning One Flew Over the Cuckoo’s Nest from high school curriculums. Jennifer, a 17-year-old student in California says, “The words and scenes don't bother me. It's like TV today. It's not anything different. There are other, worse books, and curse words you hear daily.” [3] What she says is true; from personal experience, I can tell you that from the obscenities I encounter in my day to day life, I have heard much worse than what Ken Kesey writes. I am not asserting that it is okay for children, teenagers, to be so comfortable with these things, but their exposure is inevitable. Since children are so easily influenced by what they are exposed to, it makes it that much more important to teach them about controversial issues, so that they understand why it is wrong. Teachers don’t teach this novel in the classroom to

How to Read Literature Like a Professor is a guide to do, well, exactly as the title states. Consisting of 27 chapters and various interludes all explaining different tips and tricks to aid a reader in fully understanding the sometimes hidden messages in literature of all kinds. One particular chapter titled Nice to Eat With You: Acts of Communion discusses the importance of breaking bread in literature. In this chapter Thomas C. Foster touches upon how communion is not a strictly Christian endeavor, in fact communion is simply sharing a meal with someone else. He also discusses the relevance of whether or not the meal goes smoothly or not, for this does not only usually decide the fate of the characters that are filling their stomachs it can also explain a lot about certain traits and can help you have a greater understanding of the character(s) as well as their motives.

In Kesey’s 1950s novel ‘One Flew Over The Cuckoos Nest’ Nurse Ratched’s relationship with male patients is based upon differences they hold about gender and identity. Nurse Ratched is portrayed as a masculine misandrist figure that gains power from emasculation. She carries “no compact or lipstick or woman stuff, she’s got that bag full of a thousand parts she aims to use in her duties” . This implies nothing womanly about her as she prioritises her “duties”, suggesting that she aims to control her male patients by ridding her feminine qualities. In addition, she is shown in robotic with a chilling aura. This is evident when she slid “through the door with a gust of cold and locks the door behind her” . This indicates that as a power figure her only concern is controlling her male patients, making sure they are obedient and abiding by her rules. “Gust of cold” implies that by doing so she wholly ruins her relationship with the males due to her “cold” and callous methods. Daniel J. Vitkus states she is “the Big Nurse, an evil mother who wishes to keep and control her little boys (the men on the ward) under her system of mechanical surveillance and mind control.” Yet, can be argued that she is fulfilling her role of working as a Nurse within a mental institution. However Vitkus’s critique is similar to when McMurphy says “Mother Ratched, a ball-cutter?” McMurphy is a hyper masculine force against Ratched’s emasculating norms. Their relationship is essentially a power

Comparison of Book and Film of One Flew Over the Cuckoo's Nest by Ken Kesey There are differences and similarities in the book "One flew over the

Ken Kesey's One Flew over the Cuckoo's Nest is a creation of the socio-cultural context of his time. Social and cultural values, attitudes and beliefs informed his invited reading of his text.

Our perspective of a stranger whom we’ve never met nor seen, but only heard of through the mouth of the enemy’s opinion, will inevitably align with the only version of the story we’ve heard. This sort of bias is found in Ken Kesey’s 1962 novel, One Flew Over the Cuckoo’s Nest, with Nurse Ratched’s depiction through the narration by Chief Bromden. The reliability of Bromden’s perspective is questionable, as it is his interpretation of the world, rather than what it actually is.