his culture, his social position and naïve. Othello's victimisation could also show Shakespeare's meaning of the term "tragedy". In other Shakespearean tragedies the lead character is shown as cunning, ruthless and manipulative, more similar to Iago than Othello. This could represent a change in Shakespeare's opinion of a true Shakespearean tragedy. The main cause of Othello's victimisation is his race. Unlike the other characters in "Othello" he is a Moor, a natural
different interpretations of “King Lear” have been made, each valuing and highlighting different aspects and themes of the play. It is necessary for these interpretations to be made and adapted in order for “King Lear” to have relevance within the context of the society. Each interpretation of the text extracts and concentrates on certain ideas, issues, themes, values of the play, altering the way the play is received amongst audiences and critics. Shakespeare's tragedy King Lear can be interpreted in
of Shakespeare’s King Lear Shakespeare’s King Lear is a tragic about an aging King of Britain and his three daughters. When it comes time to divide his kingdom, he puts his daughters through a test to prove how much they love him. The two older daughters, Goneril and Regan, give King Lear flattering answers and therefore receive great amounts of finer land. The third and youngest daughter, Cordilia, says that she has no words to describe how much she loves her father. King Lear becomes enraged with
the Elizabethan time. It portrays the growth of unjustified jealousy in the noble protagonist, Othello, a Moor serving as a general in the Venetian army. The innocent object of his jealousy is his wife, Desdemona. In this domestic tragedy, Othello’s evil lieutenant Iago draws him into mistaken jealousy in order to ruin him. Othello is destroyed partly through his gullibility and willingness to trust Iago and partly through the manipulations of this villain, who clearly
But dealing with the issue of honour in his works is even a more challenging matter. The aim of this thesis is to prove that honour has been treated in Shakespeare tragedies as a key point which leads into his tragedies. Even though it is dealt with it under dissimilar names, the consequences are the same. In three of his tragedies Hamlet, Othello and Romeo and Juliet honour is displayed as a main theme and at the same time as a driving force, usually for the worse. Honour has been analysed as the