King Louis XIV of France used the Baroque style in an attempt to represent himself as an absolute monarch to both France, as well as the rest of the known world. Baroque style exemplified artistry in one of its most prominent eras. Over exaggerated drama and tensions. Exaggerated textures and colors showing prominence in the subject of each piece. These elements are just what King Louis needed to promote and advertise his power. Beginning his nearly 72 year reign at the ripe old age of two, King Louis had plenty of time to develop his image as the absolute "king of kings." He flaunted himself in just about everything he could get his hands on. In his self portraits it was evident. From painting, to busts, to full size sculptures. Exaggerated
The 17th century of European history, colloquially known as the “Age of Crisis”, gave rise to a new form of government: absolutism. Religious wars, economic troubles, inflation, and new agricultural challenges such as the Little Ice Age wracked the nations of Europe and caused tremendous fear and uncertainty among the masses. Thus, as many felt that life itself was endangered, they were willing to accept the rise of a strong, independent ruler who might lead them from the darkness. In this way, absolutism emerged- a new form of monarchy based on a hereditary ruler with complete authority. Perhaps the most well known example of an absolute monarch in European history is Louis XIV, the ruler of France from 1643 to 1715.
In the time before King Louis XIV’s reign, 17th century France was involved in several civil wars, there were no secure borders and the aristocracy acted as local rulers. In 1643 when Louis XIV came to power, he thought that he needed to secure both France and his own rule. He decided to build a new palace complex 12 miles outside Paris. To him, isolation meant security, he would be away from the plotters and schemers in Paris. He also believed that having all government departments and ministries living within Versailles would centralize the government and create reform.
Still, the negative aspects of France’s rule under King Louis XIV far outweigh the positive ones. His reign can best be described by the statement “L’état, c’est moi,” (I am the state) that is attributed to him. King Louis XIV spent state money to pay for his own luxuries and monuments that glorified his image. It was also customary for the artists King Louis XIV sponsored to include direct or indirect allusions to him in their productions thus creating a god-like image of him. The Palace of Versailles alone used 5% of France’s income. This liberal
Louis XIV, the ruler of France from the late seventeenth century to the early eighteenth century, claimed, “I am the state.” He considered this to be absolutism. His goal, also acquainted with absolutism, was, “one king, one law, one faith;” Furthermore, Louis wanted to promote religious unity, royal dignity, and security of the state. In order to achieve this goal, he had to rule with a firm hand, laying down the law for all to see. Louis XIV’s absolutism fostered in four major parts: the building of Versailles to control the nobility, the breeding of a strong military, the improvement of France’s economy, and, while quite harsh, the brutal extinction of religious toleration.
Who was King Henry VIII and who was King Louis XIV? How are they different and similar to each other? Well, one thing for sure, both of these rulers were Roman Catholics. Henry ruled England from 1491 to 1547 and Louis ruled France from 1643 to 1715. This essay analyzes the differences and the similarities between these two Roman Catholic kings. Henry VIII, compared to Louis XIV, was overall a ruthless monarch who wasn’t afraid to show off his greediness, abuse his power, or influence others with his clever political strategies. Louis XIV had the longest reign in European history (1643-1715). During this time he brought absolute monarchy to its height, established a huge and grand palace.
The 16th and 17th centuries brought up the proposition of an absolute monarch, this is a ruler with total power over a country or territory. The idea of kings being chosen by God, or the divine right of kings, lead to absolutism, which was seen throughout Europe. Monarchs could be tyrants, they could take away the rights of their citizens. Monarchs could also be prosperous, improving their country economically, military, or gaining foreign alliances. Europe's absolute monarchs left the 16th and 17th centuries prosperous due to the fewer conflicts, the morals of monarchs, and everybody had an equal chance at upward-mobility.
During 1789 and decades prior, peasants toil in the fields and reap the diminishing wheat stalks. Bound by the law set by the king, they suffered paying the nobility’s and clergy’s expenses with whatever income they had. When not in desperate poverty, the Third Estate would muster any energy to exert disdain to their king, indifferent behind palace walls. With Voltaire's and Rousseau's conceptions, commoners imagined a government where the nation was in potency, not the monarch. Yet, King Louis XVI taunts this bubbling tension by claiming these privileges were well-deserved, insinuating that his people were literal breadwinners, obligated to pay tribute. With high tax rates, a radical government where the people were free of ridicule circulated
For my source I chose a note written by King louis XVI. This Source is commonly called “the kings note on fleeing Paris”. King Louis the sixteenth was a very well-known king from the mid to late 1700’s and was the king of France. He was able to complete several huge accomplishments such as establishing equal rights amongst religion for those who did not personally consider themselves to be a member of the catholic faith, supporting American revolutionary efforts, and even refusing to raise taxes which, as a king, directly affected how much he earned from his time with the crown. However, because of these things like funding other countries revolutions, he sent France into a depressed financial state that hurt the middle and lower classes of
Louis XIV was a French king known for his extension of absolute royal power and aggressive foreign policy, but the documents reveal another side to him. Louis wanted his son to represent all that was good of France. One significant piece of advice he gave to his son was to keep absolute authority instead of forfeiting any amount of power to a prime minister; another was to divide orders and responsibilities among his courtiers based on talent, rather than giving all the power and responsibility to one person (Doc 5). This suggests that Louis was a good father, because he wanted his son to be an effective ruler and keep the royal dynasty alive. Besides his fondness for keeping absolute power, Louis also held a particular regard of art and sculpture.
Although Louis XIV, also known as Louis the Great, brought death and destruction through his wars, there are many positive aspects of his reign, such as the creation of Versailles and the building of France’s national army. He did what had never been done before. He changed the lifestyle and the attitude of France by creating one of the most powerful monarchies ever to be built and at the same time, reassured all the nobility and other wealthy groups of their political and social standings. He made it clear that he was the final decision maker yet he still needed the help of the nobility and other authorities.
Louis XIV, France’s Sun King, had the longest reign in European history (1643-1715). During this time he brought absolute monarchy to its height, established a glittering court at Versailles, and fought most of the other European countries in four wars. Although his reign had some negative aspects; on balance, Louis’ reign was primarily a benefit to France.
The reign of Louis XIV was the longest of the modern era, and during his time, France reached remarkable achievements in art and architecture, such as the Palace of Versailles. Louis XIV was responsible for creating the lavish complex that was filled with Baroque interiors and surrounded by French and English gardens. In its later years, it was further renovated for other kings then given to the Republic for public use. Through its elaborate ornamentation and massive scale, the Palace of Versailles represents the glory of the Sun King and expresses the power of the French monarchy.
King Louis XIV was born in 1638. He became king at age four, and received only a mediocre education. He was taught nothing beyond pious works and decorous behavior at religious observances. He came into full power of France in 1661. Louis married Maria Theresa of Spain in 1659. When Mazarin died in 1661, Louis decided he didn’t want a powerful advisor and then started to change history. Louis had the longest reign in European history of 73 years.
Title- The road from Versailles: Louis XVI, Marie Antoinette, and the fall of the French Monarchy
Chapters two to eight follow each other chronologically, and examine how the image of Louis XIV changed during his reign. Chapter two pays particular attention to the different media used by the king and his 'image-makers '. This chapter is a good introduction to the different styles and genres used to create royal images, for example by comparing classicism and baroque and explaining recurrent allegories, metaphors and commonplaces used in the representations of Louis XIV. Chapters two to four give us the necessary background to understand the study of the relation between art and power in the time of Louis XIV. Whilst in chapter three, Peter Burke concentrates on how royal representations respond to contemporary events, he then is primarily concerned in chapter four with the construction of the structures of glorification of the king. The reader is introduced to two key figures in