Lady Macbeth's Transformation into a Guilt Ridden Woman in Shakespeare's Macbeth

Macbeth is confused as he is arguing with himself on what he should do. He states reasons not to kill Duncan, because Macbeth is his noble kinsmen and the act would bring dishonor. However, he also states reason why he should kill him, because Macbeth will then become king and fulfill the witches ' fortune. Lady Macbeth, who appears in the beginning as the driving force for the murder of King Duncan, also develops internal conflict. At first, Lady Macbeth seems to be a woman of extreme confidence and will. But, as situations become more and more unstable in the play, guilt develops inside her. For instance, she exclaims; "Wash your hands. Put on your nightgown. / Look not so pale. I tell you again, Banquo 's / Burried; he cannot come out on 's grave" (Shakespeare V, ii, 65-67). Lady Macbeth sleepwalks and frets about her evil wrongdoings because she is extremely guilty of her influence on Macbeth to commit the murder. Lady Macbeth reacts emotionally and dwells on her actions as guilt eats at her soul.

After the “deed” is carried out Macbeth is full of remorse. He is shaken by the sin he has committed and it is Lady Macbeth who soothes his nerves once he comes back to the castle. This shows Lady Macbeth’s remarkable strength of will through the murder. She even jokes about

After murdering King Duncan, Macbeth returns ashamed of what he had done and becomes weak and morose. Lady Macbeth remains as bold and cold-hearted as she was at the moment she plotted to kill the king, but it was obvious that it would only be a matter of time before all of that bravery faded away and guilt would overcome her. She realizes that Macbeth is at one of the lowest points of his life and tries to give him that same sense of boldness that she has as she tries to cover up his weaknesses. Macbeth had a lot on his conscience that shortly after Banquo had been killed, he believed he saw the ghost of who was once his friend. No one else sees this apparition but Macbeth speaks to it as if it was

A deadly combination of ambition and guilt poisons both Macbeth and his wife and leads to their deaths in the end. Ruined by her desire for power, Lady Macbeth’s descent into madness is more vivid and guilt seems to affect her more than her husband, even though he is responsible for more crimes. Her request to the spirits to “unsex [her] here,/ And fill [her], from the crown to the toe, top-full/ Of direst cruelty!” is contrasted as the more guilty she feels, the more weak and sensitive she become, a polar opposite of her usual masculine and bold self (1.5.44-46). As a result, she is unable to cope with the guilt and meets her ultimate demise by taking her life. This has an immediate effect on Macbeth: the almost always apparent tension of ambition and guilt disappears. He does not seem interested in living and is ready to face death in a manner more relatable to his former self rather than the murderer he has become. Moreover, Macbeth’s final remark is “Arm, arm, and out!”,

Assuming the role of stronger partner, she manipulates Macbeth with effectiveness by ignoring his objections about the murder. Refusing to understand his doubts and hesitations about the situation, she scorns his manhood by calling him a, “coward,” (1.7.43) and questions his virility, “What beast was’t, then, that made you break this enterprise to me? When you durst do it, then you were a man,” (1.7.48-49) until Macbeth feels that he must commit the murder to prove himself.

   In the play Macbeth, by William Shakespeare, the characters Macbeth and Lady Macbeth decide, in a great fit of ambition, to kill King Duncan.  Later in the play we see the same two characters undergo a transformation in their personalities after murdering the King.  Macbeth begins the play as a noble soldier and gradually changes into an ambitious and murdering tyrant.  Lady Macbeth begins as a strong, ambitious woman who dominates her husband and gradually changes into a weak and guilt-ridden woman.  This essay will explore the characters of Macbeth and Lady Macbeth before and after the murder of King Duncan.

Guilt is a very strong and uncomfortable feeling that often results from one’s own actions. This strong emotion is one of the theme ideas in William Shakespeare, “Macbeth”. Both Macbeth and Lady Macbeth feel guilt, but they react in different ways. Guilt hardens Macbeth, but cause Lady Macbeth to commit suicide. As Macbeth shrives to success guilt overcome’s Macbeth where he can no longer think straight. Initially Macbeth planned was to kill Duncan but it wasn’t enough he also had to kill Banquo and Macduff’s family. On the other hand Lady Macbeth had to call upon the weird sister to unsexed her so she had no true feeling towards anything as if she was a man. However, the true guilt of the murder

As the play goes on, Lady Macbeth begins to lose her fierce and intimidating persona as Macbeth becomes the more assertive and dominant one. Lady Macbeth starts losing her edge when it becomes less difficult to get Macbeth to follow through with his murderous acts. Anytime Macbeth thinks you’re interfering with his kinship, he’ll have no problem taking you down and getting you out of his way. Macbeth no longer needs Lady Macbeth to persuade him. This is very apparent when he shows no mercy planning the murder of Banquo, “There’s comfort yet, they are assailable/ Then be thou jocund: ere the bat hath flown/ His cloistered flight, ere to black Hecate’s summons/ The shard-born beetle with his drowsy hums/ Hath rung night’s yawning peal, there shall be

On the contrary, Lady Macbeth begins as a ruthless woman. She has a manipulative and controlling character, convincing Macbeth to kill King Duncan; she will do anything to gain power. When she says, “How tender ‘tis to love the babe…I would, while it was smiling in my face, have plucked my nipple from his boneless gums and dashed the brains out” (I.vii. 55-58), she shows her ruthlessness and her “bad” ambition. In her “role reversal” with Macbeth, she gains somewhat of a conscience and realizes her guilt. When she tells him, “You must leave this” (III. ii. 35), she wants Macbeth to forget about his plan to murder Banquo’s family. She is very hesitant about committing another murder and does not want Macbeth to follow through with his plan.

Lady Macbeth has the power over her husband to persuade him into doing anything she requests. She manipulates Macbeth with incredible efficiency by overruling all of his thoughts and changing his perspective on the present. Even though the many tasks that need to be completed are difficult to understand why they need to be done, Lady Macbeth will always convince Macbeth to do it. Her husband often tells her that she has a “masculine soul” which is obvious due to her murderous and envious actions. When the time came to kill king Duncan, Macbeth believes that his wife has gone insane and tells her that the crime they were about to commit was a horrible idea. As a result of his questioning, Lady Macbeth says that executing the crime will show his loyalty to her. On the night of the assassination Lady Macbeth watched the guards of the castle become drunk and unaware of what was going on. Lady Macbeth sent her husband into the castle to kill King Duncan. The married couple fled the scene leaving the guards covered in the evidence. Lady Macbeth and Macbeth are stained with the blood of their victims and the feeling of guilt in their stomach.

She tells Macbeth to put on a pleasant face and leave the rest to her.

Not feeling any remorse, she is able to skillfully let go of guilt and skillfully get rid of evidence. As Macbeth comes back to her after the deed is complete he is very shaken up and extremely paranoid that someone saw him with the bloody daggers. Lady Macbeth tells him, “These deeds must not be thought after these ways; so it will make us mad” (2.2.34). By saying this she believes that you shouldn’t feel guilty about doing evil, you should just get it done and move on because thinking about it will only drive you crazy. Also she thinks when commiting violent acts such as murder make sure to get rid of any evidence that will lead people to believe you are a suspect. Frustrated and upset that her husband came home bathed in blood and the daggers in his hand she states, “Infirm of purpose! Give me the daggers.”(2.2.52-53). She is extremely disappointed in Macbeth for being so careless and cannot believe that he did not go through the well thought out plan smoothly. In her eyes he is still a coward and does not know how to behave calmy when feeling guilty.

‘Macbeth’ is a play in which a Lord and his Lady come into supreme power through acts of injustice and despicable inhumanities. In the play Macbeth there is no main focal theme that overrules the others; the play however has several underlying themes, namely there are important themes i.e. good and evil (like ying and yang), greed and power, guilt and conscience, fear, ambition – this leads to the murder of other people illustrating to the reader that even the most sane of people can result to character diminishing methods to get what they want. These particular themes are the most prominent and when closely looked at, it can help to understand characters and meanings behind the play. The theme of ambition is very important in this play,

Lady Macbeth gives Macbeth the first push to kill Duncan, and she wants to be ruthless, feel no remorse so that she and her husband will successfully kill Duncan. She desires to “stop up th’ access and passage to remorse” (Shakespeare 1.5.51) so that she will not feel bad about the murder. She persuades Macbeth to kill Duncan, but he struggles afterward when he does not follow the plan and forgets to put back the daggers he cannot face the evil act he has committed. Lady Macbeth is satisfied after Macbeth is king, but that is not enough for him any longer. Eventually the killings take a toll on Macbeth’s mental state, and the guilt he begins to feel is unbearable. Macbeth kills Duncan and then says “this is a sorry sight”

However, Lady Macbeth’s conscious shines through as she is not able to kill a poor vulnerable man who looks like her father. She is thrown off guard be her reaction to Duncan’s face. She does not expect to feel any remorse toward the old man but she does. After Macbeth kills Duncan, Lady Macbeth regains her cruel nature and quickly takes the dagger from him to frame the guards, “Give me the daggers. The sleeping and the dead/ Are but as pictures. ‘Tis the eye of childhood/ That fears a painted devil. If he do bleed, / I’ll gild the faces of the grooms withal, / For it must seem their guilt.”(68-72). Lady Macbeth shows no remorse or respect for the dead. Lady Macbeth cannot let her remorse control her because she knows that the only way to bring about the prophecy is to frame the guards. Lady Macbeth unsuccessfully attempts to block out the horrendous deeds she commits. The compassion Lady Macbeth shows for Duncan proves that the spirits did not remove her soul or kill her conscious, which will be her Achilles heel and lead to her death.