Language On Every Scale : Steve Jobs

Amy Tan’s ,“Mother Tongue” and Maxine Kingston’s essay, “No Name Woman” represent a balance in cultures when obtaining an identity in American culture.  As first generation Chinese-Americans both Tan and Kingston faced many obstacles. Obstacles in language and appearance while balancing two cultures. Overcoming these obstacles that were faced and preserving heritage both women gained an identity as a successful American.

Stories and stereotypes make many people want to change themselves negatively and assimilate just to fit in with society. As time passes, society’s stereotypes for how people of each race should be, which race is more dominant than others, and which race you should be, all play a role in impacting someone’s self-esteem and their insecurities. This is portrayed through Jin Wang, a main character in Gene Luen Yang’s “American Born Chinese” when Jin Wang thinks his crush, Amelia, he instantly becomes happy. But then he thinks about Greg and Amelia together and gets mad. He finally zooms into Greg’s blond hair. The next day he goes to school with the same hairstyle. The hair symbolizes Greg’s all American identity because the stereotypical American is portrayed with blond hair and blue eyes. To Jin Wang, this hair symbolizes what he wants to be, so he changed his hair to an “American” hairstyle to get Amelia to like him. Due to stereotypes about how Americans are suppose to look like, Jin Wang feels insecure about himself and wants to change his identity and himself as well to assimilate into American culture and stereotypes. These stereotypes and the Anti-Asian stereotypes impact Jin Wang greatly and make him hate himself as well as his background and where he came from because he believes that in order to be AMerica, you have to be white. Another way that this is portrayed is from a personal experience I had as a kid. Growing up as an Asian kid in America, I didn’t really know

Many new arrivals still struggle to survive and often Chinese Americans still encounter suspicion and hostility. Chinese Americans have achieved great success and now, like so many others, they are stitching together a new American identity. As Michelle Ling, a young Chinese American, tells Bill Moyers in Program 3, “I get to compose my life one piece at a time, however I feel like it. Not to say that it’s not difficult and that there isn’t challenge all the time, but more than material wealth, you get to choose what you are, who you are.” (www.pbs.org)

Two items are not the same—they are not comparable. Employing the word “different” to describe the countries of America and China demonstrates Maxine’s mother’s awareness of the numerous dissimilarities between them. In her 2012 nonfiction book, Quiet, Susan Cain writes, “Westerners value boldness and verbal skill […], while Asians prize quiet, humility, and sensitivity” (Cain 189), the same cultural differences that Maxine’s mother recognizes in The Woman Warrior. America prefers “verbal” communication, whereas China places more value on silence. In particular, American residents who straddle both Chinese and American cultures must face these two conflicting ideals.

The tale “American Born Chinese” by Gene Luch Wang depicts the story of three characters, Monkey, Jin, and Danny. They all have the problem of fitting into their new environments. Jin Wang has to deal with Asian stereotypes. Danny has to deal with embarrassment of his cousin. Lastly, Monkey has to deal with the fact that there is no position for him in the heavenly ranks. However, over time, these characters have to come together to fit in. Yet the question remains: what exactly about fitting in is the problem? Although Jin Wang takes the form of Danny to reject his Chinese roots, the embarrassment of Chin-Knee shows he cannot hide behind a false American identity, thereby delineating that race is the source of his problem.

On the other hand, Nguyen talks of the language difficulties that she experienced being a Vietnamese in the United States. At first, she is enrolled to a school far from home as it offers bilingual education to help her integrate with the system of learning. She works hard to raise her academic performance with hopes of falling in favor with the teacher. However, as the teacher knows her Vietnamese origin, she manifests her stereotype on Nguyen’s comprehension in literature readings. For instance, while it was her turn to read, the teacher would interrupt her making sentiments such as “you are reading too fast….things she did not do to other students” (Nguyen, 35). She also faces a “school-constructed identity” together with her sister with all sorts of jibes thrown against them. As Vollmer puts it, “such assumptions affect the interpretations made of student behavior and school

A world once filled with Asian friends and neighbors crashes harshly as Jin is left stranded in a white dominated school. Stereotypes and teasing are quickly placed on him from his racial background. Still new to the area, Jin presumes, “The only other Asian in my class was Suzy Nakamura. When the class finally figured out that we weren’t related, rumors began to circulate that Suzy and I were arranged to be married on her thirteenth birthday. We avoided each other as much as possible” (Yang 31). Embarrassment clouds Jin as he realizes that he’s not like the other kids in his class. With distinct features and his native tongue, Jin felt like a reject surrounded by his Caucasian classmates. He was entirely alone amongst his peers, and he didn’t like that one single bit. In this way, it’s clear how both Junior and Jin felt like outcasts in these two oceans of white students and teachers.

thought I'd never leave. I spoke only Cantonese, both to my friends and to my parents.

Another question arises: what is a “narrative of ethnicity” in diasporic context? Choy explains how immigrants are to preserve their ethinic identity, yet they adapt to their social context. The children feel the same resentment and distaste for Chinese. Jook-Liang forces herself to speak English at home in her efforts to be more like Shirley Temple. She speaks to herself in English while practicing her dance routine (Choy, 36) and uses it as a tool to feel less Chinese. The children have jarring associations to learning and speaking

Maxine Kingston's Making of More Americans like Amy Tan's Mother Tongue has been a controversial addition to Asian American literature. The writer has tried to answer the critical question of Chinese American identity and hence been criticized for adopting an orientalist framework to win approval of the west. Similarly Rendezvous by Frank Chin and Mother Tongue by Amy Tan also speak of a culture that neatly fits the description of the "Other" in the orientalist framework. It appears alien, remote and immensely degrading to women who were treated like non-human beings by Chinese chauvinistic society. However things changed for the generation of Chinese that grew up in the US or at least that is what authors wants us to believe.

Chang-Rae Lee’s Native Speaker expresses prominent themes of language and racial identity. Chang-Rae Lee focuses on the struggles that Asian Americans have to face and endure in American society. He illustrates and shows readers throughout the novel of what it really means to be native of America; that true nativity of a person does not simply entail the fact that they are from a certain place, but rather, the fluency of a language verifies one’s defense of where they are native. What is meant by possessing nativity of America would be one’s citizenship and legality of the country. Native Speaker suggests that if one looks different or has the slightest indication that one should have an accent, they will be viewed not as a native of

Introduction - Being a part of a bilingual speaking family, like with my mom and dad who are Chinese immigrants, is an experience that no one can imagine unless you are part of a bilingual speaking family. Experiences such as knowing a language that not many of our neighbors don't know can be frustrating for both sides. Being young in my early years, learning English was not only a struggle for me but for my family. I noticed that my parents struggled learning english and communicating with the outside world. From buying groceries to paying for the bills, I observed the painful experiences that my parents persevere through all these years. I was glad public schools gave me the opportunity to not only learn English but to help my family live in this English superior society.

In the story “Two Kinds”, author Amy Tan, who is a Chinese-American, describes the conflicts in the relationship of a mother and daughter living in California. The protagonist in this story Jing-mei Woo’s mother is born and raised in China, and immigrates to the United States to escape from the Chinese Civil War. For many years she maintained complete Chinese traditional values, and has been abided by it deliberately. This kind of traditional Chinese culture has also affected her daughter profoundly. However, Jing-mei is born and raised in the United States. Despite she has a Chinese mother; she is unfamiliar and uncomfortable with Chinese

     The focus of our group project is on Chinese Americans. We studied various aspects of their lives and the preservation of their culture in America. The Chinese American population is continually growing. In fact, in 1990, they were the largest group of Asians in the United States (Min 58). But living in America and adjusting to a new way of life is not easy. Many Chinese Americans have faced and continue to face much conflict between their Chinese and American identities. But many times, as they adapt to this new life, they are also able to preserve their Chinese culture and identity through various ways. We studied these things through the viewing of a movie called Joy Luck Club,

In the story, "The Struggle to be an All-American Girl," Elizabeth Wong seemed to be like a majority of kids. Wong states that she enjoyed playing outside with her brother, the smell of her American teacher’s perfume, and reading Nancy Drew books. However, unlike most kids, she forcibly had to learn a language and culture she hated. Although she was Chinese herself, she was embarrassed of Chinese culture from an incredibly young age. As a child, everyone Wong grew up around, Americans and Chinese Americans alike, conditioned her into believing that speaking English and conforming to American culture was more beautiful and acceptable.