Leadership In The Aeneid

Aeneas, the titular hero of Virgil’s Aeneid, is the flawed Trojan hero sent on a divine quest to found the new Troy and establish the basis for the Roman Empire. Along this journey, he is pushed to his limits both mentally and physically. This strain shows him to be a deeply Roman hero, especially in the values that come forward in his actions and response to tragedy. He embodies two major Roman values: pietas and respect for family, both past and future.

In The Aeneid, Aeneus goes against human instinct to worship the gods. When the gods’ promise seems impossible to be accomplished, Aeneus still believes it will be completed. Throughout the story, Aeneus is constantly suffering and neglecting his own desires to please the gods. Aeneus’ piety leads him to be successful in establishing the future of Rome. Aeneus demonstrates piety by always following the gods will.

Aeneas was a good leader because he was brave, strong, and selfless. The Aeneid was written by Virgil during the reign of Augustus in 19 BCE, and the character of Aeneas was meant to represent Augustus and suggest that Augustus was a direct descendant of Aeneas. Many historians think that Virgil sounded a bit sarcastic when stating how great Aeneas was, implying he himself was not a fan of Emperor Augustus. Throughout the book, Aeneas is referred to as “The Great and Good” and other phrases along those lines, and is always spoken of as a great hero. He does things such as kill deer for his men, or survive a terrible storm, and he even has the approval of the great god Jupiter. Aeneas is a demigod, (his mother is Venus), making him more powerful and respected than any other Trojan men. The Romans valued physical and mental strength, both of which Aeneas has.

The Aeneid, the famous epic poem written by Virgil, depicts the struggle of establishing an empire. The beginning of The Aeneid introduces Aeneas, son of the goddess Venus, whose fate is to find a new home in Italy after the fall of Troy. Throughout the perilous journey, Aeneas faces great obstacles as he strives to fulfill his prophecy and gradually transform into the ideal Virgilian hero. To emphasize his growth, I will discuss three themes in this essay: the extent of free will as it relates to fate, the influence of divine beings on mortals, and the principles of morality. All of these ideas serve as an understanding as to why Aeneas is unable to act on his own accord. This leads me to defend the view that humans require the positive guidance of a mentor figure to resist their self-indulgence.

The ideal virtue in Roman culture was piety, also known as pietas. Pietas had three components: duty to your country, duty to your family, and duty to the gods. When a person followed these guidelines in Ancient Rome, they were considered to have piety. Throughout Aeneas’ journey, the three components to pietas are demonstrated by actions taken by Aeneas’ character. In the epic poem, The Aeneid, the idea of pietas is central to the epic, opposing the Greek ideal of furor, or passionate desire/senseless fury. In this essay, I will analyze the moments in the epic that demonstrate how Aeneas uses these three components of pietas, and how this epic celebrates the shift from Greek ideals to Roman ideals.

In The Aeneid, there are so many different themes that are portrayed,actions taking place,qualities ,and skills that are displayed by a few of the characters. Aeneas is one of the main characters that reveals multiple things about himself by the way he takes on his challenges. He shows how to keep on pushing no matter what comes your way and leadership. Aeneas displays Leadership by how he care for his people's, fate versus free will due to his determination and actions when someone is trying to make him unsuccessful. Leadership is shown by Aeneas as he leads his people out of a falling Troy.

Human suffering as a major theme in Virgil’s piece is also evident in a speech that Aeneas delivers to his men in lines 198- 207 in Book I. In this scene, the remaining Trojans are forced to the shores of Libya after an intense storm and unforgiving winds which push the fleet off course. In his speech, Aeneas reminds his companions of more deadly adversities that they have previously faced and the destined mission to found a new Troy towards which they strive. After ten years of siege and warfare, the Trojans lost their home and many members of their families and fellow soldiers.

In the last part of his speech Aeneas promises his men that their sacrifice will be rewarded when and if they survive the journey; a promise not made by himself, but by “the Fates” (1. 280) themselves. By using the prophecy that the Fates have made Aeneas show authority to ask his men to risk their live for what ultimately is his fate. Aeneas’ promise is strengthen by again reminding his men of the “diversities of luck” and “challenges” (1. 278-79) and warning the of “more auspicious day” (1. 280). The mixture of grief and fear with the hint of hope encourages his men continue with the dangerous and hard times to comes with the promise of a new

The function of prophecy manifests itself in many ways in the Aeneid. Throughout the epic, prophecies and omens act as the agents behind Aeneas fulfilling his destiny as well as providing clear social commentary on the dawn of the Roman Empire under Emperor Augustus. Even though not all of the prophecies and omens included in the epic come to pass in literary terms, Virgil’s inclusion of prophecy is of paramount importance for driving the plot forward. In this essay I will discuss the function of both internal and external prophecy and the effect these prophecies have on both the characters in the epic and the enjoyment of the reader from The Roman Empire until the present day.

However, while Gilgamesh naturally somewhat dimwitted, and thus afforded some dependence on brawn over brains, Aeneas deserves no such handicap. Like David, another hero we have seen, his brazenness is derived from his knowledge of his own fate. David relies on the Lord as his security blanket. Knowing that he is forever in the favor of God makes him bolder in his actions. Similarly, the Gods reassure Aeneas that no matter what the obstacles facing him are, he will overcome them and plant the seeds of Rome. It is his fate and his duty. With this knowledge intact, one wonders why it took so much killing and despair on his part. Assured that victory is inevitable, why not wait for a peaceable solution. Again, the classic interpreters, ironically playing the role of the cynics, would say that Aeneas has no choice. He has to kill. He has to give up love and sacrifice his present for his future, and the future of his people. Well, if the peanut gallery will keep quiet for the time being, I will attempt to explain. There are a handful of heroes in mythology that do not conform to fate, that do not surrender to the Gods. One of these heroes is Hercules, who is, maybe not incidentally, a hero’s hero. He is in the upper echelon of heroes as it were. Hercules was infamous for not only detesting the Gods, and for not accepting their ‘decrees’, but also for out and out warring against them. Like Aeneas, he was half-God, but immortal.

He put his people’s future above his current happiness. Another example is when is when Tiberinus says, “do not draw back or panic at war’s threats; / the rage and anger of the gods are done” (Virgil 8. 49-50). Aeneas did not want war but at the command of the gods he will follow his duty to rule Italy one way or another. Aeneas exemplifies piety by putting his duty to his people above all else and continues to complete it despite any other obstacles. He completes what is required of him no matter what his own feelings are.

In Virgil’s poem, The Aeneid, the ideal Roman hero is depicted in the form of Aeneas. Not only does Aeneas represent the Roman hero, but he also represents what every Roman citizen is called to be. Each Roman citizen must posses two major virtues, he must remain pious, and he must remain loyal to the Roman race. In the poem, Aeneas encompasses both of these virtues, and must deal with both the rewards and costs of them.

Firstly, when Aeneas is called upon to go found a new city across the sea, he lacks self-confidence. He is suddenly thrust into his harsh fate, a fate

Virgil was Rome’s unwilling epic poet, he gave the Roman people a cohesive narrative that tied them to the past and propelled them towards the future. This narrative, The Aeneid, had its basis in local lore as well as ties to the older Greek epics of Homer. The Aeneid almost functions as an extension of The Iliad and Odyssey, with its protagonist, Aeneas, being a minor figure in the earlier poems, and the work itself academically divided into “Odyssean” and “Iliadic” parts. In this relationship Virgil owes a creative debt to Homer, and there is a resemblance that can be seen with striking clarity when the experiences of Homers’ Odysseus and Virgil’s Aeneas are examined side by side. Odysseus and Aeneas are both honour bound to reach the destinations of their respective journeys, Odysseus to rule Ithaca and Aeneas to found Rome, and while ones journey often mirrors the others, there are significant differences between the two. The major differences that can be observed lie in their characters and forms of heroism and these variations shape the course of their narratives, yet the similarities of their internal journeys and ultimate fates remain intact.

When the Greeks raze the city of Troy, Aeneas escorts his father, Achises and his son, Ascanius, as well as other citizens of Troy to find another foothold for settling. During the journey to Italy, Aeneas shows his ability of leadership and decisiveness. They sail around for seven years after they set off from Troy. On multiple occasions Aeneas is told where he needs to go, however he seems to ignore all the pointers he gets from everyone.