Like Water For Chocolate Literary Analysis

Tita struggles the entire novel to free herself from other people's control. Throughout the the novel lots of people have control over Tita but the main three are Mama Elena, Pedro, and Rosaura. All of the power that Tita wants to gain and get out from under helps to display the theme of tradition that is shown in the novel by the usage of power. The power that Tita has the most problems escaping is Mama Elena's. The reason she has so much trouble escaping her power is because of tradition.

Tita 's fear and her dislike towards her mother is also clarified in the film when Tita, as a child, hides behind Nacha 's apron as soon as Mama Elena enters the kitchen. Tita 's resistance to Mama Elena 's cruel demands are evident again when even after Mama Elena scolds her and orders her to stay away from Pedro, she is still happy knowing that Pedro still loves her:

As the novel progresses, Tita, the main character develops courage. By this, she grows as a person, in which she becomes more confident in herself. To show this new confidence, Tita tells her mom “Here’s what I do with your orders! I’m sick of them! I’m sick of obeying you!”(99). In this scene, Tita is yelling at Mama Elena for the death of Roberto, her nephew. Tita is blaming her mother for his death because if her mother had never made Pedro and her sister leave, he would still be alive. As she stands up and raises her voice to her mother, the book reaches its climax for Tita. Finally, after so many years of her being pushed around and mistreated, this pushed her to stand her guard. This

Chencha had brought Tita ox-tail soup, its scent brought back Tita’s memories “With the first sip Nacha was there at her...There were all the times with Nacha. As always throughout her life, with a whiff of onion, the tears began. She cried as she hadn’t cried since the day she was born. How good it was to have a long talk with Nacha” (Esquivel 124). The mood created by this imagery here is relief. It is expressed through Tita’s memories. Tita recalls Nacha stroking her hair when she was young and ill, through it, we feel our own mothers’ stroke our hair with our memories. With the mention of familiar scents, the reader could also smell the tortillas and the atole. This sensory imagery enhances this moment to its full splendor. The imagery has the ability to bring us to tears as well as we recall all of those heartfelt moments with her. This augments the mood of relief in the passage when she cries. Her crying now is compared to how she had cried at her birth. Esquivel uses a hyperbole and describes Tita’s tears as a stream. The mood builds the purpose because, with Tita as the example, once you do find yourself you feel immense relief and can be comfortable without the tension of holding it in

Cruelty and violence have been often a solid influence with Mama Elena towards Tita. The psychological damage that Mama Elena cause Tita took effect after, Tita heard news of the death of her nephew Roberto. According to the chapter five (99) in the month of may. Mama Elena took a wooden spoon and smashes Tita across the face. The act of cruelty and the violent behavior of Mama Elena. In addition to Mama Elena attitude toward the death of her grandson being callous and tactless. This causes Tita to hide in the dovecote overnight. Where the psychological damage began to surface. When the Dr. Brown came to retrieve Tita from the dovecote, only to find Tita there naked with a broken nose and holding a dead pigeon. Tita then became suffer in silences for the next coupled of months. Instead of Mama Elena seeking professional help for Tita to get better, Mama Elena suggested that Tita be taken to the asylum.

Food and family tradition are important for this story, since the food is seen as a way of communication and family tradition as an obstacle within Tita’s life. Ever since she had been born, her closeness to food was seen from that very moment. In the first "scene" of the book, this can be seen. “Tita made her entrance into this world, prematurely, right there on the kitchen table amid the smells of simmering noodle soup, thyme, bay leaves, and cilantro, steamed milk, garlic, and of course, onion” (Esquivel, 5-6). This shows how she connects to food, and this connection only grows more throughout the story. Although, later on Tita is able to mix her own feelings within her food preparation helping her communicate what she feels. When she is cooking is also gets emotionally involved, therefore this lets her mix her feelings in the recipe as well.

She doesn't want to die yet, she wants to enjoy the happiness. But with Pedro gone, Tita regretted not to do the same. She tried to revive that feeling again, "She began to eat the candles out of the box one by one. As she chewed each candle she pressed her eyes shut and tried to reproduce the most moving memories of her and Pedro. Little by Little her vision began to brighten until the tunnel again appeared before her eyes,"(pg 245). She died happily after ignited the feeling and visualized the tunnel again where she united with

Tita character development was strongly demonstrated as “Tita reveals that she has now advanced to a whole other level of independence- that she feels confident enough in her strength to return to care for Mama Elena, the person who has restricted her from her freedom all her life” Tita is brave enough to care of the person who destroyed her mental state, this demonstrates the maturity Tita has developed. This assertion contributes to the thesis because Tita maturity brought her the independence she fully deserved. Not only did Tita rebelled against Mama Elena she also rebelled against the love of her life, “Tita also demonstrates her new independence when she rebels against Pedro’s control” Tita realized she does not need to be controlled by Pedro just because she is in love with him, she realized that she is capable of being free from any time of

Significance of comparison: Tita is comparing her feelings to a child in nut sauce. Tita has felt alone all her life as now she finally feelings happy and content with her life. She is with the one she loves and can finally spend the rest of her life with him.

Tita is forced to care for the newborn, including breast feeding. Mama Elena is once

Tita-youngest daughter of mama elena and also the protagonist of the novel. She is barred from getting married as per family traditions in the understanding that she would care for her mother till death. She faces many struggles such as not being able to marry her desirer Pedro and also watch him get married to her sister. The book progress with her life and shows a main focus on her disturbed relationship with pedro and also displays her hardships in her life to pursue love and distinctiveness from others. The purpose of her upbringing was to be excellent in the culinary arts.

Additionally, the sorrow that Tita felt was also unintentionally transferred to others. . Specifically the wedding cake in which she managed to communicate her longing and sadness to Rosaura and Pedro 's wedding guests. As she prepared the Chabela Cake, her tears fell into the batter and icing. "The moment they took their first bite of the cake, everyone was flooded with a great wave of longing...Mama Elena, who hadn 't shed a single tear over her husband 's death, was sobbing silently. But the weeping was just the first symptom of a strange intoxication-an acute attack of pain and frustration-that seized the guests and scattered them across the patio and the grounds and in the bathrooms, all of them wailing over lost love" (Esquivel 39). The tears affected everyone at the wedding banquet with longing for lost loves, so much so that they become physically sick. They were literally love sick and Tita was responsible even though she had no idea what she had just done. In the same manner, even though Tita didn’t actually make the hot chocolate from story’s title "Like water for chocolate", it still symbolizes her biggest emotion. It is learned that once she hears Rosaura tell Alex about

Like Water for Chocolate by Laura Esquivel is a powerful novel that serves as a great introductory guide to the Latin-American culture. The novel consists of primarily female characters, the De La Garza family, where each one portrays a female stereotype, or perhaps their role in the society. The setting of the story takes place during arise of the Mexican Revolution in 1910, which helps to further distinguish the roles of the women and how they go about living their everyday life. Like Water for Chocolate can be looked at as a story about two women, a daughter and a mother, Tita and Elena De La Garza. Tita, our protagonist, struggles against her mothers’ tradition, to “serve” her until the day she dies, without having a life of her own.

Since Tita was unable to stand up to Mama Elena, she felt helpless, which she then realized how strong her fate for an identity would be nonexistent; however, Tita would not accept that fate. From the day Tita was born and past off to Nacha, the cook, Mama Elena formed resentment towards Tita, while attempting to make Tita obedient through force, cruelty and mistreatment. The physically punished Tita endured, multiple times, by the hands of Mama Elena, forced her to live the life as a servant and a house cook; as well as, arrange the wedding of her love, Pedro, to her sister, Rosaura (26-29). While under Nacha’s care, Mama Elena bounded Tita to the kitchen and constrained her to cook for the family, and if Mama Elena saw signs of Tita disobedience, she would strike Tita in rage. The preparations for Pedro and Rosaura’s wedding was Tita’s responsibility, which Mama Elena placed Tita in charge just to lower her spirits and eliminate any hope she may have within, causing Tita to have a weak moment that triggers her to hallucinate. In the opinion of

Since Tita was unable to stand up to Mama Elena, she felt helpless, which she then realized how strong her fate for an identity would be nonexistent; however, Tita would not accept that fate. From the day Tita was born and past off to Nacha, the cook, Mama Elena formed resentment towards Tita, while attempting to make Tita obedient through force, cruelty and mistreatment. Tita was physically punished multiple times by the hands of Mama Elena, and forced to live the life as a servant, and punished to cook, as well as, arrange the wedding of her love, Pedro, to her sister, Rosaura (26-29). Mama Elena bounded Tita to the kitchen and constrained her to cook for the family, under Nacha’s care, and if Mama Elena saw signs of Tita being disobedient, Mama Elena would strike her in rage. Mama Elena put Tita in charge of the preparations for Pedro and Rosaura’s wedding to lower her spirits and eliminate any hope she may have within, which caused Tita to have a weak moment and triggers her to hallucinate. In the opinion of a journalist, Justine Baek, which was