Like Water For Chocolate Mama Elena Character Analysis

“You know perfectly well that being the youngest daughter means you have to take care of me until the day I die.” (10). This statement shows how Tita is being oppressed not by mama Elena choice but family tradition. Like Water for Chocolate by Laura Esquivel concentrate into the stories of the women of De La Garza. Tita the main character aim to find love, happiness and independent, and Elena De La Garza the antagonist who will stand in the way of Tita happiness and would do anything in her power to stop Tita to fulfil her goals which is to find true love with Pedro. This mother and daughter relationship was predestined since the day when Tita was brought up into this world, and her father’s sudden death. Mama Elena was the opposite of a loving, caring women she never had a relationship with Tita. While Tita formed a relationship with food that gives her the strength, and love she never experienced before. The women of De La Garza experienced many challenges in this strict societies. All the women expected to follow an oppressive family tradition.

In Laura Esquivel’s novel "Como Agua Para Chocolate" Esquivel explores the relationship between a mother and daughter but presents it in a way that is different from usual mother-daughter relationships. Mama Elena is the chief antagonist in this novel who, instead of loving and caring for her daughter, tortures the protagonist Tita throughout the novel by prohibiting her from marrying in order to take care of her until her death. However, Tita does not lose hope as she continuously manages to assert her authority despite her mother’s cruel attempts at separating her from her lover and at the

Cruelty and violence have been often a solid influence with Mama Elena towards Tita. The psychological damage that Mama Elena cause Tita took effect after, Tita heard news of the death of her nephew Roberto. According to the chapter five (99) in the month of may. Mama Elena took a wooden spoon and smashes Tita across the face. The act of cruelty and the violent behavior of Mama Elena. In addition to Mama Elena attitude toward the death of her grandson being callous and tactless. This causes Tita to hide in the dovecote overnight. Where the psychological damage began to surface. When the Dr. Brown came to retrieve Tita from the dovecote, only to find Tita there naked with a broken nose and holding a dead pigeon. Tita then became suffer in silences for the next coupled of months. Instead of Mama Elena seeking professional help for Tita to get better, Mama Elena suggested that Tita be taken to the asylum.

When Pedro asks for Tita’s hand in marriage, Mama Elena refuses, stating that Rosaura, who is two years older than Tita, is a better option. Mama Elena states that Rosaura is, “…one hundred percent available, and ready for marriage...” (Esquivel, 13) Despite his love for Tita, Pedro marries her sister, believing that doing so will forge a closer bond between the two. When his father asks his son why would he marry Rosaura Pedro’s response is that he is going to marry, “with great love for Tita that will never die” (Esquivel, 15). Throughout the story, even after she dies, Mama Elena remains an almost foreboding obstacle between Tita and Pedro.

Later in Esquirel’s novel, Rosalio announces to Mama Elena that a group of soldiers are approaching the ranch. Mama Elena picks up her shotgun and hides it under her petticoat. She meets the revolutionaries, along with two other women, at the entrance of the home. Mama Elena warns the soldiers not to enter the house. The Captain of the bandits sees the grit and determination in Mama Elena’s eyes and agrees not to enter. However, the regiment does manage to round up some feed before leaving. In contrast, the movie at this point agrees with the revolutionaries entering the ranch, but disagrees with the rest of the events, possibly to add some action. First, Mama Elena confronts the bandits but with only one other lady by her side. Secondly, after a verbal confrontation, the rebels proceed to rape the lady friend, beat Mama Elena unconscious, and throw her in the lake, killing her. According to the novel, Mama Elena doesn’t die until later in the book, from a drug overdose. "At first, Tita and John had no explanation for this strange death, since clinically Mama Elena had no other malady than her paralysis. But going through her bureau, they found the bottle of syrup of ipecac and they deduced that Mama Elena must have taken it secretly. John informed Tita that it was a very strong emetic that could cause death" (Esquirel 135). Soon after Mama Elena’s death Gertrudis returns to the ranch. In Esquirel’s tale

A soul in distress is always looking for a mean to escape through a difficult situation. In the story Like Water For Chocolate, Tita De La Garza who suffered like no other, isn’t the exception. This young woman since birth was instilled with a very deep love for cooking. When the people who she loved most betrayed her, cooking eased her pain. All of the intense emotions that she felt while preparing food, were unknowingly added to the recipes. The author, Laura Esquivel through the use of symbolism, she demonstrates that the role of food in the story isn’t there just to sustain life, it also transmits strong emotions such as desire, sorrow and healing felt by the

Following, we learn that Mama Elena has no milk to feed Tita, which makes Nacha, the family cook - her official caretaker as she replaces Mama Elena. This is important to point out because the initial separation of the two main characters is quite evident; there is no mother-daughter bond that should have been established, Mama Elena doesn’t have time to worry about her, “without having to worry about feeding a newborn baby on top of everything else.” (7) We grow to understand why Tita forms other vital bonds with Nacha, and of course the food that surrounds her daily, helping her not only to grow but acts as an outlet for her emotions. “From that day on, Tita’s domain was the kitchen…this explains the sixth sense Tita developed about everything concerning food.” (7) From the beginning, Tita is given barely any freedom, she is given a purpose, she will not marry anyone until Mama Elena is alive, she is to look after her, which becomes a great conflict when the love of her life, Pedro, is to marry her sister, Rosaura, and not her. Mama Elena wants to hear nothing about Tita’s frustration. Mama Elena herself has lost her true love and because of it is insensitive to Tita’s love with Pedro. The reaction of each woman to her predicament helps explain the opposite characters. Mama Elena lets the loss of her young love turn into hatred for anything but tradition, and

Mama Elena, sensing Tita's reluctance to participate in her sister's upcoming wedding, warns her, "I won't stand for disobedience... nor am I going to allow you to ruin your sister's wedding, with you acting like the victim. You're in charge of all the preparations starting now, and don't ever let me catch you with a single tear or even a long face, do you hear?" (27). At the wedding party the following day, although Tita keeps a perfectly calm demeanor, her true feelings about her sister's marriage to Pedro are revealed in the guests' first bite of the Chabela wedding cake. "The moment [the guests] took their first bite of the cake, everyone was flooded with a great wave of longing... [T]he weeping was just the first symptom of a strange intoxication that seized the guests" (39), all but Tita, on whom the cake had no effect. The author uses the cake's effect on the guests to reveal first, Tita's grief over her loss of love through the guests uncontrollable weeping and second, her disgust over her sister and Pedro's

The phrase “mother knows best” refers to maternal instinct and wisdom. It is often used to describe how mothers are the most knowledgeable when it comes to their children’s needs. This cliche is frequently used by mothers who try to guide their children on the path towards success, especially when the child protests. Tita’s mother, Mama Elena, embraces this expression fully, and always pushes Tita towards what she believes is the road to achievement. Mama Elena is perhaps one of the best portrayals of “tough love” in a character in literature. Like Water for Chocolate’s author, Esquivel, depicts Mama Elena as a strong, independent woman who does not bother with things she deems insignificant. This translates to the reader through the decisions and actions Mama Elena makes throughout the book. Her disregard for emotions is often the reason why her actions are misunderstood by readers who claim that she is a cruel, unrelenting mother who is apathetic to her daughter’s suffering. However, this is not the case, as Mama Elena never acts without reason and only goes out of her way to discipline Tita when she believes that Tita is in the wrong. The readers see her go to great lengths to protect Tita numerous times, although these instances are often hidden behind her less than pleasant words, such as when she tries to shield Tita and Nacha from the rebels who were known to frequently terrorize families and rape women. Despite being a strict and unforgiving mother, Mama Elena’s

Latin American literature is perhaps best known for its use of magical realism, a literary mode where the fantastical is seamlessly blended with the ordinary, creating a sort of enhanced reality. Though magical realism is practiced by authors from other cultures, the works of authors Salman Rushdie and Toni Morrison, for example, are notable examples of non-Latin works in which magical realism has been used to both great effect and great celebration, it is in the works of Latin American authors where the style has flourished and made its mark on the literary world. Yet even in Latin American works we can find many different kinds of magical realism, all used to achieve a different end. In the works of the Cuban poet and novelist

Mama is a downhome, warm-hearted country woman who loves her children dearly. Her house burned down, leaving her younger daughter, Maggie, burned and scared. Mama is a strong, independent, and capable character. She faces her snobbishly rude daughter, Dee, which would clearly hurt many mothers. Mama does anything she can to make her two daughters happy. She sends her eldest daughter to Augusta College, which comes with many sacrifices. She defends Maggie and shows her love despite her sacrifices for her other daughter. “I did something I have never done before: hugged Maggie to me, then dragged her on into the room, snatched the quilts out of Miss Wangero’s hands and dumped them into Maggie’s lap” (Walker 153-154). Dee wants a quilt handmade by her grandmother, but it is for Maggie’s marriage. She is a just person, especially when it comes to her daughters. Mama is a realistic person, she knows what can and cannot be done easily. She is

Like Water For Chocolate by Laura Esquivel explains women’s roles in northern Mexico during the turn of the nineteenth century. The novel takes place in northern Mexico on a family ranch where many family traditions are carried out. Also, the novel describes some of the typical foods that were prepared and fiestas that were celebrated in the Mexican culture around this time. However, the novel mainly focuses on the roles of females in Mexican society at that time. The novel goes beyond explaining women’s roles and also explains what took place in the Mexican family. Throughout the novel, readers learn the role of mothers, the conflict between personal desires and tradition, and typical foods, celebrations, and family traditions that were

From the day Tita entered the world, her fate was sealed with the De la Garza’s family tradition, which lead to the cause of her pain and suffering from the hands of her mother, Mama Elena. Tita and Mama Elena’s estranged relationship was oppressed with complications from Tita’s premature birth and the sudden death of her father, which caused Mama Elena to reject her nurturing nature and discard bonding with Tita. Although Tita’s emotions would leave her in a weakened mind state, her determination towards breaking the brutal convention, she is faced with, would begin to display her strength, through her visualization of a fulfilled life without the criticism of Mama Elena. While Tita

From the day Tita entered the world, her fate was sealed with the De la Garza’s family tradition, which lead to the cause of her pain and suffering from the hands of her mother, Mama Elena. Tita and Mama Elena’s estranged relationship was oppressed with complications from Tita’s premature birth and the sudden death of her father, which caused Mama Elena to reject her nurturing nature and discard bonding with Tita. Although Tita’s emotions would leave her in a weakened mind state, her determination towards breaking the brutal convention, she is faced with, would begin to display her strength, through her visualization of a fulfilled life without the criticism of Mama Elena. While

Mama, however, is strong, spiritual and eager to help her children in any way she can. She values family above and beyond all else, but has the deep insight into the other character's motivations even when she doesn't agree. In the middle of the play (at the fuse for the final conflict), she recognizes that Walter is miserable because no one believes in him and his dreams. She gives him a large chunk of the insurance check to invest in a liquor store even thought she doesn't agree with it. She trusts him with it and, when he loses the money to a "trusted friend," she becomes enraged and begins to physically attack him. However, by the next scene she has forgiven him and tells her daughter that she should do the same; "There is always something to love: when do you think the time is to love somebody the most? It's when he's at his lowest and can't believe in hisself 'cause the world done whipped him so!" With those words, Mama seems to symbolize all that is good, solid and peaceful in the world.