In Sophocles’ Antigone, the title character’s gender creates the capacity for liminality. Not fully demonstrating masculine or feminine normative action, Antigone perplexes those around her and even loses her own logic. Caught between her duty to the realms of the personal and the political, Antigone exhibits liminality of gender through her emasculating interaction with Kreon in juxtaposition with the feminine necessity of her actions. As a woman, Antigone upholds her normative feminine funerary duties in burying her brother, Polyneikes, showing her dedication to the realm of the personal. Antigone claims to gain glory from the act of giving Polyneikes his due funeral rites. She aptly asks Kreon, “What greater glory could I have gained than by / properly burying my own true brother?” (552-554). Antigone argues that her honor as a non-citizen and as an unmarried woman stems only from the honor bestowed upon her direct, male relations, a group that includes the traitor Polyneikes. Under usual circumstances, if Kreon had not earlier declared death upon anyone who buried Polyneikes’ body, Antigone and her sister, Ismene, would be expected to perform funeral rites, as this is a female duty. This means of gaining feminine glory becomes clouded when Kreon, another of Antigone’s kinsmen, forbids the very act of normative, performative femininity expected of Theban women. Conversely, Antigone is aware of her place in society in that she acknowledges that burying her brother
In Sophocles’ piece, King Kreon prohibited the burial of Polynices, Antigone’s brother, because he was seen as a traitor to his country. Antigone blatantly disobeyed King Kreon’s proclamation because she thought that Polynices ought to be buried not only because he was blood- family, but because the gods law states that burial is a necessary ceremony. Her sister, Ismene, tried to warn her of the trouble she could find herself in, if King Kreon finds out that it was Antigone who had buried her brother, the traitor. (Blondell, 21). In addition, Antigone does not hesitate to admit to this illegal deed when the guards catch her in the act (Blondell, 37,38). While she acted out of respect for her brother and the gods, it was selfish in the fact that she was only thinking of herself. She did not hesitate to disregard King Kreon’s law and did not take any factor into consideration. Antigone accepted that her life was the price to pay for her civil disobedience, but her actions also, unintentionally, led to the death of two other people. Although, in the end, King Kreon sees that Antigone was right, the reason for which she had fought, and ultimately lost her life for, had no significant positive effect on anyone else.
Antigone was willing to follow man’s laws if both of her brothers had not died; she promised she would not do anything to against Creon or the city law. However, after Polyneices and Eteocles killed each other she could not accept the law, established by Creon, which stated that Eteocles would get a proper burial, but Polyneices would be denied one. Antigone testified that this law was totally against the will of the gods. The gods say that if a person is not buried, his soul will wander the earth forever. By burying Polyneices, she believed that the gods do not dictate through a ruler, but rather through individual beliefs; therefore, she could not just sit back and be unconcerned about the improper burial. By committing the act of burying her brother, she believed that a woman's duty was not to the men who rule a domain, but rather to her own instincts and her own sense of right and wrong. It was Antigone’s responsibility to fully respect her brother and the gods, and, thus, she is not
Gender and its roles are exposed in the story of Antigone as the central themes. Roles and rules are set and followed by several people in this era, this is appreciated in this text. Ideas of contradiction to these rules were not explored. In Greek mythology, several women held positions of power, but none of these women were human, making the idea of a powerful woman godlike and unattainable, as if to keep woman in their place, which of course, was always under the rule of the superior gender, the male. To challenge a patriarchy with feminism was dangerous, for both sexes were equally protective of it, leaving the challenger desolate in the battle against it. To rely on women to help other women rebel against this social norm was not probable, in the contrary, women held each other accountable for complying to these rules and punished those who didn’t. Women were their gender’s prevalent critics and suppressors, not only because they feared the repercussions, but since they didn’t have the means to rebel against it.
Misogyny pervades the picture Aeschylus, Aristophanes, and Sophocles paint of Athenian society. In their literature, however, female characters catalyze plot by challenging this picture. Such characters--from Sophocles’ Antigone to Aristophanes’ Lysistrata--face grim consequences for acting independently. Clytemnestra and Cassandra from Aeschylus’s Agamemnon exemplify this archetype of autonomy and destruction. When they confront injustice, male characters perceive them as vindictive and hysterical. This paper will compare the standards of justice Aeschylus’s society imposes on men and women. I will argue that Clytemnestra and Cassandra are protectors of divine justice who reject subservience and thereby transcend the sexism of their society.
Antigone is the sister of Eteocles and Polyneices. Both Eteocles and Polyneices agree to jointly rule Thebes as mutual kings. After one year, Polynices distrusts his brother, resulting in Polyneices fleeing from Thebes, only to later return with an army. In the battle, both sides are massacred. Eteocles and Polyneices kill one another, consequently giving their power up as king to in Creon, Antigone’s uncle. As acting king, Creon orders that, “Eteocles who died as a man should die, fighting for his country, is to be buried with full military honors, with all the ceremony that is usual when the greatest heros die” (Sophocles, line 160). As for Polyneices, Creon passes a law for Polyneices to be left unburied, to rot for every citizen to witness. Antigone viewed this law as immoral and unjust, for one brother to be buried with military honor and not the other. Antigone, expressing her love for Polynices, rises against Creon's higher authority command
Ismene (Antigone’s sister) points out to Antigone, “Remember we are women, we’re not born to contend with men,” (Sophocles p.646). This strict patriarchy is symbolized by King Creon, who makes a decree that is opposition with the gods and forbids the proper burial of Polynices (Antigone’s brother).
Similarly to Rosa Parks, Antigone also advocates for fair treatment for her brother, Polyneices. Even though it is not for a large group of people, she is still standing up to the unequal treatment between her two brothers, Eteocles and Polyneices. After having a quarrel, both of Antigone's’ brothers died in battle; however, Creon (the ruler during this time) insisted that only Eteocles will receive a proper burial with many honors, but Polyneices will not because he is a traitor (Antigone.1.15-19). This is unfair because Polyneices fought just as hard and bravely as Eteocles. He also sacrificed his life because of the fight. Antigone, who believes in justice, did not appreciate the fact that Polyneices was not buried because he was in the same circumstances as Eteocles; therefore, they should both receive the same treatment. As a result, Antigone buries Polyneices herself because she is aware of how much both of her brothers sacrificed. Because she wants the her brothers to receive the identical amount of recognition, she stands up for Polyneices and buries him when everyone else was against that idea.
At the beginning of the play, Antigone and her sister Ismene are having a conversation about both of their brothers being killed within minutes of each other. Antigone then proceeds to tell her sister that King Creon has issued a new order that no one shall bury one of her brothers Polyneices. Her other brother Eteocles was buried with full military honors, but Polyneices is considered a traitor, so he is not allowed to be laid to rest. If someone were to bury him, they would be sentenced to death by stoning in the public square. Antigone wants to give her brother a proper funeral and wants her sister to
In Sophocles’s Story Antigone, the protagonist, Antigone has just learned that her two brothers have been killed in battle. One of them (Eteocles) received full military honors, and another (Polynesis) was named a traitor and was left to rot. Antigone wishes to bury her dead brother, despite Creon’s law, and the social norm of women being seen as property. Creon is insensitive, power abusive, and a leader who is naive about the obvious truth. These three deadly attributes are a recipe for disaster, and result in the destruction of the royal family, and his favor with the Gods.
Torie Williams 1-11-16 WR 121 Antigone Questions Antigone is the eldest of the sisters, more stubborn and free. She's a lady and knows what she wants and will do what she wants to do. Ismene is more docile by nature. Young and beautiful, she is the more obedient, and less willful of the two.
Antigone chose to give her brother Polyneices a proper burial even though it was against the king’s law. She tried talking her sister Ismene to join her on her quest because Polyneices was both of their brothers, but Ismene did not want to disobey Kreon’s order (Blondell 19-24). This left Antigone to handle this on her own, which takes a lot of courage and dedication to what she believes in. Antigone went on with her plan to bury Polyneices and his body was eventually found by a guard (Blondell 30). When the guard brought the news to Kreon he was furious and the Chorus had suggested it was a Gods doing, which led me to believe that they did not think anyone one else was willing to risk it all by not listening to their kings orders (Blondell 32). A good lesson to learn from Antigone is that even if you break the law you have to admit your doing especially when you know what you did was morally right and what you stand for as an individual. When Antigone was accused of breaking the law and burying Polyneices she did not even hesitate saying, “I don’t deny it; I admit the deed was mine.” (Blondell 38). She even goes on to tell King Kreon that his choice to not allow the burial of Polyneices is morally wrong and how he is disobeying the God Zeus who is offended by improper treatment of a corpse (Blondell 38). Though Antigone knows the consequence for disobeying the king, she continues to fight for her brother’s honor and makes sure to point out the king’s foolish decision. Even in her last words she questions what kind of men can make suffer and then gives her respects to the town, gods, and rulers.
For centuries men have been finding ways to gain control over everything and everyone. One group that has been oppressed by men throughout history are women. Men have placed rules and regulations upon women making them seen as unequal and inferior. Was it fear? Was it the hunger for power? Was is the highness of superiority? Whatever the reasons were, men had to be seen as the highest being next to whom they worshiped. In the play Antigone by Sophocles, the audience is exposed to the roles of men and women in an ancient Greece society known as Thebes. Although ancient Greece was a male-dominant society where women had as much freedom as a slave, Sophocles’ main character in the play, Antigone, is an example of a brave, strong-minded woman who goes against the limitations that were unfairly set upon women during that time to do what she believes is right. In this play, gender roles assists in the process of portraying the story since it affects some of the decisions of the characters and helps lead the story into the climax.
“No woman shall seduce us. If we must lose, Let's lose to a man, at least. Is a woman stronger than we?” (Sophocles.II.3.539-540) says Creon, King of Thebes and uncle to the disobeying but brave Antigone in Antigone by Sophocles. A patriarchal society is a community in which male domination over women, Sophocles explains the journey of Antigone in getting her brother buried and yielding against the laws of Thebes in a man dominated city. Antigone portrayed in the play is loyal and stubborn, she would do anything that feels ethical and honest to her even if that disregarding the laws created by men. She responds to the standards of King Creon by going against her own blood, not believing that women should subjected to the rule that they
Even though Antigone has familial love toward her brother, she expresses sympathy toward him. Antigone does this by telling her sister that Creon “Promotes one of them and shames the other” by denying his burial rights (22). In this part of her speech, Antigone chooses her words carefully to describe the situation to her sister and express the sympathy she has for Polyneices, especially when she uses the phrase “shames the other” and “miserable corpse” (22-26). Antigone is sympathetic of her brother Polyneices because he is not given a proper burial and is left to the “vultures, unwept, unburied” like he is forgotten (29). It is also intriguing to see how Antigone’s sympathetic response to the lack of her brother’s burial is actually the familial love she has for him. Because she loves and considers him a part of her family, she is emotionally sorrowful for the way he has been treated.
In Sophocles’ play, Antigone, the role of women in society is challenged as Antigone reluctantly disobeys the “natural laws” that place women below men. Antigone’s two brothers, “...slew each other,” (Sophocles 57) but only one was buried as an honor, and the other “...unlamented, unburied, a sweet find for birds to feast upon” (30-31). Antigone disobeys the laws as she decides to bury her brother, with or without the help of her sister Ismene. As Ismene refuses to aid Antigone, she points out the duty of women in society. Ismene states, “...very horribly we will die if we go against the king’s decree,” (60-61) and “Rather, consider that we were born women, proving we should not fight with men, and that we are ruled by more powerful people and must obey them, even in more painful things...yield to those who walk with authority” (64-68).