Linda Loman In Arthur Miller's Death Of A Salesman

In Death of a Salesman, by Arthur Miller, Willy Loman’s life seems to be slowly deteriorating. It is clear that Willy’s predicament is of his own doing, and that his own foolish pride and ignorance lead to his downfall. Willy’s self-destruction involved the uniting of several aspects of his life and his lack of grasping reality in each, consisting of, his relationship with his wife, his relationship and manner in which he brought up his children, Biff and Happy, and lastly his inability to productively earn a living and in doing so, failure to achieve his “American Dream”.

Although Death of a Salesman is mainly about a salesman named Willy Loman, the almost hidden presence of the women in the novel goes all too often unnoticed.  Linda Loman seems to be the glue that holds the Loman clan together, as Willy, Biff, and Happy are all deluded in one way or another.  Arthur Miller depicts Willy's wife in a very specific way, and this is a very crucial part of the story.  He depicts the other women in the story in ways that complement Linda's distinct nature.  Although Linda's role as a woman in society is extremely limited, she is a heroic character, both wife and mother to some very sad and twisted characters.

Watching a solitary blade of grass will never tell you the direction of hurricane, just as one characteristic can never describe Linda Loman. In Death of a Salesman, Linda Loman is a woman torn between guilt, retaliation, and pity. Her guilt stems from the fact that she prevented Willy from pursuing his true American Dream; she retaliates in response to Willy's failure; she feels sorry for Willy, because he is a "pitiful lone adventurer of the road" (47). As the battling motivations blow from opposing directions, the reader is left to decide to which one motivation Linda will succumb.

In “Death of a Salesman” by Arthur Miller, Willy Loman is the well-developed protagonist of the story. Willy struggles throughout the story with daydreams and delusions that he confuses with reality. These delusions have a huge effect on the story and greatly impact Willy’s life. Willy has a difficult time keeping his bills paid with his job as a traveling salesman. He works long hours and drives long distances for very little success. His delusions cause him to believe that his work is successful when it is far from it. “Willy is self-deluded, believing wholeheartedly in the American Dream of success and wealth. When he fails to achieve this, he commits suicide—yet until the end he never stopped believing in this American Dream” (Sickels).

    In Arthur Miller's play, Death of a Salesman, a major theme and source of conflict is the Loman family's lack of morality.  This is particularly evident in the father, Willy Loman.  Willy has created a world of questionable morality for himself and his family.  In this world, he and his sons are men of greatness that "have what it takes" to make it in the competitive world of business.  In reality, Willy’s son Biff is a drifter and a thief, his son Hap is continually seducing women with lies, while Willy does not treat his wife with respect and lies to everyone.

In the play, Death of a Salesman, Arthur Miller establishes Charley, a humble and successful salesman as the foil to Willy Loman, a prideful and arrogant man. Charley is the perfect character to help depict Willy’s flaws. Although the two contrast with each other, their characteristics help maintain a balance between them. Willy Loman lives in his own world, where he believes that in order to be successful, one must be well liked with a great appearance. “The man who makes an appearance…is the man who gets ahead” (Miller 1568). These are obvious words from Willy which proves that he does not believe in hard work. He instills within both of his children that looks and personality are all that matters. The characteristics of Willy allow us to grasp the idea that he lives within a false reality. He is a man living within a child’s fantasy based off of the life of Dave Singleman. The very words he spoke against his neighbor Charley and his son, Bernard, are the very words that prove him wrong.

   Ben Loman is an important character in Death of a Salesman but he is quite unusual.  The audience encounters Uncle Ben during Willy Loman's hallucinations of the past and as a result, it is tempting to disregard his character as just another creation of Willy's delusional mind.  However, Ben is much more than that.  His character is representative of Willy's unrealistic dreams as well as the realty of his life.

  Charley says something in Arthur Miller’s Death of a Salesman that sums up Willy’s whole life. He asks him, "When the hell are you going to grow up” (Miller 97)?  Willy spends his entire life in an illusion, seeing himself as a great man who is popular and successful.  Willy exhibits many childlike qualities and his two sons Biff and Happy pattern their behavior after their father.  Many of these qualities, such as idealism, stubbornness, and a false sense of self-importance in the world have a negative impact on Willy’s family,

Willy Loman, the central character in Arthur Miller’s Death of a Salesman, is a man whose fall from the top of the capitalistic totem pole results in a resounding crash, both literally and metaphorically. As a man immersed in the memories of the past and controlled by his fears of the future, Willy Loman views himself as a victim of bad luck, bearing little blame for his interminable pitfalls. However, it was not an ill-fated destiny that drove Willy to devastate his own life as well as the lives of those he loved; it was his distorted set of values.

In the play Death of a Salesman by Arthur Miller, Willy is both sympathized with and looked down upon throughout the story. Willy is a very complex character with problems and faults that gain both sympathy and also turn the reader off to him. Willy Loman is both the protagonist and the antagonist, gaining sympathy from the reader only to lose it moments later.

Stock characters are uninteresting because they’re seen repeatedly throughout literature. When a character breaks free of the stereotype then he or she becomes believable and memorable (Marks). Nora from A Doll’s House initially fulfills the subservient housewife motif but eventually actualizes that she was not born to listen to what society tells her regarding how to be happy. Willy from Death of a Salesman is a typical businessman who is afraid to let go of his salesman persona even though it is not working in his best interest. Marks, in The Five Traps and Tips for Character Development points that Nora is more believable and memorable than Willy.

    Linda, a character from Arthur Miller's "Death of a Salesman" is a selfish housewife. She pretends to care about her husband, but in reality, prefers that he kill himself so that she can live an easier life.

In the play Death of a Salesman, Linda Loman serves as the family's destroyer. Linda realizes, throughout the play, that her family is caught up in a bunch of lies. Linda is the only person that can fix the problem and she doesn't.

    Linda Loman is the heart and soul of the Loman household.  She loves her family, even though she is all too aware of husband's faults and her sons' characters. She provides a sharp contrast to the seamy underbelly of the world of sex, symbolized by the Woman and the prostitutes.  They operate in the "real world" as part of the impersonal forces that corrupt.  Happy equates his unhealthy relationships with women to taking manufacturer's bribes, and Willy's Boston whore can "put him right through to the buyers." In Arthur Miller's Death of a Salesman, Linda Loman holds the family together through purity and love - she keeps the accounts, encourages her husband, and tries to

As though to recreate the connection in life, literature often shows the relationship between past events and a character’s present actions and values. In Arthur Miller’s Death of a Salesman, Willy is haunted by memories of his older brother, father, and salesman Dave Singleman. Willy’s character and values are constantly influenced by the memory of the three men, compounding upon his deliria throughout the play. Willy considers these men the epitome of success, thus explaining his dependency on all three. Miller’s view on society, men, and the success of the American Dream are portrayed through Willy’s interactions with the men. The American Dream is synonymous with the phrase “the world is your oyster,” but Miller uses Death of a Salesman to criticize the American Dream through Willy Loman and his interplay between the past and present.