Nowadays, when we hear Shrek we think of him as an icon of the internet. In a world where appearances seem to be societies focus, Shrek 2 reminds us that looks are fleeting, but what is on the inside is what is important. Shrek 2 is a movie written in 2014 that follows the main character, Shrek an ogre, on his journey in the kingdom, Far Far Away as he tries to acquire the approval of his wife’s, Fiona also an ogre, parents which are the human king and queen of Far Far Away. Overwhelming, the movie is able to depict a fantastic children’s romantic fairytale by teaching a life lesson in the use a medieval style with numerous references to pop culture and iconic soundtrack.
Although set in what seemingly resembles medieval times and the characters’ costumes fit the backdrop, Shrek 2 presents modern references which enable the audience to realize the mockery of today’s world. Knowing that Fiona is a princess as well, we instantly know that Far Far Away is where the royals live. The film creators draw this city in a way that looks strikingly similar to Hollywood. As Shrek and Fiona arrive in front of her parents’ castle, crowds await them cheering. Royals are put in a standard and admiration similar to those of celebrities, while the cheering crowds at the gate resembles obsessive fans. The creator’s use of this medieval Hollywood works well because people are often idolized and idealized. Shrek displays an obvious hesitance on visiting the in-laws since he is aware his image
Now imagine if a little girl or boy was pretending to be a princess waiting to meet her prince or the boy being the prince trying to save the princess. Some of these jokes that are in the movie Shrek would brake the kid’s heart if they found out what they
Fairy tales have existed for years, some starting as oral stories for decades before ever being recorded on paper. These tales continue to hold an importance in the present such that they reflect the changes in time and progression of thought and ideas. Over time, many fairy tales are retold for various reasons including reforming them to be used for new audiences to make the story more relatable or to convey a different point of view to various specific audiences. This can be seen in various renditions; Andrew Anderson’s Shrek can be compared to Steig’s “Shrek!” and Perrault’s “Sleeping Beauty in the Wood” and evaluated as a retelling of either based on specific criteria. Although some may argue that William Steig’s “Shrek!” appears more closely similar to Anderson’s Shrek, as evaluated from the presence of similar characters, general plot structure, and targeted audience, the movie Shrek is more closely a retelling of Charles Perrault’s “Sleeping Beauty in the Wood.”
Another type of translation technique used in Shrek series by Wierzbięta is allusion, a reference to a particular event, person, thing, piece of literature or art. For instance, the authors of Shrek made allusions to a number of fairy tales, like Cinderella or Sleeping Beauty, that Polish audience is also familiar with and for that reason they will be able to understand them and fully appreciate their entertaining function. The allusion to the popular film productions, like Mission Impossible or Baywatch are also noticeable in the whole series. The majority of such allusions in Shrek is rooted in the visual rather than aural aspect of the film and in consequence, is not of translator’s concern. However, when it comes to the verbal
Fairy tales are timeless entities that will always be relevant in people’s lives. Fairy tales and stories offer entertainment, advice, and moral examples. The creation of fairy tales is important in the development of social norms. Children everywhere would read fairy tales and learn from them. As a result, these fairy tales are translated into multiple languages and allows people with different backgrounds to understand and relate to the story. People take these stories and adapt them to life around them. Within these adaptations of the same story, it is normal to observe slight differences that contribute as evidence in identifying the culture or societies in which these stories come from. Whether it is the slang of the dialogue or the change of location, modern producers and writers are known to take these classic stories and adding a significant twist to adjust to their cultural agenda. The movie, The Princess and the Frog, is a modern example of writers and directors creating a modern twist to the popular story of the Brother Grimm’s The Frog King. The Princess and the Frog and The Frog King both encode the mores, values, and beliefs of the cultures of the societies from which they come because, even though they both have similar plot ideas, the differences of the location and the differences of the overall specific plotlines attribute to understanding how their own specific cultures influence the adaptation and the actual story.
The movie Shrek is a fairytale that you can watch with family. It’s a movie that not only entertains, but it also teaches valuable lessons. Shrek puts the viewers in awe and gets them excited, so this movie is definitely worth watching! One of the main themes in this movie is the acceptance of people for who they truly are. In this movie we witness a lot of prejudice, or just assumptions. People assume that because someone looks a certain way that they are dangerous. Appearances are deceiving, and this movie shows us exactly that. To begin, you should all know that Shrek is not your normal fairytale. This
For most people, movies are made for entertainment. However, there are also movies that go beyond merely entertaining its audience. There are films that have been created making use of psychological principles, which enrich the movie-viewing experience of audiences. This paper will focus on the movie Shrek, which was released in 2001, directed by Andrew Adamson and Vicky Jenson.
People have always watched fairytales at a very young age, growing up to believe in them. Some watched them to obtain some kind illusion, for pure entertainment, and others for the sake of love. However, not every fairytale has a purpose of giving us an illusion, of entertaining us, or making us believe in love. Shrek is not a typical fairytale. Even though many people see Shrek along with other fairytales as any other movie created for entertainment, it is a satirical critique of the archetypes involved in a fairytale. While in many fairytales we have a knight, a damsel in distress, a partner, and a villain, Shrek changes
Shrek the musical follows the same storyline of the original movie Shrek. The ogre Shrek is a lone wolf protective of his swamp. Until the other fairytale characters being to intrude upon his swamp. Leading Shrek to have a word with the Lord Farquaad. Farquaad who then gives Shrek a mission the bring Farquaad a Princess. Farquaad will clear Shrek’s swamp of the intruders. Thankfully Shrek saves the princess and delivers the princess. The ending is a bit of twist. If you want to know more you’ll have to see the musical February 27- March 6, 2016.
A movie is more than just a story. A movie sparks imagination. A movie displays the hero’s journey. Shrek, a movie known to most children as well as adults, is about an ogre who goes on an adventure. The adventure is very remarkable in the world of fantasy and unquestionably demonstrates the baseline of all stories, the hero’s journey. Shrek undoubtedly shows the stages of a hero’s journey throughout the entire movie series as well as vital information needed for the person watching the film to feel the passions that the main character feels during the duration of the movie.
Do you ever wonder what kind of person you are? Are you adventurous, perseptive, athletic? Have these traits ever affected your decision making? Because in “The Hobbit” By J.R.R. Tolkien, The protagonist Bilbo Baggins feels conflicted whether he should act like his more daring ancestors, the Tooks by embarking on a perilous journey to retake a kingdom. Or to be like his more respectable ancestors, the Bagginses and stay in the comfort of his warm home. As you can see, the traits he has acquired from his forebears are altering the way he sees the situation. Much like Bilbo, I believe that we all have similar sides to our personalities, whether the conflict is to be brave or timid, or smart rather than foolishly. And it is up to us to correctly
Growing up, most people read fairytales such as “Cinderella” and “Little Red Riding Hood”. These stories set up some sort of expectation for what life will be like. However, fairytales are just as messed up as life. DreamWorks created the movie Shrek to make fun of fairytale’s social prejudge and idealism. Shrek uses reversal and irony to create a satire about the flaws of fairytales.
Shrek and Reversal of Fairytale Tradition Shrek directed Andrew Andamson and Vicky Jenson by contradicts the traditional view of a fairytale characters and settings. Although your first impressions may lead you to believe that that the story is totally different to a traditional fairytale looking more closely you find that there are a few similarities. This essay will be looking at the characters and the different presentational devises used to show how fairytale traditions are reversed. The presentational devices which are looked at are camera angles, lighting and music. In a traditional fairytale you would expect to find a prince and a princess who fall in love and live happily ever after.
Every person, place, thing, or idea can be improved upon. The Disney movie Hercules has changes that some might call improvements from the Greek myth “Heraclês”. These differentiations are not just there to improve the entertainment factor, but they also relate to real world problems and improvements. Differences between the Disney movie Hercules and the classic Greek myth “Heraclês” highlight the cultures’ contrasting values in the areas of family values, women’s rights, and childrens values.
In the movie, we meet Princess Fiona. She is beautiful and is looking for her Prince Charming. Shrek is far from a handsome prince and is not what Fiona was expecting. It turns out, Fiona was not a normal princess, but actually a secret ogre at night. This is ironic because she would make fun of Shrek during the day and get angry at how he was not supposed to rescue her since he was not handsome.
`Shrek' is the ultimate fractured fairy tale, a film that manages to simultaneously honor and lampoon the conventions of its genre without becoming smug or condescending in the process. For while it is sardonic, `Shrek' is never cynical, so confident and assured are its makers in establishing and maintaining just the right tone for a revisionist exercise such as this one. The film certainly conveys a modern sensibility, yet it is a gentle sort of iconoclasm that allows us to enjoy the more conventional aspects of the story (the happily-ever-after ending, for example) even as we are laughing at the obvious absurdities contained within them.