Literary Analysis Of Wuthering Heights

In this passage of Wuthering Heights, Brontë expresses the moment of Heathcliff's reaction to Catherine Linton's death. In this particular passage, Emily Brontë utilizes syntax to illustrate Heathcliff's obsessive love for the late Catherine Linton. Brontë expresses Heathcliff's deep, hidden emotions through the use of syntax. In the beginning, few questions are asked by Heathcliff, such as if "she died like a saint," to convey his curiosity about his true love's death (Brontë 164).

Heathcliff cried vehemently, "I cannot live without my life! I cannot live without my soul!" Emily Brontë distorts many common elements in Wuthering Heights   to enhance the quality of her book. One of the distortions is Heathcliff's undying love for Catherine Earnshaw. Also, Brontë perverts the vindictive hatred that fills and runs Heathcliff's life after he loses Catherine. Finally, she prolongs death, making it even more distressing and insufferable.

   "My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Heathcliff" (81)" These words, uttered by Catherine, in the novel Wuthering Heights are for me the starting point in my investigation into the themes of love and obsession in the novel. Catherine has just told her housekeeper that she has made up her mind to marry Edgar Linton, although she is well aware that her love for him is bound to change as time passes. That she is obsessed by her love for Heathcliff she confirms in the above quotation and by saying that she will never, ever be separated from him. Why does she not marry him then? Well, she has

In Wuthering Heights by Emily Brontë, Heathcliff’s strong love for Catherine guides his transformation as a character. While Heathcliff enters the story as an innocent child, the abuse he receives at a young age and his heartbreak at Catherine’s choice to marry Edgar Linton bring about a change within him. Heathcliff’s adulthood is consequently marked by jealousy and greed due to his separation from Catherine, along with manipulation and a deep desire to seek revenge on Edgar. Although Heathcliff uses deceit and manipulation to his advantage throughout the novel, he is never entirely content in his current situation. As Heathcliff attempts to revenge Edgar Linton, he does not gain true fulfillment. Throughout Wuthering Heights, Brontë uses Heathcliff’s vengeful actions to convey the message that manipulative and revenge-seeking behaviors will not bring a person satisfaction.

Another one of the many things Heathcliff wanted was power. He seduced and married Isabella Linton, not out of love, but out of selfish thoughts of abusing her to get revenge against her brother, Edgar because he married Heathcliff’s lover. When Isabella died, Heathcliff’s son Linton was handed over to him; Heathcliff forced Linton to marry Edgar and Catherine’s daughter, Catherine – or Cathy – Linton. When Ellen found letters written between the two, Linton’s letters “rendered natural,

The gothic and often disturbing Wuthering Heights is Emily Bronte’s classic novel that contains undeniably powerful writing that created her timeless love story. Andrea Arnold transformed her masterpiece into a cinematic rendition to recreate the wild and passionate story of the deep and destructive love between Catherine Earnshaw and Heathcliff.

Wuthering Heights is a novel which deviates from the standard of Victorian literature. The novels of the Victorian Era were often works of social criticism. They generally had a moral purpose and promoted ideals of love and brotherhood. Wuthering Heights is more of a Victorian Gothic novel; it contains passion, violence, and supernatural elements (Mitchell 119). The world of Wuthering Heights seems to be a world without morals. In Wuthering Heights, Brontë does not idealize love; she presents it realistically, with all its faults and merits. She shows that love is a powerful force which can be destructive or redemptive. Heathcliff has an all-consuming passion for Catherine. When she chooses to marry Edgar, his spurned love turns into a

"And if the wicked man in there had not brought Heathcliff so low, I shouldn't have thought of it. It would degrade me to marry Heathcliff now" - Catherine.

‘That is not my Heathcliff. I shall love mine yet; and take him with me: he’s in my soul.’ (Page 137)

Heathcliff's role as an avenger is helped by his intelligence and understanding, not just of his own motivations, but of the motivations of others. He recognizes the source of Isabella's infatuation that-: "she abandoned this under a delusion" - "picturing in me a hero of romance". He also capitalizes on Linton's poor health by inviting the pity of Cathy so that her affection and sympathy would facilitate a marriage that would leave he, Heathcliff, as master of the Grange.

The presentation of childhood is a theme that runs through two generations with the novel beginning to reveal the childhood of Catherine and Hindley Earnshaw, and with the arrival of the young Liverpudlian orphan, Heathcliff. In chapter four, Brontë presents Heathcliff’s bulling and abuse at the hands of Hindley as he grows increasingly jealous of Heathcliff for Mr. Earnshaw, his father, has favoured Heathcliff over his own son, “my arm, which is black to the shoulder” the pejorative modifier ‘black’ portrays dark and gothic associations but also shows the extent of the abuse that Heathcliff as a child suffered from his adopted brother. It is this abuse in childhood that shapes Heathcliff’s attitudes towards Hindley and his sadistic

Self-Centered. Heathcliff is self-centered, caring for himself and his interests and having little concern for others. This trait is greatly amplified by his love for Catherine and hatred for Mr. Linton. One example of this is when he trapped Cathy and her companion for no less than five days in his house at Wuthering Heights, forcing Cathy to marry Linton (255, 260). “And there I remained enclosed [in a chamber], … [for] Five nights and four days I remained, seeing nobody but Hareton [when he brought food],” shows how little Heathcliff is concerned for others, and how much he cares for his own interests (260). His own self-interest causes him to want control over Thrushcross Grange, as evidenced by the fact Linton will gain control of it after Mr. Linton, who is in poor health, dies if he (Linton) marries Cathy (263). However, Linton was also in poor health and was going to

“I am not deceitful: if I were, I should say I loved you, but I declare I do not love you: I dislike you the worst of any body in the world except John Reed… I am glad you are no relation of mine: I will never call you aunt again as long as I live…and if anyone asks me how I liked you, and how you treated me, I will say the very thought of you makes me sick, and that you treated me with miserable cruelty”(Bronte, 36)

Cathy and Hindley alter him into a vicious, lonely master: ‘“The tyrant grinds down his slaves and they don’t turn against him, they crush those beneath them”’. This shows that Heathcliff will not take revenge on Cathy directly, but will hurt those who are close to her. This is because Cathy married Edgar Linton and said that it would degrade her if Heathcliff was her husband. In addition, he will take

Emily Bronte’s Wuthering Heights display of cultural and physical features of an environment affecting one’s character and moral traits is showcased through the first Catherine’s development throughout the novel. Catherine is forced to “adopt a double character”, as she lives as a rebellious, passionate woman on the turbulent Wuthering Heights, while behaving politely and courtly on the elegant Thrushcross Grange(Bronte, 48). Each of these environments also contains a love interest of Catherine’s, each man parallel with the characteristics of their environments: Heathcliff, the passionate and destructive, residing in Wuthering Heights, while the civilized and gentle Edgar inhabits Thrushcross Grange. Catherine’s development in character due to her setting significantly contributes to the theme that pursuing passionate love is dangerous, such as the love shared by Heathcliff and Catherine.