Literary Devices In The Lottery

    "The Lottery," a short story written by Shirley Jackson, is a tale about a disturbing social practice.  The setting takes place in a small village consisting of about three hundred denizens.  On June twenty-seventh of every year, the members of this traditional community hold a village-wide lottery in which everyone is expected to participate.  Throughout the story, the reader gets an odd feeling regarding the residents and their annual practice.  Not until the end does he or she gets to know what the lottery is about.  Thus, from the beginning of the story until almost the end, there is an overwhelming sense that something terrible is about to happen due to the Jackson's effective

Shirley Jackson's “The Lottery” shows the reader that the human race will do any horrible act for success, in this case holding a town lottery where the winner is stoned to death in the towns square in hopes of a bountiful corn crop come during harvest time. The lottery is a tradition held in the town annually on June 27 and is done right as the corn is ready to become fruitful. Even in the day and age where technology is used for farming (tractors, plows) to till and harvest the land, this is a communal tradition that cannot be broken.

Furthermore, academic Mary E. Stam asserts that "the lottery ritual serves as a social control mechanism, reinforcing conformity and suppressing dissent within the community" (Stam 127). Jackson challenges readers to critically consider the harmful ramifications of mindlessly upholding oppressive traditions through the portrayal of false normalcy. He also encourages people to oppose societal complacency and question the status quo. Finally, the village has a false sense of normalcy in Shirley Jackson’s “The Lottery”. The short story is a harsh reminder of the hazards of blindly following tradition without considering its moral consequences, as well as the dangers of false normalcy.

Accordingly the reader has had ample time to form whatever interpretations they may have about the lottery, even given the sparse information that the story provides. What is certain about the story leading up to the very end, is that everyone in the town takes place in the lottery regardless of age, that there’s been a lottery for as long as anyone can remember, that this village is not the only one that keeps this practice, and that it is a declining practice (Jackson 239). Despite whatever conceptions the reader may draw about the mystery of the lottery, the truth is so unexpected that it perfectly demonstrates how something can possess immense and startling power (May 48). The reader discovers that the lottery is actually a public stoning. The exact process is that everyone draws a piece of paper from a box, and whoever draws the paper marked with a black spot, is stoned to death. An important thing to note is that in the beginning of the story, the villagers “made a great pile of stones in one corner of the square” (Jackson 235). These stones are not mentioned until the very end, where the villagers proceed to bludgeon the unlucky winner of the lottery. This brutal image is enough to shatter any preconceived notions the reader may have formed, thus raising another mystery: what is the purpose of the lottery?

"It isn't fair, it isn't right, Mrs. Hutchinson screamed, and then they were upon her" (Jackson). Shirley Jackson's “The Lottery” is brimming with illustrations of how thoughtless repetition dilutes foundations that were once rock solid. The traditions of the village in the story lead to the stoning to death of one of the residents on a yearly basis. The people were not so clear as to how, when, or why this took place every year; however, this did not stop them from continuing with an encore. The limited view they had on life and of growth was the road block that prevented any major change. Traditions can overcome society's better judgement.

The Lottery is a ritual with little to no history behind it, yet people blindly follow this tradition because they long for a purpose and place which in turn causes them to perform questionable practices. The Lottery is a way to symbolize the human desire for blind adherence to a tradition or ritual, even when it involves pointless violence. Old Man Warner, the oldest man in town, effectively portrays this desire when he declares “Seventy-seventh year I been in the lottery.’” (Jackson 395) The morality of this tradition has gone unquestioned for over seven decades, showing how the human desire for tradition veils the need to question it.

A number of details about the ritual of the lottery show how this meaningless ritual is deeply embedded into the villager’s beliefs. The people of the village, who take on

In Shirley Jackson’s "The Lottery," what appears to be an ordinary day in a small town takes an evil turn when a woman is stoned to death after "winning" the town lottery. The lottery in this story reflects an old tradition of sacrificing a scapegoat in order to encourage the growth of crops. But this story is not about the past, for through the actions of the town, Jackson shows us many of the social ills that exist in our own lives.

Society today sees the lottery as an easy way to win a ginormous amount of cash just by buying a little slip of paper with a combination of numbers. The irony that Shirley Jackson uses in her short story, The Lottery, is used to the extreme by not only the title being ironic, but also within the story. The lottery is seen as a way to gain cash, but the ironic part of the title is that the reader sees it and thinks that the story will be about someone winning a big prize, yet the winner is sentenced to being stoned to death. Within the story, Shirley Jackson writes about how one member of the community ultimately chooses who wins the lottery. Another ironic thing about someone chooses the winner is that one of the communities sons picked his own father to win the lottery. Linda Wagner-Martin analyzes The Lottery and its irony by writing, “Bringing in the small children as she does, from early in the story (they are gathering stones, piling them up where they will be handy, and participating in the ritual as if it were a kind of play), creates a poignance not only for the death of Tessie the mother, but for the sympathy the crowd gives to the youngest Hutchinson, little Dave. Having the child draw his own slip of paper from the box reinforces the normality of the occasion, and thereby adds to Jackson's irony. It is family members, women and children, and fellow residents who are being killed through this orderly, ritualized process. As Jackson herself once wrote, "I hoped, by setting a particularly brutal ancient rite in the present and in my own village, to shock the story's

When gossip of neighboring villages giving up the lottery wisps through the crowd, the notion seems unthinkable to the elders in this story (Jackson, 250). It is as if their foundational principals have been attacked by the idea (Jackson, 250). This imagery may serve to portray a climate of self-entitlement in our humanity.

“The Lottery” a short story by Shirley Jackson, features a small town during the time of their lottery. The lottery is an annual event, organized by Mr. Summers. It is a highly important time, as the whole town comes to the town square on the day of the lottery. The guidelines are quite simple: everyone takes a slip of paper out of the symbolic black box, and the slip of paper with the black mark carved on it, is the “lucky winner”. But their definition of the lottery is different一usually, a lottery is a valuable thing to win. But when Tessie Hutchinson, the “lucky winner” gets her reward by getting stoned to death by the rest of the villagers, it is clear that winning this lottery can't be a good affair... So what is the purpose of this lottery? Rather than discontinuing the lottery, the town continues with it because they don't want to upset an old tradition.

The Lottery, a ritual that no one has ever thought to question, which represents any action, behavior, or idea that is passed down from one generation to the next that’s accepted and followed unquestioningly, no matter how illogical, strange, or cruel. “The oldest denizen of the town, Old Man Warner, points out that this is his seventy-seventh year participating in the ritual, called simply the lottery.”(Dubose 1) The “Lottery” is so much a part of the town’s culture, that the townspeople does not truly know what the tradition means but rejoice at the it nonetheless. That is the force that drove the theme In Shirley Jackson’s the “Lottery” with her use of setting, symbolism, suspense, and characters as she exemplifies blindly following tradition with obedience can be dangerous. The lottery is an extreme example of what can happen when traditions are not questioned or addressed critically by new generations because of the infamous word tradition.

“A stone hit her on the side of the head. "It isn't fair, it isn't right," Mrs. Hutchinson screamed, and then they were upon her” (34). “The Lottery” is a short story written by Shirley Jackson which, sparked controversy when published in the June 26, 1948 issue of the New Yorker. Jackson used several different literary devices to support her theme that people who don’t question tradition get what they deserve. The literary devices Jackson uses to support the theme of ‘The Lottery’ are irony, foreshadowing, and pacing.

    Often, we paint a fairytale view of life for ourselves and our children. Sometimes, an author paints a frightfully realistic picture of life and forces us to reconsider the fairytale. In Shirley Jackson’s story, "The Lottery," a town each year conducts a lottery in which the winner or looser, in this case, is stoned to death by his or her own neighbors. The tradition is supposed to uphold social structure within the town, but in order to comprehend the true meaning of the story you must be able to read between the lines. "The Lottery" is a story about a town that has let its traditions go too far. Also, it is clear that the story contains eye-opening facts that lead me to

“Chips of wood, Mr. Summers had argued, had been all very well when the village was tiny, but now that the population was more than three hundred and likely to keep growing” (Jackson, 2). The town never had an overpopulation issue, there was never a good enough reason to continue the lottery and even less start it for that matter. The social hierarchy of the town did not allow the people to have a voice and that made them feel intimidated. The people were almost programed and expected to accept and carry this unfair tradition; not because of the meaning of it but because they were scared to ask to let it go in results of things getting worse.