In the opening scene of Jane Martin’s “Rodeo,” there are many stereotypical props used to portray the beer-drinking, hard-working, cowboy image with the characteristic country music playing as an added touch. Most people are familiar with this type of scene in their minds, with a man as the character, but not this time – we find a tough, smart, opinionated woman with a distinctively country name of Lurlene, and the typical cowboy kind of nickname, Big Eight. The reader will dive deeper into the true