Lord of the Flies, a shockingly vivid novel crafted by William Golding, explores the intense reality of disastrous government in a unique and understandable manner. Stranded on a deserted island after a mysterious plane crash, lacking shelter, safety, and adult supervision, a group of prepubescent boys’ survival is doomed from the start. Elected leader, Ralph is assigned to lighten the load, and provide a sense of security for the young boys, aching to go home. But as things begin straying to chaos, a community meeting is held where the most vital personalities on the island, Ralph, Jack and Piggy, each give a statement as to what they believe needs to be done in an attempt to maintain order. Ralph and Piggy, who are portrayed as protagonists …show more content…
Because he had not experienced this sight himself, and was utterly too arrogant to view the situation from any other perspective, he briskly shot down these claims and dumped all blame atop the young pupils. “Serve you right if something did get you, you useless lot of crybabies! But there is no animal--” (Golding 83). By using strongly connotative words, such as, “useless” and “crybabies”, Jack is undeniably speaking to the emotions of the children, and because of their tender age, may receive stronger reactions. His inferred tone and body language aid in shaming the young boys, making his presence extremely powerful. Jack puts them in the place that he believes they belong, and although they may be left with a negative message, it is a message that they will hold on to. His manner of provoking emotions is unforgettable, and extremely deadly, given his easily manipulated …show more content…
Again, he establishes his credibility and tears the audience down a bit more, as he states, “Well then--I’ve been all over this island. By myself. If there were a beast I’d have seen it. Be frightened because you’re like that--but there is no beast in the forest” (Golding 83). By saying this, he is showing the younger boys that he knows what he is talking about, and his reason, because he has seen every nook and cranny of the island. And because the group is so young, and they have been longing for someone to find security and knowledge in every since they were stranded, they believe him wholeheartedly. This works entirely to the advantage of Jack, as he is now holding this clan of misfits within his grasp. Despite the fact that they may all fear him and take offense to his words, there is no other direction for them to turn, and they must all obey the terms he
The isolation that comes with crashing on a deserted island affects all the characters, seen most dramatically through Jack. Being brought into this setting transforms the civilized choir leader into a savage hunter and murderer who’s given into his inner demons. When the boys first crash land onto the island, they were proper English schoolboys. Due to the separation from society, however, the boys start to regress, giving in to their more animalistic instincts. Jack starts off as the ‘‘chapter chorister and head boy’” who tries to take leadership of the tribe the boys form; he fails to do so, turning him away from order and reason (Golding 22). He neglects his duties and turns his attention to hunting the native pigs, prompting him to let the fire, their gateway back to society, go out; this pits Ralph against Jack, who represent civilization and savagery
There are no adults on the island. No one to make them feel safe when there is an unknown creature that feeds off fear. Jack takes that fear and causes a decline in the society of the boys on the island. First of all, he is stubborn. Jack is also immature and reckless. Thirdly, he is power-hungry. Lastly, Jack is driven by fear.
This quote portrays how Jack is speaking to all boys particularly little boys who are afraid and believe that the beast is in the island. Jack says little boys begin the anxiety and create rumour about the beast and his hunters and he promise to the little boys that they will guard all by killing the beast. However, the evil within Jack make him speak like a savage by saying that because the little boy do not contribute in the hunting or making of the smoke, so this would lead them to be attacked by the beast. This shows how Jack is heartless and selfish.
Jack uses the beast to gain power and promises of protection for the boys; from the beast. Jack uses the boys’ fear of the beast to manipulate them to his own advantage. He knows it doesn’t exist; however he uses its hypothetical existence to ensure the compliance of the other boys and follow his commands. Fear is the source of Jack’s power. The other boys don’t flock to Jack for his personality or leadership; instead, they gather around him for the solace he promised them.
Jack is filled with an internal evil that strives for power and dominance through the fear and trust of the weaker children. The littluns are swearing their trust to Jack in return for protection. Maurice even confesses that Jack says, “I mean when Jack says you can
William Golding’s Lord of the Flies presents a story of a group of boys who become stranded on an island together, and in their struggle to survive; some begin to fight for power. Having power makes them feel in control of their situation; however, this power struggle quickly begins to consume them. Golding uses the power struggle between Ralph and Jack, the two main characters, to illustrate the power struggle between good and evil.
Jack represents evil, violence and how people can have a dark side emerge in a period of hardship. As a former choirmaster and "head boy" at his school, he lands on the island having had control and power over others, by overpowering the choir with his bad attitude. He wants to make rules similar to Ralph but his rules are much harsher. Jack’s rules are more black and white.
Jack’s thirst for power for the sake of dominance develops a sense of dictatorship. When killing the sow, the shift in Jack is clear. Jack no longer looks to control nor shield himself from savagery; instead, he embraces it: “His mind was crowded with memories; memories of the knowledge that had come to them when they closed in on the struggling pig, knowledge that they had outwitted a living thing, imposed their will upon it, taken away its life like a long satisfying drink” (Golding 70). The sense of power Jack receives from his kill is enough to completely take over his actions. Power is a drug to Jack, and he has become addicted. This addiction continues to affect his life, and more importantly, the lives of those he has surrounded himself with. Dropped “He [Jack] began to dance and his laughter became a bloodthirsty snarling” (Godling 64). Golding uses juxtaposition and zoomorphism to inhibit this effect. Jack shifts from dancing to snarling in a matter of seconds, showing his vulnerability to the evil which has taken root in his heart. Jack is no longer human; he is a savage. It is known that money changes people. However, this is not true. With money comes power; power changes people. Jack has lost all control and power over his own life. So, he looks for control and power in the lives of others.
Jack originally has no intention of coming onto the island to kill and cannot bring himself to kill living things because he still has a connection to his previous life. As they look at the choir, “The boy who controlled them was dressed in the same way though his cap badge
This indicates the Jack fears killing the pig at first, a fear he overcomes as he sheds civilisation and adopts the way of the savage. He then uses fear of beast to control the boys and creates his own tribe and promises of “having fun” (pg. 150) but later, breaks his promise and mistreats the boys. As he empowered, he got more violent. As a chief, Jack showed off his power to the group by hunting, putting Ralph down, and controls the weak. The hunter’s chants “Kill the pig.
Lord of the Flies by William Golding is a novel that represents a microcosm of society in a tale about children stranded on an island. Of the group of young boys there are two who want to lead for the duration of their stay, Jack and Ralph. Through the opposing characters of Jack and Ralph, Golding reveals the gradual process from democracy to dictatorship from Ralph's democratic election to his lack of law enforcement to Jack's strict rule and his violent law enforcement.
Jack has been known as the antagonist in this book, and finally lets his id take over because he does not have anyone guiding him. Due to him not having a “Piggy” of his own, he does not have anything keeping his conscience holding away his
Evidently, Jack manipulates the boys into working with him in bringing down the last semblances of civilization on the
He takes a group of people willing to come and join his side. The side that is more sadistic and believes in superstition like him. In the end Jack
Once these boys join Jack’s tribe, they are forced to follow his orders, committing heinous atrocities against their former friends in a desperate attempt to avoid the physical punishment Jack inflicts on those who disobey him. Jack rules his subjects through fear and intimidation, and yet lures them in by playing on hidden desires unbeknownst to them. Jack is often shown acting cruel and menacing towards the other boys, however is he also shown as being self-conscious and a bit insecure: “Boys are desperate to distract from their own helplessness and do so by projecting their fear of subjection onto an even weaker