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Loss Of Identity In Hamlet

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Madness has swallowed the entire Castle of Elsinore. In Shakespeare’s celebrated tragedy Hamlet, the event of King Hamlet’s murder spurs an unfortunate series of events that leads to the shed of excessive royal blood. Prince Hamlet, whilst plotting revenge against Claudius, his father’s perpetrator, struggles with questions of morality and identity. Additionally, he is caught up in a whirlwind romance with the beautiful, virgin Ophelia, Polonius’ daughter. A significant death, the loss of identity, and stubborn love are key ingredients for one to go mad. However, Hamlet assures us that his madness is simply an act: “How strange or odd soe’er I bear myself/ As I perchance hereafter shall think meet/ To put an antic disposition on” (1.5.58-60). Hamlet’s feigned madness, however, can’t be more real as it drags him, and the sweet Ophelia, quite literally, down. The more Prince Hamlet believes that his madness is not reality, the more madness deteriorates his being and Ophelia – the one he claims to love most. While there is a great discrepancy between perception and reality within the play, Shakespeare elevates this to a new ground …show more content…

However, both Hamlet and Ophelia’s death are the other way around – the soul has transcended well before their bodies have. The destination of their souls, however, does not seem like a godly or heavenly place, more so the destination of the impious: a version of hell. Hamlet foreshadowed his absorption into his own antic disposition: “Seems,” madam? Nay it is; I know not “seems” (1.2.77). As Hamlet’s antic disposition is no longer such, his soul transcends. While he once questioned his ability to carry out his revenge against Claudius, the growing insanity within him takes over and Hamlet becomes capable of everything, and he feels as though his madness gives him

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