Louis Armstrong Influence

For this analysis on Louis Armstrong’s West End Blues, I am going to concentrate on Louis Armstrong and how influential he was in the birth of Swing. He was extremely innovative in the way he played his instrument. Louis Armstrong had a brilliant trumpet sound. His power, range, and his rhythmic approach are all trademarks of his playing in the 1920s and 1930s. West End Blues is still considered one of the most influential and classic pieces in the Jazz Industry. I will explain why by breaking down the song utilizing the five elements of music; form, harmony, texture, melody, and rhythm.

Louis Armstrong was the greatest of all Jazz musicians. Armstrong defined what it was to play Jazz. His amazing technical abilities, the joy and spontaneity, and amazingly quick, inventive musical mind still dominate Jazz to this day. Only Charlie Parker comes close to having as much influence on the history of Jazz as Louis Armstrong did. Like almost all early Jazz musicians, Louis was from New Orleans. He was from a very poor family and was sent to reform school when he was twelve after firing a gun in the air on New Year's Eve. At the school he learned to play cornet. After being released at age fourteen, he worked selling papers, unloading boats, and selling coal from a cart. He didn't own an instrument at this time,

Intro- Facts- Back in 1928, a jazz song was recorded in Chicago. The hit song, West End Blues, was played by Louis Armstrong and his friends, the Hot Five. The song was written by Joe “King” Oliver, the mentor of Armstrong.

If one was to go out into the street, walked up to a random stranger and asked them if they knew who Louis Armstrong was, chances are that they would be able to answer you correctly. Louis Armstrong (Aug 4th, 1901 - Jul 6th, 1971) was an American trumpeter, composer, singer and occasional actor who became one of the most influential figures in jazz. His career spanned many decades, from the 1920s to his death in 1971, and many different eras in jazz. He first came to prominence in the 1920s as a trumpeter and cornet player with no technique as well as being very skilled in scat singing, Armstrong was a foundational influence in jazz, influencing many later jazz artists as well as shifting the focus of the music from collective improvisation to solo performance.With his very well-known and recognizable gravelly voice, a technique that was later named “crooning”, Armstrong was an incredibly influential singer, demonstrating great dexterity as an improviser by bending the lyrics and melody of a song for expressive purposes on demand. Renowned for his charming and incredibly charismatic stage presence and voice almost as much as for his trumpet and/or cornet playing, Armstrong 's influence extends far beyond jazz music, and by the end of his career in the early 1970s at his death, he was widely regarded as a deep and profound influence on popular music in general. Armstrong was one of the first very popular

Louis Armstrong learned at a young age, not to let negative views direct your life. At the age of seven he worked for a Jewish family, and noticed how the whites treated them. It was not just the blacks in the early 1900’s that dealt with racial issues. But Louis saw one thing that left a long time mark on him. Many of the Blacks wanted Pity, but this family of Jews he worked for, did not, they made their way. This was something Louis would carry with him the rest of his life. Louis Armstrong’s influence was the style, structure, and joy of his art. It is something that can be seen in many musicians that listened to him. Listen to a Miles Davis cd, and you will hear the Great Satchmo. Yes it is Miles Davis, but the influence of Louis is there to be heard. Many of the musicians today you will also hear Louis’s influence, and not only in Jazz, Swing, Blues, but in any form. Louis Armstrong’s influence is one of the most powerful that has ever been, and may ever be.

The person I chose to do my project on is Louis Armstrong. I chose Louis Armstrong because I wanted to do my project on a singer as well as a musician. I chose him because he was one of the few people that I knew about, also because I did some research on him and listened to his music and I thought that he was interesting to write about. My main three things that I’m going to discuss about Louis Armstrong will be his life, his music and influence on others. I’m going to describe how and where Louis Armstrong’s grew up and how he started out his career as a trumpeter. I’m also going to write about how he went through life and how that affected him in the future. Lastly, I’m going to discuss with you how he had an influence on others. I’m going to explain how he impacted the world with his music and how that affected so many people to this day. Louis Armstrong made a great impact in the world and I’m going to teach you all about it.

Louis Armstrong's diversity and adaptability is widely recognized as one of the most influential aspect in jazz music. Louis Armstrong's musical influence is still the fundamental base for modern jazz today. "Louis Armstrong is jazz. He represents what the music is all about.” — Wynton Marsalis perfectly sums up his contributions. His diversity sets him apart from other jazz artists because he managed to stay relevant throughout different musical eras like, the ENOJ era, The Swing Era, Blues etc., until the end of his career. The accomplishments he has achieved throughout his life and the hardships he has gone through has shaped his persona, contributing to how he will become as an artist. His instrumental style, singing, career throughout musical eras, accomplishments, and etc., contribute to how adaptable and diverse he is.

Louis Armstrong, also known as the king of jazz was born on Augest 4th, 1901, in New Orleans Louisiana; he died July 6, 1971 in Corona Queens New York. Louis Armstrong is famous for his stunning jazz performance, unique vocals, and amazing styles with the trumpet/cornet. Louis Armstrong recorded many popular songs like La Vie en Rose, and his theme song When its Sleepy Time Down South. Louis's Father left him around childbirth, and his mother often used prostitution for money. He was often left with his grandmother, and left school in fifth grade to start working. Louis was able to get hired as a junk collecter and coal deliverer.

Many people knew Louis Armstrong as the “first real genius of jazz”(Shipton 26). He was born in New Orleans, Louisiana on August 4, 1901. Louis was the illegitimate son of William Armstrong and Mary Est “Mayann” Albert. He was abandoned by his father, a boiler stoker, shortly after his birth and was raised by his paternal grandmother. Then, at the age of five, he was returned to the care of his mother, who at the time worked as a laundress. Together with his mom, they moved to a better area of New Orleans. This is where Armstrong first fell in love with music; he would listen to people playing any chance that he would get(Tirro). He would attend parades, funerals, churches and go to cheap cabarets to be able to hear some of the greats play

after seven years of living with her he moved 18 blocks away to live with his mother

“Little Louis” sung in a vocal quartet in his early teens. His rise to the top, though not overnight, occurred quickly, he played with mostly all the major bands in New Orleans over the next few years (Friedwald 350). In 1922, his mentor, King Oliver, invited him to work his Creole Jazz Band in Chicago. After recording with Oliver for over a year, Armstrong moved into what would become the most important early-jazz big band, Fletcher Henderson’s Orchestra (Shipton 201). As if it were not enough that Armstrong would rewire instrumental music for the rest of the century, his singing did the same for vocal music. He sang much as he played, but with a playfulness and a rasp, that would forever be part of American culture (Winfield 167). The first important trend in New York Jazz was Hot Jazz that was an incendiary style introduced by Louis Armstrong (Winfield 170). He was known for both his joyous ways with the trumpet and his peculiarly touching and funny vocal style. There was a cheerful impatience in his playing, an optimistic confidence that led him to risk going over the top (Shipton 157). Louis Armstrong is arguably the most important musician that the United States has ever produced (Shipton 160). Eldridge is the obvious link between Louis Armstrong and Dizzy Gillespie. Armstrong could make an audience cheer, but Roy Eldridge, made those top and bottom notes feel like a natural part of what the horn should do (Friedwald 21). Blessed with

Watching Louis Armstrong’s live performance in Berlin during the year 1965 was a pleasure, especially because I am a great fan of his music. Throughout the concert in Berlin, Armstrong and his chamber orchestra played 13 different pieces. With the exception of Jewel Woods’ entrance on vocals for two songs, the makeup of the chamber orchestra did not change throughout the concert. As a result, the cello, clarinet, drums, piano, trombone, and trumpet remained vital parts of each song throughout the concert.

Aside from the typical cultural, social, and political factors influencing any musician’s style, an early life filled with poverty and hardship also shaped Louis Armstrong’s musical development. Some even theorize that it was Armstrong’s difficult upbringing that made his music so wise, so unique, and so revolutionary. Armstrong was an African American child growing up in the slums of New Orleans, close to abandonment, impoverished, and with too few constant people, resources, or homes. However, had his upbringing been different, his musical talents may never have been established to grow and thrive into one of the most internationally influential jazz musicians ever. When Louis Armstrong was placed in a boys’ home as a young boy, he was presented with the opportunity to play the cornet. He took up work in Joe (King) Oliver’s house, doing chores in exchange for musical lessons, developing into a

Louis Armstrong is a man of many talents and skills known for creating a new environment, especially in his home town of New Orleans. He was born into poverty on August 4, 1901 in the streets of Back o’ Town (Meckna). He’s a professional jazz performer who played with Oliver and Henderson. He started as a soloist for Henderson after marrying Lil Hardin. He has many nicknames in which some are Satchmo and Pops. He also played as a second trumpet for King Oliver. He interprets and contributes to the genre of jazz, creates great form through his performance in the “Hot Chocolates,” and his work represents a whole for equality and the civil rights movement.

At the mention jazz music, that person will first think of is likely to be a great figure with a clown image, nicknamed Satchmo. The man was Louis Armstrong. He is a husky singer, often with a trumpet in his hand. He played dramatic works of simple structure in Orleans jazz style and with the accompaniment of Dick jazz music. Each of the books on jazz music will mention his name. Louis Armstrong was to jazz music what Bach is to classical music, Presley is to rock music (Berrett 230). This essay will have an introduction of the king of jazz music -- Louis Armstrong and his great influence on jazz history.