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Louv: The Digital Age

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Nearing the end of the 20th century, at a time that is today characterized by disco and bellbottoms, America was entering an era of the future: the Digital Age. Starting with the release of the personal computer in 1970, and likely ending with the release of the iPhone 890 in 2450, the Digital Age shaped America as we know it today. This nationwide obsession with technology has led to massive changes that now simply fall under the mundanity of everyday life. Of course, there is pushback, and certainly no shortage of grumbling about children swapping a day in the park for a video game controller (which is not completely unwarranted; I've had my fair share of, as my father once put it, "reading about going outside instead of actually doing it"). …show more content…

Following the "logical extension" of this ability, Louv envisions a future where synthetic nature overrides the actual, physical world; as he expresses in the rest of the passage, this "future" might not be that far off. He continues with another anecdote that cements his casual, yet serious tone, and features a friend of his who—gasp!—opted not to get a television in her car. This passage is aimed at those similar in age to Louv, those who both lived a fulfilling life before Wi-Fi and who probably have children; those who, while reading this anecdote, will likely put themselves in this woman's shoes. Indirectly, Louv is asking them, And what would you do? Or have you already given yourself over to "rear-seat and in-dash multimedia entertainment products" in an attempt to quiet your children? To do so is not any sort of crime, but Louv is prompting his audience to question how our inundation with technology affects our relationship with the physical world. He concludes by proposing the rhetorical question: "Why do so many Americans say they want their children to watch less TV, yet continue to expand the opportunities for them to watch …show more content…

A window, that is, untainted by a reflection from any sort of "multimedia entertainment product". Louv uses a loose sentence to accumulate sights seen from this window—"the empty farmhouse…the variety of architecture…the woods and fields and water beyond the seamy edges"; in summation, "all that was and still is available to the eyes." The detailed descriptions are intended to appeal to the reader's emotions, to nostalgia for a time before phones. It is in the final part of that sentence that Louv truly hits his point, that these wistful memories are "still available" to us. Mother Nature is still out there, awaiting the delight of new company, while the children of the Digital Age watch television in the back

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