Macbeth: Not a Rare Monster
Many directors, actors, and audience members have different opinions regarding the titular character of William Shakespeare’s Macbeth. Harold Bloom, author of Bloom’s Guides: Macbeth, states that “Macbeth is a villain, indeed a monster of murderousness” (Bloom 7). Even Macbeth’s rival, Macduff, calls him a “rare monster” (Macbeth 1.5.76-8).
Macbeth is not a rare monster, he is human. In fact his humanity is a major theme in both Shakespeare’s script and in many film adaptions done centuries later. For Macbeth had a dream that we may occasionally dream, to become the leader over all of a land. But unlike us, Macbeth has told through a prophecy that he will become such a leader someday.
It is how
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Lady Macbeth may be just as envious of the throne as Macbeth, and is quick to tempt Macbeth in murdering King Duncan. In reference to preparing for Duncan’s arrival she suggests, “Bear welcome in your eye…Look like the innocent flower but be the serpent under it” (1.5.75-8). Macbeth seems to brush off Lady Macbeth’s ‘command’ by commenting that they would speak later.
Perhaps this is when Macbeth first struggles with his conscience. He recognizes that he is morally obligated to protect King Duncan as both his kinsman and host. Besides, in his mind King Duncan “Hath borne his faculties so meek…that his virtues will plead like angels” (1.7.17-9).
When he no longer wants to pursue this fantasy of becoming King through murder, Lady Macbeth decides to attack his manhood, and in some interpretations attempts to subdue Macbeth by becoming upset. She accuses him of, “Living like a coward…letting ‘I dare not’ wait upon ‘I would’ like the poor cat in the adage” (1.7.46-9). It is here that Macbeth’s innocent barrier was breached, for his response is, “If we fail” (1.7.68)? But it is not until he was tempted by himself that he discards any consideration as to the consequences that will come if he went through with the murder.
Take for example the dinner scene with King Duncan and company. Though Shakespeare does not have much to say as to the events of
Through the soliloquy, the audience gains insight into Macbeth’s innermost thoughts. He names multiple reasons as to why he should not kill King Duncan, noting that Duncan is his guest, kinsman and a good king. He also admits that the only motive he has is the “Vaulting ambition” residing inside of him. Here he names his own hamartia, his fatal flaw, and acknowledges that to give in and commit such a deed, would result in his “deep damnation”. While still undecided on the matter, Lady Macbeth enters, and, seeing his indecision she decides to manipulate him into the decision that suits her; for after all, she is almost if not as ambitious as her husband. By questioning his manhood, his bravery, even their marriage, she successfully leads him to make the choice to kill the king. We now must realise that although the witches’ prophecies and Lady Macbeth’s taunts were a catalyst for Macbeth’s treachery, they never force him to make these errors in judgement; it must have been something that was already inside of him that caused him to decide this. There must have been some inherent evil already a part of his character.
“Macbeth” and “Macbeth retold” by Mark Brozel, share many comparisons yet have many vital differences.
“Lady Macbeth tutors her husband in the arts of deceit” (Kemp 95). She tells him to “bear welcome in your eye, your hand, your tongue: look like th’ innocent flower, but be the serpent under’t” (Shakespeare I. v. 63-65). She also portrays the perfect hostess. Duncan praises Lady Macbeth for being an “honour’d hostess” and a “fair and noble hostess” (Shakespeare I. vi. 10, 24). She drugs the guards who protect Duncan’s bedchamber by bringing them tainted wine. Lady Macbeth, unable to kill Duncan because he resembles his father, has Macbeth to murder him instead. After the deed is done, Lady Macbeth plays to be distraught over the King’s death. Later, following the murders of Duncan and Banquo, Macbeth acknowledges his wife as hostess, and she welcomes the thanes who have gathered after being summoned to acknowledge Macbeth as their new king (Kemp 95).
Lady Macbeth had a very powerful hold over Macbeth. Just by questioning his valor she could shift Macbeth’s whole thought process and second-guessing of the murder of Duncan (Booth, 24), and he allows it because he cannot bear to disappoint her. His love for her and need for her approval is what ultimately leads him to commit each and every one of his crimes. She is the center of his world and if she does not see a problem in the murders than why should he. This is naïve ignorance caused by a blindness that is induced by love, and that is both heart breaking and tragic.
3. 157-159) Macbeth’s arrogance is made apparent with the immediacy of his thoughts of becoming king and it is clear that the supernatural has given him arrogant ambition as Macbeth is already beginning to think of how he will be crowned king. Macbeth eventually decides he will show his “Black and deep desires” (1. 4. 58) and murder Duncan, the current king of Scotland. This is a shift from Macbeth showing loyalty to Scotland and the king as he now has arrogantly, for the benefit of himself becoming king, murdered Duncan, the king of Scotland. Duncan was greatly admired and respected by the population of Scotland. Macbeth himself describes Duncan as “meek” (1. 7. 17) and being “so clear in his great office” (1. 7. 18). When Macduff first realizes the death of Duncan, he describes the scene as: “O horror, horror, horror!” (2. 3. 73) Macbeth acknowledges that the reaction to Duncan’s death would be mournful before murdering him: “Pity… / Shall blow the horrid deed in every eye, / That tears shall drown the wind” (1.7. 21-25). However, Macbeth’s only goal is to become king, not to please the population of Scotland who admires their king greatly and sees him as a righteous person. After tempting Macbeth with the idea of becoming king, the supernatural gives Macbeth arrogant ambition, forcing him to contrast his loyal and courageous personality, which motivates him to kill Duncan.
After hearing the prophecy that he will become king, Macbeth resolves to leave his future up to fate proving his pride and prestige are very important to him. Once he is told of Malcolm being named successor to the throne, Macbeth decides that if he is going to reach his goal he cannot leave it up to luck. Again Macbeth’s resolve to murder Duncan wavers when he leaves the grand banquet to assess his situation and decide whether he wants to proceed. His arguments include wishing to keep his honor and not kill Duncan for Duncan is there ‘in double trust’. Thus, Macbeth is shown to be clinging to his honor. Finally, Macbeth must stand his ground one last time against his wife who uses tact to emasculate Macbeth. In his final attempt to stop the whole ordeal before it can start Macbeth tells Lady Macbeth that he does not want to ‘cast aside’ the honor he has just recently received. Unfortunately, Lady Macbeth will have none of what her husband is saying and so convinces Macbeth to follow through with his plan of murdering King Duncan. Hence, the audience is given the first example of how powerful selfish motives are and how quickly they can spread to others along with cause them to perform unthinkable
Secondly, Lady Macbeth’s blind ambition and false appearance take part in further altering Macbeth’s decisions. Lady Macbeth reads Macbeth’s letter and she immediately starts to plot King Duncan’s murder so the witches’ prophecies can her husbands desires can become true. She knows Macbeth is, “too full o’ th’ milk of human kindness/… That wouldst thou holily; wouldst not play false/ And yet wouldst wrongly win” (1.V.17-23). Lady is aware her husband Macbeth is too noble and innocent to hurt an individual for his own personal gain. She knows she will have to persuade Macbeth to murder Duncan in order for him to become king. Later, during the congratulatory dinner, Lady Macbeth convinces a hesitant Macbeth to execute Duncan. At first, Macbeth is hesitant because he thinks he is double crossing trust with the king, he is his kinsman, and tonight Duncan is his guest. Moreover, Duncan has done no wrong to deserve death. Macbeth confesses to Lady Macbeth he can not murder Duncan however, Lady Macbeth says, “Art thou afeard/…Wouldst thou have that/ Which thou esteem’st the ornament
In Shakespeare’s play Macbeth, the main character’s goal is to become the king. Macbeth seeks to gain as much power as he possibly can and this ultimately leads to his demise. He hears the prophecy of the witches and becomes so obsessed with fulfilling the prophecy because it states that he will eventually become king. Having this information, Macbeth goes out of his way to force the prophecy to come true. He becomes so power hungry that he tries to force fate leaving him with an undeniable guilt for his actions, the loss of love from the people who once loved him, and a harsh death in the end.
King Duncan has been invited into Macbeth’s home, to dine and enjoy himself. He expects to have a great time and is ridiculously thankful, yet what makes this ironic is the fact that the hostess that he is praising is conspiring to kill him-he will be murdered that night. This represents the duplicitous nature of Macbeth, as the outward nobility of his character is contrasted greatly to his true spirit.
The play of Macbeth was written at consent of the king of England. This play symbolizes a leader who had once been everyone’s prize to garbage. Lady Macbeth was portrayed as the parasite of the monster qualities later found in Macbeth. After the execution of the fellow king the conscience of a monster was unveiled. Then resulting in uncontrollable action of bloody killings and corruption arise in redemption of keeping the throne as a king. However, fate was against him as the men of the forest arrive to the castle of Dunsinane. This produces a skewed definition of what monsters and men are in a tragic play in comparison to a novel or poem.
The dark aura surrounding Shakespeare's Macbeth is well deserved, as is the darkness shrouding its title character. Although Macbeth is certainly a villainous, evil man based solely on his actions, a fuller examination of his character's portrayal leads to a more sympathetic view of him. The play does not portray Macbeth simply as a cold-blooded murderer, but rather as a tortured soul attempting to deal with the atrocities surrounding him.
As a virgin to The Shakespeare Theatre, I was pleasantly surprised when my recent encounter with Macbeth was a stimulating and enjoyable excursion. The two and a half hours I had predicted to be less than enchanting were filled with symbolism, and an overall attitude towards the Shakespeare classic that I had never contemplated before.
Macbeth is a very complex character whom reflects man's thirst for power through the drastic changes of his personality; thus being one of the slightest reasons in which make this intriguing character, greatest of all Shakespearean’s well-known works.
Macbeth is a tragedy written in the 17th century that shows what the desire for power can do to a man. Macbeth is expressed as being the villain. But, Macbeth is in fact a tragic hero, doomed by fate from the beginning into the madness he put himself in. If it not been for meeting the witches and persuasion of his wife, the play would have had a very different ending.
Not only is Macbeth by far the shortest of William Shakespeare’s great tragedies, but it is also anomalous in some structural respects. Like Othello (1604) and only a very few other Shakespearean plays, Macbeth is without the complications of a subplot. (Bradley, 1905) Consequently, the action moves forward in a swift and inexorable rush. More significantly, the climax the murder of Duncan takes place very early in the play. As a result, attention is focused on the various consequences of the crime rather than on the ambiguities or moral dilemmas that had