Essay about The Role of the Supernatural in Motivating Characters

In Shakespeare's play The Tragedy of Macbeth, Shakespeare uses an underlying motif of the supernatural to control the characters and add a new dimension to the play.

First, it is Macbeth’s thirst for power, coupled with Lady Macbeth’s manipulation of him, that drive the murder of KIng Duncan. As Banquo becomes suspicious and as Macbeth becomes increasingly troubled by the witches’ proclamation that Banquo will be the father of kings, Macbeth convinces himself that Banquo must be killed, proclaiming “For Banquo’s issue I have filed my mind [...] the seeds of Banquo kings (III.i.70-75).” Macbeth is paranoid of losing his new-found power to Banquo. This fear is so stout that it drives him to solicit the murder of his most loyal friend. As his morality devolves further, Macbeth senses disloyalty from Macduff, and he resolves to murder MacDuff’s entire family. In Act IV, Macbeth says, “But yet I'll make assurance double sure,/ And take a bond of fate: thou shalt not live; (IV.i.94-95).” Even though the prophecy seems to assuage Macbeth’s fears of losing power, he still plans to kill MacDuff, supporting his further descent into corruption and evil- all driven by his thirst for

Despite his fearless character in battle, Macbeth is concerned by the prophecies of the Witches, and his thoughts remain confused, both before, during, and after his murder of King Duncan. When Duncan announces that he intends the kingdom to pass to his son Malcolm, Macbeth appears frustrated. When he is about to commit the murder, he undergoes terrible pangs of conscience. Macbeth is at his most human and considerate when his masculinity is ridiculed and degraded by his wife. However, Macbeth has resolved himself into a far more stereotypical villain and asserts his manliness over that of his wife. His ambition now begins to spur him toward further horrible deeds, and he starts to disregard and even to challenge fate. Nevertheless, the newfound resolve causes Macbeth to move onward.

Through the soliloquy, the audience gains insight into Macbeth’s innermost thoughts. He names multiple reasons as to why he should not kill King Duncan, noting that Duncan is his guest, kinsman and a good king. He also admits that the only motive he has is the “Vaulting ambition” residing inside of him. Here he names his own hamartia, his fatal flaw, and acknowledges that to give in and commit such a deed, would result in his “deep damnation”. While still undecided on the matter, Lady Macbeth enters, and, seeing his indecision she decides to manipulate him into the decision that suits her; for after all, she is almost if not as ambitious as her husband. By questioning his manhood, his bravery, even their marriage, she successfully leads him to make the choice to kill the king. We now must realise that although the witches’ prophecies and Lady Macbeth’s taunts were a catalyst for Macbeth’s treachery, they never force him to make these errors in judgement; it must have been something that was already inside of him that caused him to decide this. There must have been some inherent evil already a part of his character.

Shakespeare foregrounds that Macbeth was aware of and resposible for his actions, through conscience and free will, to illustrate that he was not a victim of supernatural forces. By doing this he is challeging the assumptions of the Elizabethan Era that supernatural forces and "supernatural soliciting" predetermine one's destiny. The hallucinations and ghostly apparitions are foreground not to illustrate supernatural interference, but to foreground Macbeth’s guilty conscience. Macbeth struggles with his conscience, this humanises him and invites the audience to relate to him. Even before Macbeth had committed murder, his conscience was causing him to have qualms. One example of this is in Act One Scene 7, before the regicide of Duncan. “We will proceed no further in this business. (Duncan) hath honoured me of late, and I have bought golden opinions from all sorts of people, which would be worn in their newest gloss, not cast aside so soon.” Macbeth was disinclined to murder “gracious Duncan” as he believed him to be a “good king” (4:III 163), however he still made the decision to commit regicide. This foregrounds the internal struggle Macbeth endured with his conscience that makes him a tragic hero. Supernatural elements exist to

Macbeth murders many to gain power. He causes the suffering of families and murders former friends. The violence starts with the murder of the king, Duncan, who’d trusted and honored Macbeth; Macbeth kills him to gain the position of king. Duncan’s death is the catalyst; Macbeth subsequently begins to use violence as a regular way to attain power. He murders his former friend, Banquo, refusing to accept that Banquo’s sons will be kings as prophesized by the witches. He says in regard to the prophecy, “Rather than so, come fate into the list, / And champion me to th' utterance.” Instead of accepting fate, he challenges the prophecy and orders Banquo’s death. His final homicide is the massacre of Lord Macduff’s family. When Macduff hears of the brutal slaughter, he cries, “That were most precious to me. Did heaven look on, / And would not take their

Macbeth subconsciously knows that he may have to kill Duncan in order to pursue the third prophecy, as it is Duncan who is presently king, and the only way for Macbeth to obtain Duncan’s title is if Duncan were to die and lose his title. In this scenario, Macbeth has thoughts of himself being the cause of Duncan’s death, in order to have Duncan’s title passed on to him. Macbeth is soon outraged to discover that Duncan has announced his son Malcolm as the future King of Scotland, Prince of Cumberland, as Malcolm now stands in his way of pursuing the actualization of the third prophecy. When Lady Macbeth receives news of the witches’ three prophecies and the fulfillment of the second prophecy, the enormity of her ambition to make Macbeth become King of Scotland leads her into plotting out the murder of Duncan. When Macbeth hears of Lady Macbeth’s plans to kill Duncan, he is at first unwilling to go through such horrific and drastic measures in order to obtain a royal title. Macbeth gives reasons during his soliloquy as to why he shouldn’t kill Duncan, and then says:

During several soliloquies and asides Macbeth expresses his "black and deep desires" (1.5.51) to become King and gradually overcomes his moral reluctance and foreboding long enough to kill Duncan. The independence of Macbeth in this decision is best described when he states:

Duncan is the most unlikely character to be killed because of his personality, but his title as King of Scotland, causes for Macbeth to loathe Duncan. In the play there is very little interaction between Macbeth and Duncan, showing the little time in which Macbeth gets more power. Prior to the witches’ prophecies Macbeth is loyal to Duncan, and would never imagine killing him. After the one of the witches’ prophecies comes to be true, the thought of killing Duncan, Macbeth "yield[s] to that suggestion / whose horrid image doth unfix my hair / and make my seated heart knock at my ribs" (1.3.146-148). Partly because of Lady Macbeth’s suggestion his "vaulting ambition" is starting to take over, and he begins to take into consideration killing

Lady Macbeth brings out Macbeth’s tragic flaw when she proposes the idea of killing King Duncan and he states, “I have no spur . . . but only vaulting ambition” (1.7.25-27). Once King Duncan has been murdered, this flaw is revealed because his actions reflect on his ambition to stay king. Macbeth begins by planning on killing Banquo and his son because the witches told Banquo “thou shalt get kings, thought thou be none” (1.3.68). Macbeth must kill Banquo and his son, so no one will have the opportunity to take the crown away from him. When Macbeth sends murderers to kill them, Fleance can get away while Banquo is brutally attacked; however, luckily for Macbeth, Fleance is never heard from again. When Macbeth goes to visit the witches again and the first apparition tells him to “beware Macduff” (4.1.71-72), he then realizes he must eliminate any other obstacle that could potentially keep him from staying king. He says he will “give to th’edge o’th’sword his wife, his babes, and all unfortunate souls” (4.1.150-151) just to ensure his throne. By doing these horrible deeds, Macbeth proves he is willing to go above and beyond to remain king until his

Macbeth is seen as a “valiant cousin, worthy gentleman” (I, ii, 24). He is a brave warrior who is well respected in his community, until the witches prophesied to him that he would one day be king (I, iii, 50). Macbeth interprets that he must act to fulfill the prophecy. He sends a letter to lady Macbeth asking what to do. She suggests that he should kill Duncan. Macbeth follows the plan and kills Duncan (II, ii, 15). Directly following the murder Macbeth can no longer say amen

Macbeth’s ambitious ways takes over his whole inner self throughout his time of first wanting to be king. Macbeth was thought to be a great leader and war hero before he was king. Macbeth was hatched an idea by three suspicious witches in whom he had never come in contact with before. They told him that he would one day become King of Scotland. After the witches disappeared, he got to think a lot about what they told him and pondered the words they spoke. Macbeth sends a letter to his wife about his feelings of what he had heard. When Macbeth returned back to his castle his wife wanted to lead him down a dark path and feed his ambition. Macbeth decides he wants to go after the crown after consulting his wife. "I have no spur to prick the sides of my intent, but only vaulting ambition, which o'erleaps itself, and falls on th'other...." (Act I, scene vii) This shows that Macbeth’s only reason to kill Duncan is for his ambition. Macbeth ends up killing Duncan. The way Macbeth killed Duncan made it a great crime scene. Macbeth still

Macbeth's feels that his destiny is to become King and rule with all the power that goes with kingship. The three witches on his way back to the kingdom, prophesied that he would rise to kingship. They said "All hail, Macbeth! Hail to thee, thane of Glamis" (I, 3, 48), and then as the thane of Cawdor "All hail, Macbeth! Hail to thee, thane of Cawdor" (I, 3, 49). At this point in the play Macbeth had just become thane of Glamis, and the thane of Cawdor is still alive. Then, the witches greeted Macbeth as the King of Scotland saying "All hail, Macbeth! That shalt be King hereafter" (I, 3, 50). This is the point in the tragedy where Macbeth starts to think as a villain. If the witches had never greeted him as King on Scotland, then he would probably never have contemplated killing Duncan in the first place. At first, he believes that he will need to kill King Duncan. Though at the end of Act 1, Scene 3, he thinks that perhaps he doesn't need to do anything to become the king saying "If chance will have me king, why, chance may crown me without my stir.", showing he is a man of honor and morals. Then, Lady Macbeth hears of the prophecy in his letters and decides immediately for him that King Duncan must die, showing Macbeth's doubt. An

In William Shakespeare's Macbeth, the supernatural and the role it plays in motivating characters is present throughout the duration of the play. The supernatural causes conflict in the play and the prophecies from the witches in act one is the inciting action. The apparition, Banquos ghost, and the dagger are examples of how the presence of the supernatural causes conflict. The theme of the supernatural causing conflict in Macbeth plays an important role in the plot of the play.

In William Shakespeare’s Macbeth, there are many fascinating sections which could be focused on due to the suspense and the connection of the supernatural. The supernatural is what causes conflict in the play and the prophecies from the witches in act one scene three is the inciting action in the piece. The supernatural causes the forthcoming conflict by inspiring Macbeth to execute Duncan so he could become king of Scotland. Through temptation, the supernatural stimulates Macbeth to contemplate arrogantly and for his own advantage. The supernatural in Macbeth presents prophecies which tempt Macbeth with the idea of power. This leads Macbeth to contradict his faithful and courageous nature by planning an assassination on King Duncan with the egotistical intention of becoming king and later annihilating other characters in the play with the determination of retaining his own powers. Macbeth was tempted by the original prophecies and showed clear motivation to act upon them.