Magical Realism In The Metamorphosis By Franz Kafka

“The Metamorphosis” is a surreal story by Franz Kafka surrounding the transformation and betrayal of Gregor Samsa, who wakes up one day, reborn into a large insect. Along with the bizarre and nightmarish appearance of his new hard back, brown segmented belly, and many legs, Gregor only desire is to live a normal life, unfortunately, this is impossible because he struggles to even get out of bed. Gregor transformation into an insect is a vivid metaphor for the alienation of humans from around the world. After losing human form, Gregor is automatically deprived of the right to be a part of society. Franz Kafka could relate to Gregor because he too was mistreated/neglected by his father and worked a job that he was unhappy doing. Franz and Gregor both were providers for their families. Alienation, isolation, and loneliness were not hard to recognize during the Modernity and Modernism time period.

Everyone has people they depend on. People that he or she knows will always be there when they’re needed. But what happens when those people just don’t show up or just all of a sudden stop caring? The feeling of loneliness can break down a person’s character and reduce him to a shell, or in this case and exoskeleton, of who he once was. We can see this in The Metamorphosis by Franz Kafka. When Gregor Samsa finds himself transformed into a giant beetle-like creature, what he needs more than anything is the love and support of his family, but he disgusts them. They shut him up in his room so that no one can see him. They are ashamed of him, and quickly forget that he was part of their own flesh and blood. All that they can see is the monster that appears on the on the outside. Gregor’s sister and parents betray his love for them and leave him feeling lonely in the most terrifying and desperate time of his life.

Franz Kafka’s twentieth-century classic, The Metamorphosis, shows the changes of the Samsa family after their son, Gregor, turns into a vile insect. Even though Gregor has turned into the most disgusting of creatures, this “metamorphosis” is ironic compared to the transformation that his family endures. While Gregor still sustains his humanity, the lack of any compassion and mercy from his family, is what makes them the disgusting creatures rather than Gregor. The changes of Gregor’s father, mother, and sister prove that the theme of metamorphosis is not exclusively present within Gregor.

A metamorphosis can be described as a change in structure, form, or appearance, or as a change in form from one stage to the next in an organism’s life. In Franz Kafka’s novella, “The Metamorphosis”, change is a major theme. The theme of change is significant as the main character, Gregor Samsa, a traveling salesman, undergoes a metamorphosis of his own as he experiences changes living as a giant insect. However, Gregor’s journey through his new life is not subjective, as his transformation provokes significant changes in his family’s dynamics. In fact, Gregor’s transformation into an insect is not the main focus of the novella. Kafka uses Gregor’s metamorphosis as a way to emphasize the more significant metamorphosis within the Samsa

In The Metamorphosis Franz Kafka tells the story of a young man named Gregor who observes the radical changes in his life after transforming into an insect. Gregor’s life was centered on his job as a traveling salesperson and his family. One morning Gregor woke up transformed into an insect. Afraid of the transformation Gregor stays in his room and ignores calls from his family. When Gregor realized that his new body did not allow him to have a normal life, he tried to adapt. After his metamorphosis, Gregor is abandoned by his family and only maintains a small relationship with his sister Grete, who is in charge of serving and provide him with food, but always leaving some distance because of his ugly appearance.

Franz Kafka’s renown novella, The Metamorphosis (1915), is divided into three sections. Each section approaches a different aspect of the main character, Gregor’s life after his metamorphosis, which in turn makes them easily identifiable. Accompanied by each section are a different set of emotions, knowledge and aesthetics, the potency of each growing or dwindling as the reader reaches the climax of the narrative.

In Franz Kafka 's Metamorphosis, Grete changes from a child into an adult while also trying to do the opposite with her own family. Gregor’s metamorphosis leaves her family without anybody money to pay for their needs. Consequently, Grete replaces Gregor and begins to cook and clean for her family and go to work. These jobs allow Grete to become more experienced and to mature. Similarly, Grete shows displays these changes by dressing more provocatively and becoming more interested in romance. However, during Grete’s own metamorphosis, she realizes the burden that is (or was) her brother and proves to her family that he is no longer human. Since she wants to keep her family the same as it was before Gregor’s metamorphosis, Grete convinces her parents of this absence of Gregor’s real personality and tries to get rid of him. Thus, Grete’s goal is to keep her family the same as it is before Gregor’s metamorphosis, and to accomplish this, Grete simultaneously goes through her own metamorphosis into an adult woman as a result of the many jobs she takes to keep her family in the same situation as before.

In Franz Kafka’s novella, The Metamorphosis, the travelling salesman Gregor Samsa wakes up one morning, in his family’s home, to find “himself changed in his bed into a monstrous vermin” (Kafka 3). While this immediate physical change, supported by ensuing physical imagery, suggests that the “metamorphosis” introduced in the title is purely physical, other interpretations are also possible. When the reader relies upon the extended and embedded metaphors present in this text, he or she may construe Gregor Samsa’s transformation as an emotional, mental, or internal change. It is a combination of both physical and nonphysical interpretations of Gregor Samsa’s metamorphosis, however, which produces a multifaceted,

The “Metamorphosis,” by Franz Kafka, can be classified as magical realism when compared to “The Handsomest Drowned Man in the World,” by Gabriel García Márquez, using aspects of magical realism including realistic elements, magical elements, dark humor, and distortion of time.

Franz Kafka’s The Metamorphosis (1914) is about the transformation of Gregor Samsa into a giant insect. His life has been miserable due to the fact that he works to meet the standard necessities of the family after his father has lost his business. Kafka implies that Gregor’s transformation is simply a manifestation of what he was already experiencing. It is a punishment for Gregor not having attempted to engage with others. Kafka’s main theme is alienation and he explores it passionately through Gregor’s introverted life before his transformation, the metamorphosis of the family’s treatment towards Gregor after he turned into an insect, and Gregor’s behaviour after his drastic change.

”The Metamorphosis“ by Kafka presents readers with an intensely claustrophobic and absurd premise featuring a protagonist that is so used to living like an insect and so consumed with guilt that these elements of his life finally take over and lead to his demise. In this world Kafka creates, Gregor lives like an insect even before his metamorphosis and this theme is developed at the beginning of the story when he wakes up to find that he has become what he most resembled in his life.

In The Metamorphosis, Kafka establishes, through his religious imagery and gospel-esque episodic narration, the character of Gregor Samsa simultaneously as a kind of inverse Messianic figure and a god-like artist, relating the two and thus turning the conventional concept of the literary hero on its ear. The structure of the novel reflects that of the Gospel of Mark in that it is narrated in individual events, and in this it is something of a Künstlerroman - that is, the real metamorphosis is over the course of the novel, rather than just at the beginning, and that change is a heightened sensitivity to the world in an artistic sense. The motif of change is a rather theological one as well: we see it in a religious sense, in the form of

Does “The Metamorphosis” belong under the magical realism genre? “The Metamorphosis” by Franz Kafka is a short story describing the transformation of a lonely traveling salesman, Gregor, to a gigantic insect. Besides describing Gregor’s physical metamorphosis, the story also depicts Gregor’s mental metamorphosis from a human to an insect. In addition to Gregor’s personal metamorphosis, Kafka illustrates Gregor’s family’s transformation from tolerating Gregor to treating him with hatred, disrespect, and disgust. In Bruce Holland Rogers’s article “What Is Magical Realism, Really?”, he defined magical realism as having repetitions in time and combining magical and ordinary elements. Throughout Kafka’s description of these events, it is clear that “The Metamorphosis” should be categorized under magical realism because it combines magical and realistic elements and uses repetition of time and distortion of identity, similar to many other magical realism works such as “Axolotl” by Julio Cortázar and “A Very Old Man with Enormous Wings” by Gabriel Garcia Marquez.

Kafka was critical in bringing the new outlook on modern culture and particularly on modern man. Franz Kafka studied the modern man in the face of contemporary culture, and how he was steadfast in retaining his spirituality and identity, and gravitate towards authenticity and happiness. However, Kafka saw how the dehumanizing forces of industrialization and capitalism in the post- the WWI Europe posed a challenge to the modern man. Modern culture can be viewed tolerating and open to all. To Franz Kafka, modern culture coupled with technology is fast changing, and man has to maintain his self-consciousness in order not lose his spirituality and identity amidst these changes (Wintle pp. 708-710). Hence, as modern culture changes with the changing technology, religions are poised to change too, which presents fears to a man about losing his spirituality and identity upon embracing the modern culture. Interestingly, Kafka was mystical in his writings, with a keen interest in themes such as metamorphosis, existential and identity. If we look at “The Metamorphosis,” we can view the idea of how the dehumanizing effects of capitalism and industrialism are indicated within the writings. Kafka contends we become dehumanized with buying power and working too much. The transformation of Gregor seems to indicate a denial of responsibility to the changing forms of society’s conventions and values.

This story "The Metamorphosis" is about Gregor, a workaholic, who is changed into an insect and must then deal with his present reality. The hardest part of being an insect for him was the alienation from his family, which eventually leads to his death. In reading the short story "The Metamorphosis," (1971),one can realize how small the difference is between Magical Realism and Fantastic. This literature written by the Austrian, Franz Kafka, is often debated over.