We are half way through the module on Literary Criticism and I hope you are enjoying learning about certain methods and tools that are now required to read and analyse literary and non- literary texts.
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Learning Outcomes
After completing this unit, you should be able to:
define modernism and postmodernism.
point out the similarity and the differences between modernism and postmodernism. identify the main characteristics of modernism and postmodernism in a literary text.
discuss on the main points brought forward by some of literary critical theorists of the twentieth century.
apply a postmodernist approach to literary texts.
For postmodernism you may visit the site given below, before working through this unit and after having completed it.
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You may number your points. ------------------------------------------------------------------------------------------------ ------------------------------------------------------------------------------------------------ ------------------------------------------------------------------------------------------------ ------------------------------------------------------------------------------------------------ ------------------------------------------------------------------------------------------------ -----------------------------------------------------------------------------------------------
After its high period, Modernism seems to have retreated in the background but it makes a comeback in the 1960s. Barry suggests that there was a similarity in the situations in 1920s and in those of 1960s. Could it be on account of the “the post war” conditions?
3.2 We will now look at postmodernism and examine the ways these two trends have a certain continuity but differ also.
Jeremy Hawthorn in his Concise Glossary of Contemporary Literary Theory (1992) picks out elements that are common to Modernism and
"Modernism, like any other historical literary period or movement, ıs a crıtıcal construct- both of its own time and its own actors, and of the ensuing critical tradition. In their own day, the modernists especially the Americans expatriated to Europe-self-consciously responded to what they perceived as a spiritually bankrupt modernity by inventing new poetic and novelistic forms ... ".(Norris 329)
Kuiper, Kathleen. “Modernism.” Encyclopedia Britannica. Encyclopedia Britannica Online. Encyclopedia Britannica Inc., 2015. Web. 02 DEC 15.
Modernism is the heartbeat of culture, or as Clement Greenberg (1992:754) states, modernism involves of what “is truly alive in our culture” and it includes more than just art and literature. Western civilization began to interrogate their foundations and progressed into a self-critical society (Greenberg 1992:754). This notion began with the theories of the philosopher Immanuel Kant (1724-1804); he criticized the means itself of criticism (Greenberg 1992:754). Therefore, Greenberg (1992:754) perceived Kant as the first real Modernist.
For clarity, we can look at postmodernism as a theory of society, culture and history and postculturalism as a theory of knowledge and language (Agger, 1991, p.
Postmodernism is a term which is highly contested in the sociological world, where it is used to indicate a significant detachment from modernism. It is easier to give the uses of the term; ‘to give a name to the present historical period, to name a specific style in arts and architecture and to name a point of rupture or disjuncture in epistemology’ (Buchanan, 2010). For this,
Rolling into the late 19th and early 20th century, modernistic literature became the style of writing. Modernistic thinking was a rebellion against realism, in which the literature was very abstract. The writers of that time period were experimental and used unusual techniques. There were four sub-categories of modernism: surrealism, cubism, existentialism, and dadaism. Surrealism and existentialism were the most popular of the four. Surrealism was very dreamy-like writing, such as the work done by an artist named Daly. Existentialism dealt with the belief that the human existence had free will- there were no gods and humans had control of there own philosophy. Writers such as Camus were existentialists. The final literary movement that will be discussed is postmodernism. Postmodernism was an attempt by many artists to arrive at a united, global culture. Postmodernists had optimistic views that things could get better. Instead of concentrating on the fragments of destruction, they gathered all of the fragments together and made an optimistic outlook.
project for "any attempt at a postmodernist 'method' is contradictory (an impossible possibility)" (25). In one of the most
Postmodernism is a universal movement, present in every art and discipline. In architecture, postmodernism is precise as well as ambiguous thereby in need of an explorative pursuit for a consensus of what is meant by the movement in this perspective - between the works of Charles Jencks, a primary theorist of this architectural turn; Heinrich Klotz, a leading architectural critic; and William Curtis, an architectural historian. The progression of this paper is highly influenced with Jencks’ studies as his works are often times referenced as well by both Klotz and Curtis in their individual interpretations and further accompanied with either supporting statements or contradictions.
Modernism was a movement that was developed during the late nineteenth century and early twentieth century. Modernism developed due to the changes happening in societies at the time. Around the late nineteenth century and early twentieth century there was a rise in the industrial society’s where there were advancements in technologies and machines, and a rapid growths in cities. This lead to a change in cultural trends and philosophies, which is known as modernism. Modernism was well known for the rejection on traditional way, such as the arts and beliefs. It rejected the idea of realism and religious beliefs. During these years modernism could be distinguished by two aspects, High and Low Modernism.
There was no single forerunner of modernism, but many famous authors emerged from this movement, such as James Joyce, Virginia Woolf, T.S. Eliot, and D.H. Lawrence.
Before examining the modernist elements in the above mentioned novels, I would like to look at some of the features of Modernism.
Postmodern writing evolved around WWII in response to Modernism that dominated the 19th c. The two writing styles share many characteristics, but the defeated modernist wallows in his realizations whereas the postmodernist offers a light or hope in conclusion. There is still a sense of foreboding for the postmodernist concerning science and technology. However, they are able to forge past their distrust, accept it as a logical progression, and begin to embrace some elements of advancement. Postmodernists have also lost faith in transcendence and spirituality, but to counter this loss they search and find hope in mystical forces or worldly treasures. Objective reality doesn’t exist for them either, but
The main features of a postmodernist are that he or she is overly subjective, sensitive towards the role of ideology in assertion and maintenance of political and economic power. On the other hand, a modernist for example, there exists objective natural reality which is independent of human beings, their practices and relationships (Duignan, 2014). Such realities
What further contributed to the rise of modernism was the First World War, which shell-shocked many. People lost their sense of certainty and it made them change their points of views. It made modernists question civilisation. This is seen in T.S Eliot’s poem “The Wasteland” which questions
Postmodernism refers to a broad term used to explain movements in philosophy, art, music and critical theory. Postmodernism is viewed as a reaction to the pioneering modernist movement. In literature and art, postmodernism responds against classical ideas. With respect to post-structuralism and structuralism, there is a great difference between postmodernism