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In both Homer’s Odyssey and Virgil’s Aeneid, the main characters of each poem, Odysseus and Aeneas, travel to the underworld in search of guidance and the foretelling of fate. In the Odyssey, this scene is being retold by Odysseus to the Phaiakians, while in the Aeneid, the reader is told the scene from a third person point of view. Each poet’s depiction of the underworld has different purposes within the text. I argue that Homer’s depiction is meant for Odysseus to entertain the Phaiakians, while Virgil’s depiction is meant to instate values within Aeneas. Although both texts contain many of the same scenes within the underworld, the differing methods of narration between the texts, and the added details within the Aeneid, greatly change the effects of the scene on characters within the poems. These differences are important because Odysseus must gain favor from the Phaiakians, and Aeneas must fulfill his destiny. To support this argument, I will first discuss each character’s journey in the underworld, the descriptions of the underworld, and finally the purpose within each text.
On each character’s journey to and through the underworld, they go seeking one person but have other experiences that shape the characters and their future journey. Odysseus has been instructed by Circe to seek Tiresias, and Aeneas was visited by his father in a dream and ordered to see him in the underworld. Early in the journey for both characters, they encounter an issue with the unburied dead. Aeneas is told by Sibyl that “a friend lies dead… bear him first to his place of rest” (Virgil, Book 6, Line 179-182) before heading to the underworld. This shows the importance of burying the dead and this is one of the earliest values that Aeneas learns on his journey. Aeneas must protect and respect his men, even in their deaths. The first soul that Odysseus encounters in the underworld is that of Elpenor, his dead companion that “had not yet been buried under earth of the wide ways” (Homer, Book 11, Line 52). Elpenor begs Odysseus to “burn me there with all my armor that belongs to me,” and to give him a proper grave (H, B11, L74). Odysseus later grants Elpenor’s wishes and returns to Aeaea to give him a
In both Homer’s Odyssey and Virgil’s Aeneid, the heroes make the dauntless adventure into the underworld. Both of theses visits occur around the middle of the stories, and they bring information about the lives of heroes ' loved ones. The heroes also get very important information from these loved ones; information that they require to continue on their journeys. However these are not the only things that are similar about the heroes visits. The influence of the Homeric writings of the Iliad and the Odyssey on Virgil’s writings is clear - especially in Book VI of the Aeneid. Throughout this paper we will talk about the similarities that occur throughout the two poems, and how the two authors beliefs shine through. These beliefs are two very different views on the idea of death. Homer’s Iliad depicts death as something that is something souls do not enjoy. Whereas Virgil’s Aeneid depict it more as a final rest for souls – something that relieves them of the troubles of life.
he Odyssey, as written by Homer, intricately and excitingly weaves Colin Renfrew’s Subsystem Theories throughout the entire play. Many of the five subsystem theories can be seen and support understanding of the novel. Of the five systems, trade/communication, social/ political hierarchy and symbolic subsystems will be the focus of analysis in this paper. All of these subsystems come together in The Odyssey to explain the characters and their lives, and also how they fit into the society which they live in. To understand the growth and development of the characters, we must understand the systems theories, “many human actions have a meaning at several different levels, with undertones and overtones… it is the complex interconnectedness of the subsystems which gives human culture its unique potential for growth.” As this paper will demonstrate within The Odyssey, trade and communication, social and political hierarchy and lastly symbolic subsystems create adventure in Odysseus’s harrowing, yet exciting journey back to his kingdom and family. These specific subsystems add depth and excitement because we see how each specific one impacts Odysseus’s journey back home. They help us understand who Odysseus is a man and sympathize with all that he goes through. The communication subsystem helps explain how communication between people (and gods) in different lands aid to the success of his return home. We are able to see from the social subsystem how Odysseus and other men
Both the Odyssey and the Aeneid describe the journeys of the two Greek heroes –Odysseus and Aeneas, as they struggle towards their goal through the crises and deadly situations caused by the wrath of the gods upon them. In the Odyssey, we see that Poseidon (god of the sea/earth shaker) has a grudge against Odysseus while Athena, god of wisdom, aids him throughout his journey. Similarly in the Aeneid, we see that goddess Juno dislikes Aeneas as he is destined to destroy the city of Carthage loved by Juno during his mission to find a new land- Rome, whereas Aeneas’ mother Venus aids him.
Throughout Virgil’s Aeneid, there are characters such as Anchises, Creusa, and Dido, whose deaths are relatable to the deaths of heroes in works the audience would be familiar with such as the Odyssey, the Iliad, and The Oresteia. However, Priam’s death differs as being relatable to the deaths of other heroes and by Virgil’s over-dramatization of Priam’s death through incorporating a snake metaphor as well as with the excessive abuse Priam faced on his way to the altar. In other ancient literary works such as the Odyssey, the Iliad, and The Oresteia, the use of a snake references serves to indicate important plot elements. Analyzing the use of the snake metaphor surrounding Priam’s death suggests that comparing the snakes between book two and book five highlight the change of fortune for the Trojans and Aeneas, on their journey to Italy.
The function of prophecy manifests itself in many ways in the Aeneid. Throughout the epic, prophecies and omens act as the agents behind Aeneas fulfilling his destiny as well as providing clear social commentary on the dawn of the Roman Empire under Emperor Augustus. Even though not all of the prophecies and omens included in the epic come to pass in literary terms, Virgil’s inclusion of prophecy is of paramount importance for driving the plot forward. In this essay I will discuss the function of both internal and external prophecy and the effect these prophecies have on both the characters in the epic and the enjoyment of the reader from The Roman Empire until the present day.
A comparison between Virgil's hero, Aeneas, and the Homeric heroes, Achilles and Odysseus, brings up the question concerning the relevance of the difference between the Homeric heroes and Aeneas. The differences in the poets' concerns are explained by the fact that Virgil lived many years after Homer, giving Virgil the advantage of a more developed literary and philosophical society than Homer had at his disposal. But the question remains: how are the differences between the Homeric heroes and Aeneas relevant to the epic at large? This question will be answered by first pointing out the differences between Greek and Roman society, then explaining
Homer’s epic poem The Odyssey follows Odysseus on his long journey home. The Epic also includes the stories of Odysseus’ family left behind: the travels of his son, Telemachus, and how plenty, of what we would now call “home wreckers”, suitors pressured his wife, Penelope, into marrying one of them. The characters are beautifully crafted and the story is truly epic. All the elements presented can bring in any reader from any century, the Cyclops, the Gods, the trickery of Penelope, and the disguises of Odysseus, are all legendary literary hooks . There are many things to learn—about writing, about the world around us, the world ahead of us, and the past behind us—from The Odyssey. (26) It is undeniably evident that this ancient text has
In this essay, I will examine popular Greek ideas concerning fate and their relationship to characters in Homer's Odyssey.
When comparing “The Aeneid” to “The Odyssey”, it is impossible not to notice the similarity between Homer and Virgil 's poems. Both heroes leave Troy, granted one barely escapes and the other leaves victoriously, and both in one sense or the other are trying to reach their home, whether it is the old or future home. The adventures of the two heroes are incredibly similar on a number of accounts with the trip to the underworld being most intriguing.
The epic poem The Aeneid, by Vergil adapts scenes, similes, and characters from the Odyssey written by Homer. The works of both authors include the simile of Artemis/Diana. Other characters do overlap in some of Vergil's scenes for instance, Aeneas and Odysseus encounter Cyclops. Both authors also reference the scene of the underworld. Although, Virgil adapts similarities from Homer's epic, each encounter has noticeable comparisons and/or differences. Vergil presents the epic of the Aeneid with a different purpose. At the beginning of the Aeneid, Aeneas leaves his home with other Romans after the Trojan War. Homer starts his epic with Odysseus wanting to return home form Troy. The motives that guide each character differ from one another. Homers the Odyssey is more of the journey of a man longing to be home again, after the trojan war has ended. His actions are somewhat selfish at times. Virgil's main character Aeneas is driven by more of a scene of duty to the gods, because he is instructed to help build Rome for future generations.
There has long been a fashion among critics and historians, including Sir James Frazier and Graham Hancock, to insist upon taking the account of Odysseus' voyage to Hades in Book XI of the Odyssey at near face-value as a description of people and places familiar to a Greek audience of Homer's day. Both linguistics and comparative history have been employed to discover exactly how accurately this originally oral epic conveys this gritty realism. Something, however, is not right with this purely empiric approach. What is missing is an examination through the lens of ancient religious practices. Surely a literary work so teeming with deities-wise Athena, spiteful Poseidon, impish
the gods; while he was fleeing from the Cyclops he yelled "If I could take
Long ago, there were two powerful nations located in southern Europe. First there were the Greeks, this nation was known for the first practice of democracy. Other than democracy, during the Greeks era there was a man by the name Homer who wrote a story called The Odyssey about a great legendary hero named Odysseus. After the Greeks, then came the Romans who ruled Greece for centuries. The Romans during their time were known to have practiced and used many of the Greeks cultures and theories. There was a Roman named Virgil who wrote about the beginning of the Romans. He created a story called The Aeneid; this story was about a Trojan who escaped a losing war to find a new home and peace. Even though these two stories may be hard to understand, Homer and Virgil are making statements about their nation after the Trojan War, because Odysseus was a legendary Greek king and Aeneas of Troy was known to be a beginning of the Romans.
Two epic poems from two great civilizations depict their authors' varying views of the Underworld: The Odyssey and The Aeneid. The Greek poet Homer describes the hardships of Odysseus and his struggle to return home to his beloved wife and family after the Trojan War in The Odyssey. The Roman poet Virgil composed The Aeneid for the first emperor of the Roman Empire, Caesar Augustus, in order to rebuild Rome after the civil war had ended. The Aeneid portrays a demigod, Aeneas, whose mission is to create a grand city that will be known as Rome. This paper analyzes the differences and similarities in how Virgil and Homer view the Underworld in The Odyssey
Intro – Begin by talking about how people often see Aeneid by Virgil as focusing on the events surrounding the Trojan war, but an equally important part of the story is the prevalent theme of duty. For instance, if one looks at Aeneas one can see his devotion towards caring for his people, and his persistence to follow his duty. Because of the emphasize that Virgil places on Aeneas devotion to his people and his duty to obey the gods, one can begin to theorize that Virgil believed duty was the most important quality a man could possess. Thesis: Often times, the Aeneid carries the reputation as a book centering around the founding of Rome, however, without the constant reminder of duty, one cannot fully view Virgil’s story as he intended.