Major Concerns Of Othello By William Shakespeare Essay

Fear of cuckoldry is widely known theme in medieval and Renaissance English literature. Fear of cuckoldry was also a widespread fear in English society during those eras. Men often treated their wives as possessions. Once men and women married, divorce was almost impossible, especially since it was almost impossible to prove that one had been cuckolded. If one were cuckolded and one’s wife had another man’s child, one might spend decades taking care of that child and passing on one’s money and belongings to that child without ever knowing that one had been deceived. Unmarried women are seen as their fathers ' property and the play 's two marriages are marked by jealousy and cruelty. Most

In Othello every character has their own personalities that makes them the person they are. In Othello there are characters that show true grit, a fixed mindset, and a growth mindset. Each characters are different which makes the book even more interesting. True grit means to endure and push through to do something better no matter what it takes. An example of grit is studying for a long period of time for a test and enduring the amount of work that must be completed. The definition of mindset is the established set of attitude held by someone. There are two other types of mindset as well. There is growth mindset and fixed mindset. Growth mindset is when the person isn 't

Othello, a play that was written in 1604 by William Shakespeare, is an example of a type of story called a “tragedy.” Throughout the course of the work, Othello proves himself to be very easily misled, despite his heroic status. This causes him to lose his ability to make good judgments and decisions. Even though Othello had a reputation as a hero, he ends up being one of the most gullible characters in the play when he completely falls into the evil trap that Iago set for him. As the story unfolds Othello’s character evolves in an extremely tragic way as Iago manipulates him and leaves him to rot in his misery. Eventually, this leads to Othello’s suicide.

Shakespeare’s Othello is a play consistently based on jealously and the way it can destroy lives. One is quick to think this jealously is based on Othello’s lack of belief in Desdemona’s faithfulness to him or his suspensions over Desdemona’s affair with Cassio, Othello’s honorable lieutenant. Upon closer inspection of the jealously that exists throughout the play it becomes clear that his jealously is not the sole start and reason for all of the destruction that occurs. Iago, a good friend of Othello, is not who he appears to be. Iago’s own jealously of those around him pushes him over the edge. He begins to deceive all those who believe he is a true, honorable, and faithful man. Throughout Othello, Iago incites his own jealously in

When pairs of texts are considered together, their universal themes and ideas lead to greater understanding, appreciation and insight of both the old and the new. The texts Othello, William Shakespeare (1600) and Othello, Geoffrey Sax (2001), ring true for this statement. Despite the differing contexts and ages, the universal themes of racism and betrayal bring new meaning to each of the texts. The primary meaning from the juxtaposition of the two is that of the human condition, and how the problems faced in the 17th century are faced in modern times.

Shakespeare is known for his use of recurring themes throughout his work, including love, death and betrayal. These themes are present in his work of Othello. However, the most fundamental issue is jealousy. The lives of the characthers in Othello are ruined by jealousy from the beginning to the end of the play. The telling of the story is carried out by passion, jealousy, and death. Shakespeare’s Othello reveals devastating tragic inevitability, stunning psychological depth, and compelling poetic depth; the fragility and mysterious power of love, as well as demons of doubt, and how suspicion can be triggered by manipulative villain (Barthelemy 12).

Haply, for I am black/ And have not those soft parts of conversation/ That chamberers have, or for I am declin’d/ Into the vale of years (yet that’s not much) She’s gone. I am abus’d: and my relief/ Must be to loathe her” (III.III. 304-309). As the emanation of social interaction among various races appear within English literature, the vault of new beginnings and change takes hold. William Shakespeare’s Othello, is most notably recognized for the character, Othello. Through various texts of literature, the idea of racial construct and discrimination was never an easy topic to come by. Since the play was written in Europe during the 1600s, the emergence of slave trades in this area further divided races. The play itself follows the tragedy for Othello, and the transition from a military general to a tragic hero. The limitation of power plays a huge role in Othello’s ability to withstand the manipulation of multiple characters. Although he is Moorish general in the Venetian army, he is still indeed a Moor, a socially lower class, muslim man. From this, cultural collision of ethnicity influences how Othello is treated and the disadvantages he faces because of his color. Through the mere jealousy in which Iago, Othello’s standard-bearer, has for Othello’s life, he proposes the idea to manipulate his life by using the one difference between all men, race. When Iago awakes Brabantio, the father of Desdemona, he hopes to initiate his plan to take down Othello. His description

In William Shakespeare’s classic Othello, it has remained relevant for the years since it was written. Not only because of the universal themes seen throughout, but due to its enduring value which has been seen in the exploration of issues that we as a society still face today. Othello as a character is portrayed as an outsider compared to the Venetian upper class society due to his different ethnicity, this classically reflects the views from Shakespeare’s time and still today reflects from issues seen recently. The recurring instances of social injustice and racial bias both in the text and in society today show that we as society still have not grown and continue to be bias to people due to things they cannot change. The nature of villainy shown through the antagonist, Iago, as he explores the need of power and how power or the want of

In Shakespeare’s play Othello, tragedy unfolds on the account of one man’s actions, Iago. He is a twenty eight year old military veteran from Venice. His personality consists of being obsessive, manipulative, relentless, and bold. From the beginning he expressed his hatred towards the Moor, or North African named Othello. Othello is a highly respected general and is also married to the pure Desdemona. The marriage between Othello and Desdemona is destroyed due to Iago’s actions and lies. His actions consist of getting Michael Cassio discharged as lieutenant and convincing the Moor that his wife is cheating on him. The motives Iago has for despising Othello are he passed him over for a promotion to be his lieutenant, instead he chose

In the play Othello, jealousy is shown to be very evident through the actions of the characters. Jealousy is an emotion that everyone shares, and it is ultimately responsible for the tragic ending of the play. Everyone feels jealous at certain times of their lives, and this feeling can cause people to do irrational things. This human emotion also shows people to be weak in the sense that they are never happy with what they have. Shakespeare shows through Othello, Iago, Roderigo, and Brabantio that jealousy is the most corrupt and destructive emotion.

In the article “An Essence That’s Not Seen: The Primal Scene of Racism in Othello,” Arthur L. Little Jr. contends that Desdemona plays a vital role in Othello’s rise and fall as she is his reason for being as well as the reason he destroys himself. As Little argues, race is intertwined with Othello’s love for Desdemona as racial prejudice makes Othello instantly suspect that his life is not nearly as spotless as he would like to believe (Little 306). Shakespeare focuses on how Iago is determined to use Othello’s love against him as he acknowledges that Desdemona embodies Othello’s ability to belong in a foreign society. Iago desires to take everything that Othello holds near and dear including his military prestige and love life: “But for my sport and profit. I hate the Moor, / And it is thought abroad that ’twixt my sheets / He’s done my office. I know not if ’t be true, / But I, for mere suspicion in that kind, / Will do as if for surety. He holds me well” (1.3.323-326). “That chamberers have, or for I am declined / Into the vale of years,—yet that's not much— / She's gone. I am abused; and my relief / Must be to loathe her” (3.3265-269). In the article “Slaves and Subjects in Othello,” Camille Wells Slights contends that Othello’s view of European society reflects how Europan society has not yet developed into a society that embraces the rights of people from other backgrounds. Iago

Had Othello not been black, Iago’s ploy of questioning his manhood may have not been as effective. There is a sense of intersectionality between the understanding of the racial tensions and the feelings of inferiority as a man. It is because Othello is black that Iago is able to question his manhood. Race is the issue that drives Iago, that makes Othello question, and pushes Desdemona away hereby creating the tragedy that is seen in the end. Othello’s race is what drives the tension of the play and yet he still has a place in society. His blackness is not “enough” to render him a total outcast or too low to conceivably woo a virtuous white woman. Yet he is addressed throughout the play as an Other. The reader and the audience are never allowed to forget that he is black and thus lower within the racial hierarchy. Critic Arthur Little argues that by killing himself, Iago reaffirms the racial hierarchy within Venetian society. Othello’s death is used to end the racial anxieties of the play and restore the hierarchy of comfort, “Because the physical blackness of this ‘fair’ courtier is always visible to the audience, he threatens the proper codes of Venetian discourse. As a mercenary he helps return this Venetian culture to its deeply embedded racial codes by smiting himself, the Other” (Little 322). Othello’s blackness is never forgotten or ignored. His role as a racial inferior

   The Shakespearean tragedy Othello contains a number of themes; their relative importance and priority is debated by literary critics. In this essay let us examine the various themes and determine which are dominant and which subordinate.

Critics have debated the significance of Othello’s race in terms of portraying his identity for a long time. The negative connotations of “blackness” have led to the creation of many racial constructs associated with the “Moor”; this denigration has infused the opinions of many critics, such as Albert Gerard, proposing that Othello’s “negroid physiognomy” reaches down to the “deepest levels of personality” and that he is a “barbarian”. However, many other critics like Edward Berry and Martin Orkin believe that colour is merely a “surface indicator” compared to the outward virtue of beneficence, defining identity. Beneficence could be defined by the will to practice good acts, in conjunction with the aversion of practicing evil, and the prevention and removal of evil.

saying he will “tear her all to pieces” and he tells Iago to let him