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Mao's Last Dancer

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In the graphic novel American Born Chinese (2006) by Gene Luen Yang and the full-length autobiography Mao’s Last Dancer (2003) by Li Cunxin, both writers use a range of stylistic features and generic conventions to create a memorable text. A memorable text consists of elements or issues present in a text, which the reader finds notable or striking. This can be due to a number of factors, particularly features of the text that the author has altered intentionally to evoke certain audience emotions. The dominant idea of metamorphosis or transformation presented in ABC are very much memorable as it coincides with concepts of ‘fitting-in’ and shape-shifting into various social/cultural norms that are deemed in mainstream society as acceptable. …show more content…

Both texts are similar in the sense that they mutually convey a central theme of “breaking the mould” in which they were placed initially and, through differentiating skills, are able to successfully burst through these casts and redefine standards. Yang’s protagonists’, (Jin-Wang, The Monkey King and Danny) through numerous internal conflicts, achieve utter satisfaction with the physique they were born with. So too with Cunxin’s recitation of his personal journey of hard work and pure determination which helped him strive to become one of the most prestigious ballerinos in his time, leading him to ultimately undertake Westernized standards of dance. Comparably, the creators of both text types originate from Asian – particularly Chinese - heritage which further demonstrates resemblances of social and personal contexts at its provenance. As one text relates primarily to the struggles of a 2nd generation, young Chinese boy’s struggle to fit-in into modern American society/culture - where overt and invert forms of racism are present -, the other illustrates the tremendous willpower that another Chinese boy faces to inevitably make the best of forced circumstances and achieve the virtually

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