Marie-Laure's Life As A Blind Girl

Imagine a world where the skies are grey and the ground is torn to pieces. Where there is no civilisation present, nor another human being to be seen. Where the feeling of hunger influences you to consider the idea of human flesh filling your insides and persuading you to do so. A world infested with murder, crime and despair- which have now become necessary for survival. Imagine the air thick with black clouds towering over your very essence and having to muddle through 10 feet of snow and a strong gust of wind. A world where all faith should be gone, but amiss all bad things, it continues to linger through the eyes of the youth. Being able to see the light when your surroundings are pitch black signifies that humanity has not been lost completely. Although, the man knows in his heart that death is inevitable and dangerously close, he continues to live for the sake of the boy whom he believes carries the final hope for humanity.

In the story a young boy decides to go hunting in the night and goes through a revelation as he witnesses an everyday act of the battle between light and darkness as the sun rises. Although set in a different place and time, both authors express a common universal theme: life is a constant battle between light and darkness in our everyday lives. This theme can be seen through a compare and contrast of powerful symbols, transforming settings and misguided characters.

“Inside each of us, there is the seed of both good and evil. It's a constant struggle as to which one will win. And one cannot exist without the other.” - Eric Burdon. The theme of good versus evil can be applied to almost every novel but in different aspects. In the novel, All the Light We Cannot See by Anthony Doerr, plays a good and evil side at the same time. This book is in the time period of WWII in Paris, France following a blind girl and an intellectual boy. The girl, Marie-Laure, is our good side of the story, for instance, always wanting to help her father with what she can, listening and knowing what the right thing to do is, and taking action when needed, adding to her blindness to not let that stop her. The German boy we follow, Werner, he is wanting to help others as well, but not for the right reasons, he lets the evil, in this case, the Nazis, take control of him and use him for his brain.

In a photographer’s booth, we see the symbol of light where parents are able to look on themselves from the side and they have a possibility to understand that they are intolerable to each other. “The place is shadowed in the mauve light which is apparently necessary”. Unfortunately, they know it from the beginning but they don not want to accept it because it will disturb already chosen path. “…and finally, shocked by their indifference”. The only son, who is going to start an adult life, able to summarize the parents mistakes and to build his future in the light of love, hope and faith. “…into the cold light, I woke up”. No matter what and when we are always know where is the light but sometimes it is easier to wander in a gloom then to find strength to look at the sun.

In Holly Wren Spaulding’s essay, “In Defense of Darkness,” her main claim is that we have fallen away from darkness and immersed ourselves in a society of lightness. Furthermore, she claims this has lead humans to lose touch with basic human emotion as well as the sensual and spiritual experience true darkness has to offer. Spaulding makes this claim evident through exceptional use of personal testimony and copious appeals to value.

The world is constantly changing, and finding or keeping an identity can be difficult. In Leslie Marmon Silko’s Ceremony, she uses light eyes as a symbol to express strength in change. In the book, light eyes represent those who have a mixed identity, and constructs the difficulties and problems that those individuals face along with how they overcome it.

Lightness and darkness is a common theme throughout literature, most writers use it through symbols in their writing. In Poe’s story “Masque of the Red Death” and Hawthorne’s story “Minister’s Black Veil” both portray themes of lightness and darkness using symbolism throughout.

The women described in the Lais of Marie de France often commit traditionally sinful deeds, such as adultery, murder, and betrayal. However, with a few exceptions, the protagonists often end up living happily with their beloved for the rest of their lives. The Lais advocate for situational judgement rather than general condemnation of specific acts, which can be seen through Marie de France’s treatment of sinful heroines.

The extent to which the Lais of Marie de France can be categorized as fairy tales is dependent on the definition of “fairy tale.” Using various scholars’ definitions of “fairy tale” and conceptions of the fairy tale genre, criteria for “fairy tales” arises. Then, close-readings of three lais, “Guigemar”, “Lanval” and “Yonec”, are used as a mechanism for meeting or failing the criteria. This methodology is then evaluated and problematized. The criterion for fairy tales includes origin, form, content, style, and meaning. Etymologically, the word ‘fairy tale’ has disputed origins. Supposedly, it comes from the French “contes des fees” or “tales about fairies”, popular in French courts and salons in the seventeenth century. However, Jack Zipes argues that “conte féerique” actually translates to “fairy tales” and refers to narrative form, rather than content.

The interplay of dark and light motifs underlies the narrator’s most recent hardship. On his way home on the subway, the narrator comes across his brother’s name in a newspaper and “stared at it in the swinging lights of the subway car, and in the faces and bodies of the people, and in my own face, trapped in the darkness which roared outside” (Baldwin). Riding in the light of the subway car, the author makes the non-suspecting narrator subject to suffering, unguarded by the protective cloak of the outside darkness. Made vulnerable by the exposed light and people surrounding him, the narrator is hit harder by the unexpected news than if he had read it in the darkness of his private room. Under the “swinging lights,” the narrator is not prepared to cope with the troubling news. This emphasizes the importance of light as a symbol for one’s need of camouflage to properly cope with tragedy.

In the exceptional novel All the Light We Cannot See, author Anthony Doerr, tells the story of two young adults whom had to experience life during World War II.

In the novel, Paradise of the Blind, written by Duong Thu Huong originally in Vietnamese and translated into English by Phan Huy Duong and Nina Mcpherson, the author constructs characters Aunt Tam and Uncle Chinh as analogs of conflicting political ideologies of 20th century Vietnam in order to display her opinions on its effectiveness in attaining proclaimed paradise. The characters are constructed to differently express the author’s voice towards extremist ideologies, Uncle Chinh

In the solitude of pitch-black infinite space, “men forgot their passions”-all values were lost, hopes and goals were put on hold, and only darkness existed. A world living in darkness was forced to displace its

Through his abundant comments, the narrator expresses his judgments and misconceptions about people and the articulation of emotion. In other words, what the narrator thinks and says defines his wrongful ideas about the world. He admits that his “idea of blindness [comes] from the movies” and, therefore, expects the blind to “[move] slowly and never [laugh]” and be “led by seeing-eye dogs” (Carver 209). Because he lacks day-to-day interactions, he relies solely on popular culture, and rather than basing his expectations on real people, he forms stereotypes. Moreover, as a result of his limited experience, the narrator is unenthusiastic, bothered, and even distressed by Robert’s visit, confessing that “A blind man in [his] house was not something

“Everyone is a moon, and has a dark side which he never shows to anybody,” says  Mark Twain. Twain’s concept shines through in multiple stories of Interpreter of Maladies by Jhumpa Lahiri. Human vulnerability glimmers in the dark, while harsh public facades gloom over the daylight. Lahiri utilizes darkness to display true selves, personalities the individual desires to be seen are showcased using light. These devices are especially relevant in the text which is a tribute to human emotion and interaction as well as the power knowledge as on the heart. Two stories this is mainly true in are “A Temporary Matter” and “Interpreter of Maladies”.