Oscar Wilde, in his play, The Importance of Being Earnest, pokes fun at the better majority of social institutions of Victorian England, with the wealthy class being at the receiving end of his ongoing jokes. The institution of marriage, however, is attacked to a greater extent than the rest. Wilde highlights the frivolity of marriage at the time by situating the reason for love and marriage as being a method by which one can gain or uphold his or her social status. The women of Victorian England, however, receive the brunt of Wilde’s comedic attacks, as seen with the two female leads, Gwendolen Fairfax and Cecily Cardew, holding that their reason for love lies in each of their respective men being named Ernest and not by any other, deeper characteristic. Wilde presents these two women as comical in their love and parallel to each other in their actions, thereby evoking a “thoughtful laughter” that drives the central satirical attack on the shallowness of Victorian high society. The “thoughtful laughter” first arises in regard to marriage with Gwendolen’s initial fixation on the name Ernest. Jack, Gwendolen’s beau at the present, has been deceiving his friends and family by calling himself Jack at his country home and Ernest in the city so as to be able to get away from family whenever he deems necessary; however, this fact haunts Jack when he want to propose to Gwendolen. When the two finally are in the position for him to propose, Gwendolen begins by saying that they
By stating that he did not know anyone by the name of Cecily, Jack initiates his own debacle. He has to clarify that Cecily is actual his ward. Nonetheless, Jack bears no anguish to dissembling to his closest companion. Jack’s morality has been impaired by his lies and it implies that his animalistic qualities control him. Yet, he falls in love and he must tell Gwendolen, his sweetheart, of his morally wrong character. In order to do so Jack has to disclose that Ernest was not in fact his real name but a mere alias created to cover up his dastardly ways. He can think of no other way than to “kill” his brother. Wilde shows how Jack’s urbane nature begins to be marred by his animalism since he was willing to kill a man, fictional or not. Ensuing in the play Jack is speaking with Algernon and he begins to ponder on how to commit the murder. He states “My poor brother Ernest is carried off suddenly in Paris, by a severe chill. That gets rid of him” (Wilde 16). Though fictional, Jack’s murder of Ernest still seems to carry the same implications further into the book. This murder eventually skews his reputation once his lies become known. Wilde proves how Jack’s lies soon catch up to him and flaw his esteemed moral persona. Later in the play Algernon sets off on a trip to Jack’s country estate and claims he is Ernest Worthing. Later when Jack arrives Cecily informs her caretaker that his brother Ernest is in his room. Jack replies
Oscar Wilde’s play entitled “The Importance of Being Earnest” illustrates the concept of dual personality, fantasy, love, and lies. Jack, Algernon, Gwendolyn, and Cecily all live in lies. They are manipulated by their fantasies and desire for perfect relationship and love. Jack, the protagonist in the play, is the root of lies because of his imaginary brother named Earnest. Algernon uses the name to win Cecily, while Gwendolyn and Cecily are both fascinated by this name because it expresses strength and perfection of manhood. Due to their search and desire to have Earnest, the male and female characters escape from the reality. Therefore, Wilde in The Importance of Being Earnest portrays a gender doubled
Gwendolyn and Cecily act as friends until they learn that they are supposedly engaged to the same person. Then they learn neither of them are engaged to anybody named Ernest, and are friends again. In act three, we discover Jacks history, including that he is Algernon's elder brother. In the end, despite several lies, arguments, and much turmoil, everybody gets married.
Oscar Wilde's An Ideal Husband Oscar Wilde (1845-1903) lived an outrageous and controversial life which was well publicized and condemned, as his life defied the strict social mores of the time. He was put into this public position due to the success of his plays which challenged Victorian earnestness while being hilariously funny. His plays, in particular An Ideal Husband, 1895 portray Victorian society as viciously hypocritical at it's worst and laughably pretentious at it's best. Wilde expressed this point of view in An Ideal Husband through the rich use of plot development, construction of characters, dramatic irony, hyperbole, witty and epigrammatic repartee and satire.
Wilde attacks social behavior with the continuation of speeches by his characters that are the opposite of their actions. While Cecily and Gwendolen agree to keep a dignified silence, Gwendolen actually states that they will not be the first ones to speak to the men. In the very next line she says, "Mr. Worthing, I have something very particular to ask you." Wilde seems to be saying that
A person’s name and position in society are significantly important for the upper class, due to the fact that if one were to marry into the family, a key member of the family would judge the person by their social class and the family name they carry to see if they are worthy to being a part of their lineage. In the play, “The Importance of Being Earnest,” a person's social class is highly admired. The main characters are high in society and are falsely appearing to live up to great expectations. In Oscar Wilde’s play, the theme of the social class is extensively explored through the characters, although they are living double-lives.
In the play, The Importance of Being Earnest by Oscar Wilde, there is a lot of humor that can be found. Specifically, developed behind the characters in this play that display many instances of irony and how important it was to fit into the “status quo” of this time period. There are specific behaviors from the characters of Lady Bracknell, Gwendolen, and Algernon that portray Wilde’s opinion of society during the Victorian Age. The attitude of these characters is snobbish and their manners display double standards and superiority. The play’s use of mockery and irony of these satirical situations is meant to publicly ridicule the self- loving attitude of the upper class while exposing their true absence of intelligence which causes their absurd social behaviors
Jack: “If I marry a charming girl like Gwendolen, and she is the only girl I ever saw in my life that I would marry, I certainly won’t want to know Bunbury” – This shows that Jack does want to settle down and is very much in love with Gwendolen. He feels that if he has her in his life, he will no longer need to escape out of where he lives to have fun and be wilder, as he won’t want that anymore.
The play ‘The Importance of Being Earnest’ by Oscar Wilde is set in England during the late 19th century during the rule of Queen Victoria and features two bachelors, Algernon Moncrieff and John Worthing, and their struggle to impress the women they want to marry while remaining their true selves. Wilde presents the theme of superficiality through the approach to names in the play and the importance of appearances. (or looks? Gwen and Cecily fight plus dandy).
Wilde uses Gwendolen’s and Cecily’s obviously superficial affection towards each other to again accentuate and criticize the importance that the Victorian’s placed on an individual’s name. The practice of naming others as a means to display one’s own dominance is satirized by the irony in the argument between the two young ladies. The audience detects that they are undoubtedly fighting over Ernest as well as superiority, but their true feelings are ironically hidden (rather poorly) under fake earnestness. Garland states that, “both women attempt to define the existence of their opponent through rapidly shifting expression of Identity” (272), and cause a quiet fire in the atmosphere of the scene. Since their fight is so indirect and blatantly petty, Wilde is able to comically criticize females of victorian society that are represented by Gwendolen and Cecily.
During the victorian era, traditional roles were considered to be significant. Women displayed as a face to be admired by the society while men are valued for their intellectual capabilities. Having written The Importance of Being Earnest during that period, Oscar Wilde knew that the gender roles were noteworthy that he decided to focus on one’s roles. While a lot say that the main role switch were given to women, I beg to differ. Wilde challenged the traditional views of gender roles in the play because of how he reciprocated what is expected of both genders by giving the men freedom to act out of morality and by granting women intellect and power.
Viewing the play of The Importance of Being Earnest from a feminist perspective portrays the men in the Victorian Era to be misogynistic. A perpetuated stereotype in this play is that women should be protected from the truth. “Jack:[In a very patronizing manner] My dear fellow, the truth isn't quite the sort of thing one tells to a nice, sweet, refined girl. What extraordinary ideas you have about the way to behave to a woman”(29)! The belief that women are fragile and unable to handle anything serious is present. Furthermore, when Algernon discovers that Cecily is convinced that they had met before and had had many romantic encounters, she is presented as mentally insane. This perpetuates the belief that women depend on men and could not be satisfied without one in their life. In addition to this, Gwendolen and Cecily are the ones being deceived by Jack and Algernon. This shows that women are stereotypically submissive to men and can be taken advantage of. Through evaluating The Importance
Oscar Wilde’s play The Importance of Being Earnest (.1993.) is an enlightening epitome of social class in the Victorian era. The satire is driven by the frivolous behaviour, superficial lives and artificial norms within the Victorian aristocracy. Incorporating his own opinion into the play, Wilde continually attacked and mocked their hypocrisy, views on marriage, and their mannerisms. Throughout the play, Wilde used an abundant range of literary techniques to reinforce his opinion. Irony, paradox and hyperboles, as well as witty epigrams and aphorisms were used astutely and were ubiquitous throughout the play. This contributed to the satirical style and tone of the text, and enabled Wilde to effectively communicate his critical perspective on social class in Victorian England.
Satire, in which Wilde places throughout the dialogue, is used to deride Victorian age concept of marriage and exhibit the theme to the audience. This is evident when Wilde addresses how Gwendolen and Cecily refuse to marry a man if their names were not
The genre of comedy, throughout the history of dramatic art has always served to not only entertain audiences, but to make them aware of their own individual flaws, or flaws that exist in society. (Weitz, E.) Comedy has no precise definition, and its boundaries are broad. One function of comedy however has remained the same - to hold up a mirror to the society of the time but through pleasure, inviting audiences to reflect and also providing amusement. Set in the late nineteenth century, the play An Ideal Husband by Oscar Wilde (1895) epitomises comedy, as both a literary and dramatic genre. Wilde was masterful in his ability to combine aspects of evolved comedic traditions and dramatic conventions to critique Victorian society. Drawing on characteristics of Greek and Roman tragicomedy, the choices in the play’s plot involves elements of tragedy as well as scenes that serve as comic relief and give the audience a sense of finality through a happy resolution. (Bureman, L) Focussing on the upper class stratum, Wilde employs a comedy of manners Molière style, of the Restoration Period in the seventeenth century in the play by combining forms of comedy with aspects of realist drama. The portrayal of archetypal figures such as Lady Chiltern and Lord Goring satirize rigid moral value of the time and expose their hypocrisies, through dialogue involving irony, wit and humour. Elements of farce and disguises characterized by ‘commedia dell’arte’, a form of comedy first developed in