Workshop: Approach to Acting, ‘Lieutenant of Inishmore’
The characters of ‘The Lieutenant of Inishmore’ are first and foremost not intended to be portrayed in a realistic manner as convincing psychologically well rounded individuals. They are however presented in a three dimensional manner although they generally have one over riding drive in the play which motivates everything they say and do. They are so entrenched in this driving force that they are incapable of change and no matter what situations arise during the play their inner action never changes.
Workshop Tasks:
Scene 1, page 6 (From, Donny: He isn’t my fecking cat at all……. to Davey: Oh Jesus Christ, Donny! Not your Padraic in the INLA
Two Actors, Realistic
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Look at the character at the beginning of the play & when the audience last meet this character. Has the driving force/inner action been changed by events & situations in the play? In groups consider individual characters in this light.
Write a paragraph which begins with the following topic sentence.
An actor approaching the presentation of character’s from McDonagh’s ‘Lieutenant of Inishmore’ cannot rely on a psychological realistic approach to character creation.
Explain what this means……
Then give an example from your workshopping of scenes from the play to illustrate the points you make.
Exercise 2: Do you find the characters in ‘The Lieutenant of Inishmore’ realistic, or merely functional to the plot, or a mixture of both? Justify your reasons using workshop examples of scenes that you participated in or observed others enacting.
SCENE TRANSITIONS & STAGING CONSIDERATIONS
To maintain the dramatic tension of the play, the scene transitions need to be quite smooth and maintain the pace of the action.
Consider how the same set might be used throughout the play with only minor adjustments being made to suggest the different settings to the audience. Create a set that would suit the first of the following scenes & explain how you would change the set to suit the following scene if you were staging a production on an open or thrust stage with no curtain closing between scenes. Envisage
I will show understanding of the plot, character and themes and Shakesperes use of language and dramatic devices within the play.
The technical aspects of the production such as scenery, properties and costumes also played a keynote in the productions success. The scenery was fabulous it truly made the play. It was very realistic and extremely vibrant. Almost the entire play was performed in one setting, except for the railcar and dance scenes. The house, the main setting, was magnificent with painstakingly placed detail in every corner. All elements in the house matched wonderfully, for example the furniture, the photos on the wall, the telephone and even the trash can. Little bits of detail were everywhere adding to the beautification of the set, for example the lace decorations on the chairs, the etched glass above the front door and even the Christmas tree.
A major theme in this play would be pain and injuries. This happens many times throughout the play and in each scene either
A short play is usually filled with a theatrical energy of diverse anthologies. The time allotted may be only ten or fifteen minutes, so it must be able to capture and engage the audience with some dramatic tension, exciting action, or witty humor. Just as in a short story, a great deal of the explanation and background is left for the reader or viewer to discover on their own. Because all the details are not explicitly stated, each viewer interprets the action in their own way and each experience is unique from someone else viewing the same play. Conflict is the main aspect that drives any work of literature, and plays usually consist of some form of conflict. In “Playwriting 101:
of the play. I will also explore the role the common man plays in the
11. Point out some moments in the play when the playwright conveys much to the audience without dialogue
The set was designed in a way that was very versatile and yet, still convey a serious message. By versatile, I am implying that the open-stage with two ramps crossing each other in the background was plain and simple but served a purpose of several scenes -- such as a bar, church, and even a funeral. A set prop that were a key pieces in the play were the wooden benches, these made it possible for the actors to switch scenes. Some examples on the usage of the benches were when they stacked two benches one on top of another and turned it into a bar, they turned the bench in a vertical position and created a podiums to express different religions, or setting the benches in a close and aligned design to create a church. Other props that influenced the scenes were snow, umbrellas, then using the umbrellas as angel wings, and of course lighting. Instead of building entire sets, or making the audience use their imagination with no props included in the play, the set designers and directors created visuals that were ordinary objects and interacted the audience to use their imagination and "build" the appropriate set for the scene in their minds. I believe by keeping a low budget, the designers of The Laramie Project accomplished a bigger impact on the audience with a simple-low-budget set rather than an expensive-big-fancy set.
The overall dramatic meaning of this play has been successfully shown by the elements of drama. The
When the play was written and set (these may be different!) and a description of the cultural/social/political climate of these times and how is it reflected in your play
In William Shakespeare’s play Macbeth evil is conveyed in many ways through characters, themes and settings. Many themes are explored in detail contributing hugely to the sense of evil with characters being used along with these themes to create evil within the characters. These themes and characters are shown in different settings at different times consequently affecting the mood and atmosphere of the play.
Many would perceive madness and corruption to play the most influential role in Hamlet. However, it could be argued that the central theme in the tragedy is Shakespeare's presentation of actors and acting and the way it acts as a framework on which madness and corruption are built. Shakespeare manifests the theme of actors and acting in the disassembly of his characters, the façades that the individuals assume and the presentation of the `play within a play'. This intertwined pretence allows certain characters to manipulate the actions and thoughts of others. For this reason, it could be perceived that Shakespeare views the `Elsinorean' tragedy as
shall firstly do a summery of the play and give a basic image of what
look at both of the aspects of the play. In my piece of writing I
production, as I am a huge fan of Lord Of the Rings, and was excited
The Theme of Appearance vs. Reality in William Shakespeare's Works Characters within one of William Shakespeare's greatest tragic plays,