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Mary, A Fiction As A Feminist Analysis

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Mary Wollstonecraft, a pioneering feminist writer, was writing at a time when women were confined to the private sphere of the home and were often denied participation in the public. Patriarchal attitudes dominated the minds of English people in the eighteenth century and Wollstonecraft’s work encouraged women to look at their situations from a critical point of view. In her short fictions, Mary, A Fiction (1788), and Maria; or the Wrongs of Woman (1798), Mary Wollstonecraft portrays the oppression of women within marriage in the patriarchal society of eighteenth-century England. The revolutionary thinker was a forerunner for women on behalf of not only their education and moral equality, but she also, as Claudia L. Johnson declares: “violently …show more content…

The fictional works of Mary Wollstonecraft, Mary, A Fiction and Maria; or, the Wrongs of Woman will be analysed displaying the obstacles this repressive force provokes to the female’s lack of legal recognition in the eighteenth century. This analysis will be established by pointing out the parallels between Wollstonecraft’s political essay A Vindication of Rights of Woman and her literary works mentioned before. Marriage and motherhood are two underlying aspects in both novels as well as in her political essay; therefore, the scope of this essay will focus on the political and feministic aspects concerning these topics as well as the heroines emotional bonds with other female characters. In Mary, the importance of her best friend Ann, as well as her parents’ marriage, which represents the traditional marital situation of the time, shape her into the woman she grows into. Likewise, Maria is heavily influenced by Jemima, the asylum worker, and her infant daughter. The purpose of Wollstonecraft’s novels was subconsciously the same as her other political and argumentative texts – to advocate for the right of women and question women’s inferiority to men, as this dissertation intends to …show more content…

Despite this, she used her fictional novels as a tool to protect her political opinions and how she truly felt women should behave. This is an important distinction to note because her works involved heroines with strong desires and voices, and the treatment of the women characters in her stories is radical and went against notions of femininity and domesticity of the century. This is what caused Wollstonecraft to write fiction, in order to write her accurate opinion on where women really belonged in society. She believed that women were capable of taking care of themselves and if they were given the same opportunities as men, they would be able to become strong and independent women. In Rights of Woman, she writes: “I do not wish [women] to have power over men, but over themselves” (1792: 38). Her statement indicates that eighteenth-century women were not able to decide for themselves nor had the possibility to become independent because they had few rights and were seen as a complement to their husbands. This general assumption was mainly based on the idea that women attained respect and dignity only when fulfilling their traditional duties as wives and

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