Masculinity In American Culture

When someone thinks of a man the first thing that comes to mind is a large man, the epitome of strength and toughness, but where did they get that idea. More often than not people get their ideas of masculinity from the shows and movies they watch throughout their lives. In the article Hegemonic masculinity in media contents, by Peter J. Kareithi, he focuses much more specifically on how the media has presented it to the public, and less of the why, and how it started. The paper by Connell and Messerschmidt, Hegemonic Masculinity: Rethinking the Concept, does a much better job at explaining the history of hegemonic masculinity and how it came to be. Though together the two articles give the reader a complete sense of what the focus is, and

Society faces an issue that is not usually addressed because it is seen as the norm in today’s American culture. It is the crisis of masculinity. The notion of how men should be portrayed is not usually identified as a problem; today’s society views men’s apathetic and exasperated exterior as the orthodox behavior of everyday life. Boys at a young age are taught by the popular culture that they need to be a “real man” - strong physically and emotionally. The mask many men put up is based on the extreme idea of masculinity that emphasizes toughness, physical strength and gaining the respect of others through violence or the explicit threat of it. This front is put up by men because they do not want to stray from what is accepted, for men who

This research looks at the association of masculinity with violence, racism, power and the objectification of women, which has been around since early civilization. This study also shows how these concepts are still evident today in the media. Masculinity in the media is portrayed as muscular, violent, angry, aggressive, dominant, and warrior like. The rhetoric in media, as it relates to masculinity, has influenced the amount of violence in the world.

In Paul Theroux’s article “The Male Myth” Theroux makes a point that he does not like the stereotypes placed on men in today’s society. Theroux’s article is focused on exposing the stereotypes that men face and the reasons for their occurrence. He claims that writers and many others are directly affected by the expectations of masculinity that are thoroughly incorporated in America. The ideas of masculinity are deeply rooted in high school sports, in the view of the president, and in many other areas. Theroux attempts to prove that being a man in American is, “…pitiful, a little like having to wear an ill-fitting coat for one’s entire life.”

Hatfield states, “Fictional television can be seen either as an influence on, or reflection of, culture—the shared norms, values, and beliefs held by a society. Yet many groups exist within a society and multiple value systems may be at play” (p.530). On television and in movies there are very few forms of masculinity shown. The majority of male masculinity usually ranges from gun toting hard asses, to a playboy, to the effeminate man that is often there for comic relief. Men in society do not always fit into these three categories. Masculinity is a much more complex and complicated identity to develop. There are shows like 24 where the main character, Jack Bauer, is a governmental agent going around the world in twenty-four hours to stop terrorism. He is unattached emotionally and highly dangerous. This does not represent a real form of masculinity that we have in today’s culture. There are men that probably do fit into the same category as the fictional character, but they are very unlike the average males in society today. A second common type of masculinity shown on television is the playboy style masculinity: men that have multiple sexual partners and seem to have the ultimate bachelor lifestyle with no worries or concerns. According to Ward, Merriwether, and Caruthers “ because men do not live in isolation, their beliefs about masculinity are likely to influence not only

Masculinity can be defined as the behaviours, social roles, and relations of men within a given society in addition to the meanings that are attributed to them. The term masculinity stresses gender, unlike male, which stresses biological sex. Despite, this we often times see masculinity being represented as directly correlating to men with an inability to adhere to this is shown making you less of a "man". As put by Katz (1999) there is an expectation that men on screen must be void of emotion, not backing down from a fight, tough and an embodiment of the male gaze. Katz (1999) argues that essentially what

Society’s current structure of masculinity is unforgiving in form. It cuts out other forms of masculinity, it physically and mentally demanding, and its ill effects extend far beyond the men it infuses itself in. Yet what would we do if we were given other options for masculinity, ones that allowed for unique blends of attitudes and perceptions? Looking in to the lives of homeless men we can see the forced strategies which create new masculine codes created for the adaption against patriarchal pressures. They are made out of survival need to circumnavigate the painful mental and physical reality that is only made worse by harsh masculine standards. Yet these new masculinities hold out a form of hopefulness for society. They offer up new discussion to what it means to be a man, the potential for change, and what we can expect from changes in male identity over time. Using what we learn from the disadvantaged, we can hope to improve the lives of people, although the process will take time, effort, and careful mediation.

Society has a way of creating standards and expectations for the roles of men and women. The two videos Killing Us Softly and Tough Guise showed how society truly portrays men and women. The overall media system defines men. It is where they learn it what it means to be a “man”. In the video, Tough Guise, dominance, power, and control were the most commonly used adjectives to describe men. (1) Media not only gives men a certain role but it stereotypes certain races of men. Latinos are seen as boxers or criminals, Asian’s are seen as martial artists of sneaky criminals, and African Americans are seen as thugs or murderers. (1) Media directly associates violence with men. Violence has become an acepted part of masculinity. Young boys learn that if they don't want be be a “wimp” then they have to act out in violent ways. On the contrary, in the

Americans understanding about getting involved in physical activity has been evolving since the idea of sport first entered the culture. At first a sport was nothing more than a way to prove yourself to others and to show masculinity. These changes were brought to fruition through more knowledge. When Americans first realized that physical health was of importance, it was what started to make sure that everyone was getting active in some way. These changes happened first for males. It was, for a long time, still considered inappropriate for a female to in peak physical condition. Because it took so long for anyone to believe that the same resources that men were given to stay physically active should be given to women to, women are still not given the same opportunities at any level of sport in America today.

Tough Guise 2 is a documentary that focuses on the ways in which American culture uses videos games, movies, advertisements, and other sources of media, to force ideas about masculinity and manhood. Not only in America, but cultures across the world how high rates of “violent masculinity,” which means that men are resorting to violence in order to maintain respect and demand power. If they do not conform with societies expectations of what it is to be a man, they put themselves at risk of being shamed and no longer fitting this societal idea of “manhood”. Using gender stereotypes and schemas, as well as the gender role strain theory, I will focus on how these ideas connect with the ideas in the film, and how culture is one of the leading cause

Gender roles are reported to be generally defined "as sex-based categories that specify appropriate rules of conduct for males and females in a particular culture or society. Although grounded in biological differences between males and females, gender roles are social constructs. Simply put, based on the anatomical difference between men and women, each is prescribed varying and often stereotypical social roles that are reinforced at the individual level and by larger society." (Women's Health Encyclopedia, 2012) The work of Wood (1994) states that among the various influences on how society views men and women "media are the most pervasive and one of the most powerful." (p.31) Wood additionally states "Woven throughout our daily lives, media insinuate their messages into our consciousness at every turn. All forms of media communicate images of the sexes, many of which perpetuate unrealistic, stereotypical, and limiting perceptions." (1994, p.31)

Men have to battle against being stereotyped in the media. The persona created by production companies so audiences will be drawn to a certain program often traps men inside a false identity. Bravery, adventurousness, being able to think rationally, being strong and effective, for example, are all "manly" traits that are usually encouraged from childhood. So also are the ability to think independently and take the initiative. Media images supporting these

Masculinity is described as possession of attributes considered typical of a man. Hegemonic masculinity is a form of masculine character with cultural idealism and emphasis that connects masculinity to competitiveness, toughness, and women subordination. Masculinity hegemonic is the enforcement of male dominion over a society. Masculine ideology dates back to the time of agrarian and the industrial revolution in Europe when survival compelled men to leave their homesteads to work in industries to earn a living for their families while women remained at home to take care of family affairs (Good and Sherrod 210). Women did not work in industries then because industrial labor was considered too physical beyond their capacity. This led to

If a girl begins to demonstrate some signs of male characteristics, she is referred to as a ‘tom-boy’. It is like a taboo to show such kinds of signs in a girl. On the other hand, if a male does not have masculine features, he is seen as an outcast. All of these perceptions are obtained from the media, and especially televisions and movies. According to Mehta and Hay (2005), media houses have for a long time helped to construct and reinforce stereotypical ideas about masculinity and men. From what is portrayed in the media, it is possible for people to dismiss others on the basis of whether they have masculinity or are feminine (Ferrey, 2008).

Masculinity, a seemingly simple concept. Yet, when examined more closely, it is clear that masculinity is constantly changing in its definition as well as in its most basic essence. Throughout the years, one can see this evolution firsthand by looking back at the men who have been portrayed in popular media in the United States of America. From the suave Don Draper types of the 1950s to the more casual, educated, and easygoing men- with perfectly chiseled abs, of course- that are portrayed in media today, the difference is clear. This drastic, yet unsurprising, shift in ideals, as well as the exponential increase of media consumed every day, has led to a change in how “masculinity” is perceived, as well as how it is enforced by society in the modern day. Alarmingly, this trend has led to the birth of so-called “toxic masculinity”, a bastardization of the original ideas behind masculinity which has created an enormous, detrimental effect on society as a whole. As defined in the article The Difference Between Toxic Masculinity and Being a Man, toxic masculinity is “manhood as defined by violence, sex, status, and aggression. It’s the cultural ideal of manliness, where strength is everything… where sex and brutality are yardsticks by which men are measured,” (O’Malley) This is a clearly displayed truth, and it’s astounding to see how even from a young age boys are taught not to show emotions other than anger, conditioned to believe that being “like a girl” is the worst possible