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Masculinity In Macbeth

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The masculine meets the feminine through a series of transformations since the beginning of the shipwreck of Viola. It is crucial to remember that female parts were traditionally played by male actors, therefore when Viola was cross-dressed and becomes the character Cesario, the actor would just need to quickly remove his costume. Feste says “four negatives makes two affirmatives” (5.1. 19). Not only does Viola amalgamate the two genders, she somewhat denies it as well and she pretends she is a man who has been castrated, which is Cesario. Viola’s original name is directly connected to her borrowed name which is Cesario. Even though Viola is symbolic for both males and females, she is neither a male or a female. However, she comes off as …show more content…

101). It unmistakably claims that it is obligatory that there be the presence of women in order for men to fulfill their masculinity.

It is important to note that there is a correlation between brutality and masculinity in Macbeth. Many of the characters in Macbeth dwell on issues in relation to gender. For example, Lady Macbeth is a character that consistently displays the suffering of gender inequality and ideologies. She manipulates her husband by questioning his manhood and Macbeth says that women like Lady Macbeth should only be giving birth to boys. When Lady Macbeth motivates and pressures her husband to murder, she questions his masculinity. When Macbeth hires and provokes his murderers to kill Banquo, this also shows the questioning of masculinity. What is extremely noticeable in the play Macbeth is that whenever “manhood” or “masculinity” is talked about in the play, violence will soon follow. This shows that the character’s understandings of masculinity permits the political order portrayed in the play to descend into complete pandemonium. In a way, the play is able to present an amendment and a less cataclysmic definition of

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