Maternity and Masculinity in Macbeth and Coriolanus
The power of womanhood is linked with both maternity and masculinity in Shakespeare’s Macbeth and Coriolanus; one might say that they are interchangeable. Lady Macbeth becomes the psychologically masculine force over her husband, essentially assuming a maternal role, in order to inspire the aggression needed to fulfill their ambitions. Similarly, in Coriolanus, Volumnia maintains a clear, overtly maternal position over Coriolanus, molding him to be the ideal of heroic masculinity that both separates him from the rest of the characters and inescapably binds him to his mother.
These two plays, more than any other in the Shakespearean canon, throw into doubt the notion of a
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Their androgyny, however, places them outside of the realm of expected gender roles, foreshadowing the upset of such roles by other characters.
In between these scenes, we are thrust into the aftermath of a great battle, where the definition of manhood is clearly defined, and one man stands alone as the pinnacle of masculinity. The Captain declares: For brave Macbeth—well he deserves that name—
Disdaining Fortune, with his brandished steel,Which smoked with bloody execution,
Like valor’s minion carved out his passage (1.2.16-19),
Macbeth’s victory over Macdonwald proves his manhood by displaying his ability to act as a man. The link between manhood and violence is extremely prevalent in Macbeth. After hearing an account of Macbeth’s bloody victory, Duncan declares, “Oh, valiant cousin, worthy gentleman” (1.2.24), and Macbeth is awarded a higher position in the government: Thane of Cawdor. If gender is proved through performance, then Macbeth has succeeded in becoming the epitome of masculinity.
“Maternal power in Macbeth,” Janet Adelman writes, “is not embodied in the figure of a particular mother (as it is in Coriolanus); it is instead diffused throughout the play” (Adelman 131). This “maternal malevolence”(131) is introduced with the witches, but quickly spreads to Lady Macbeth. After she learns of his encounter with the witches and his plot to usurp the
Macbeth by William Shakespeare brings about one of the most controversial topic of the gender portrayal in a play. During Shakespearean times, women were considered as the weaker sex, physically and emotionally. On the other hand, men were seen as the dominant sex that is expected to be the head of their households and a strong figure. Unlike this stereotypical representation of men and women, Shakespeare introduces the reversal of gender roles in his play. Shakespeare’s portrayal of the relationship and characteristics of Macbeth and Lady Macbeth diverged from the stereotypical representation of both men and women. The author, William Shakespeare’s use of reverse gender roles which contradicted with the traditional gender roles, is what
In ‘Macbeth’, masculinity is presented as a driving force to Macbeth’s crimes, making it a vital theme. The essay’s focus is masculinity’s presentation through Macbeth and Lady Macbeth. Primarily, Shakespeare portrays Macbeth as “valiant”: a prized, respected masculine quality in their society. However, this trait becomes warped along the play. Furthermore, Lady Macbeth yearns for masculinity but she fails to acquire it. Shakespeare thus displays masculinity in two different lights.
Macbeth uses his manhood to portray his solider like qualities, but Lady Macbeth’s masculinity manipulates Macbeth’s actions, however, in the end it is Macbeth who uses his masculinity to do heinous actions.
This is apparent when she deals with Macbeth leaving the gory daggers at the site of the murder, “Give me the daggers. The sleeping and the dead/ Are but as pictures; ‘tis the eye of childhood/ That fears a painted devil.”(scene 2 act 2 56-58). Macbeth is portrayed as emotionally unstable and soft as he is afraid to even go back into the room where the murder took place, “I’ll go no more/ I am afraid to think what I have done”(scene 2 act 2 54-55). This interaction between Macbeth and Lady Macbeth really shows the unusual roles one another play in there relationship because in a situation where someone is murdered or their is a serious crime, women aren’t usually the ones who are brave and strong minded about it, men are.
A prominent and permeating theme in Macbeth is the roles and characteristics of masculinity and femininity. Throughout the play Shakespeare presents the audience with strong and sometimes conflicting views of these gender roles. What exactly defines being a man or a woman? How does an individual’s grasp of these roles effect their actions? Shakespeare shows that a clear and accurate understanding of the concept of masculinity is of critical importance in the success of a ruler. In particular, he illustrates how Macbeth’s acceptance of a perverted, violent view of masculinity leads his kingdom into chaos and turmoil, and leads Macbeth to his inevitable demise. Moral order can only be restored
In Shakespeare’s Macbeth, he uses the theme of manhood to create motives for characters to act like a man. This is seen in many occurrences in Macbeth where characters try to act like men for certain reasons. Characters that apply this action are Macbeth, the first murderer, Macduff, and Young Siward. These actions are seen throughout the play, and play a key role in the development of the performance.
In ‘Macbeth’, masculinity is presented as a driving force to Macbeth’s crimes, making it a vital theme. The essay’s focus is masculinity’s presentation through Macbeth and Lady Macbeth. Primarily, Shakespeare portrays Macbeth as “valiant”: a prized masculine quality which was respected in their society. However, this trait becomes warped along the play. Furthermore, Lady Macbeth yearns for masculinity but she fails to acquire it. Shakespeare thus displays masculinity in two different lights.
The play Macbeth, written by Shakespeare, describes Macbeth’s rise to power and the obstacles he faces on his journey. The witches prophesied his rise of power that will lead to him becoming King. He must make many drastic decisions that will lead to becoming king and powerful. Males often strive to obtain supremacy and glory. In Shakespeare’s Macbeth, male roles are strictly defined as cruel and violent; however, not all men follow these standards. Male gender roles and the stereotypes they reinforce, may or may not define the way a male acts in society.
The play opens with a battle against the King of Norway. Ultimately, both parties hope to obtain dominance. This is the first introduction to the constant theme of power. Macbeth reveals his physical power by slaying Macdonwald, a traitor of Scotland. Macbeth believes that through this victory he has proven his masculinity and strength. This is one example of how the male characters believe that by proving their manhood they will receive power and a higher position in society. Macbeth, along with other male characters, strive to obtain their goal of dominance constantly through their actions. Macbeth’s disappointment in King Duncan’s announcement of the next King of Scotland demonstrates that Macbeth was looking to be rewarded with power for
Lady Macbeth is intelligent, unable to bear children, “ambitious, manipulative, seductive” and seeks to move up in society (Tucker). She’s everything that women are not supposed to be in this time period. Despite her seeming like a very strong woman character, her weakness in the end, when she loses her mind, is shown to exemplify the patriarchal idea that even strong women are weaker than men. While in today’s society women are expected to be just as intelligent as men, the patriarchy sees her intelligence as a “flaw” and a representation that she is “unnatural and unfulfilled” (Davis). She is certainly not motherly as she says she would “Have plucked [her] nipple from [her sons] boneless gums And dashed [his] brains out” (Shakespeare 1.7.58-59). This violent description of what she’d do to her child is a complete opposite from what one would expect from a mother. Since being a mother is all women were supposed to be in the late 1500s, this was a complete juxtaposition from the norm of society and was hard for most to wrap their simple minds around and accept. This helped Shakespeare present Lady Macbeth as the real villain of
By the end of the play, it is notable how hyper masculinity deteriorates the main characters of the play. The characters of Macbeth inhabit a world of darkness and uncertainty as hyper-masculine ideologies are introduced to them. As one reads throughout the play, it’s easy to pick up on Macbeth and Lady Macbeth's excellent job at portraying the personification of humanity’s identity crisis with gender. Without proper gender roles, humanity begins to deteriorate, so the struggle that takes place in this play is of significant concern. With the creation of the Macbeths, Shakespeare diminishes everything that what was considered to be human nature. Macbeth becomes unstable because he cannot please such an unsatisfied woman, so he feels the need to take on an artificial hyper-masculine role but because of this is too torn to
Manhood and its definition is a major theme in Shakespeare’s play Macbeth. On first appearance, Macbeth is characterized as a loyal and valiant thane in defense of the honor of Scotland and King Duncan. The brutality that he shows as a warrior on the battlefield is an acceptable and lauded trait. These attributes come into question as the witches introduce the prophecies tempting Macbeth’s vaulting ambition. After the regicide, Macbeth is damned and is no longer concerned with being honorable. He covets immediate gratification at all costs and by all means. However, this gratification is temporary due to that Macbeth later on, experiences guilt and regret which directs him towards his morbid fate and ultimate demise.
After emerging victorious from battle in Act I of the play that bears his name, Macbeth realizes the skirmish is not over. The witches’ prophecy, although an illustrious proposition, pits his conscience against his desire for power. And later on, its fulfillment presents a battle to solidify his masculinity.
By projecting a heavy focus upon the manipulation of gender and ambition, Macbeth manages to extract a seemingly alien abstraction of the 1600s into a significant narrative element. The tension that coexists between the relations of gender allow for the complete rupture of all social norms. Macbeth’s world becomes disjointed as his masculinity is questioned, his psyche manipulated, and his future incarcerated. Reaves is of the opinion that “the spiritual well being of Scotland in Macbeth suffers from an infection that festers as the play continues. Where “fair is foul and foul is fair” (1.1.12), the basic binary relationships become blurred” (21). Macbeth certainly possesses little power over his choices, submitting to the machinations his
In Macbeth by William Shakespeare, gender plays a pivotal role in the development of the overall plot and as the play advances, certain characters, including Macbeth and Lady Macbeth experience a reversal in traditional gender behaviors. Additionally, we see gender confusion among other characters that enhances conflict in the play. Originally, Macbeth and Lady Macbeth are portrayed in ways that enforce their respective masculinity and feminism in accordance to the society around them. As Macbeth begins to contemplate his decision regarding the killing of Duncan, his marriage becomes the primary driving force behind his action and thoughts in this matter. Although in some cases, male and female roles in this play remain static, the